If it's remembered at all, it will be as a time capsule of early-21st-century blockbuster cowardice and redundancy.
The Time Machine (2002)
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Reviews Counted:146
Fresh:41
Rotten:105
Average Rating:4.8/10
Consensus: This Machine has all the razzle-dazzles of modern special effects, but the movie takes a turn for the worst when it switches from a story about lost love to a confusing action-thriller.
Rated: PG-13 [See Full Rating] for intense sequences of action violence
Runtime: 1 hr 36 mins
Genre: Science-Fiction/Fantasy
Theatrical Release:Mar 8, 2002 Wide
Box Office: $56,684,819
Synopsis:
Scientist and inventor Alexander Hartdegen is determined to prove that time travel is possible. His determination is turned to desperation by a personal tragedy that now drives him to want to...
Scientist and inventor Alexander Hartdegen is determined to prove that time travel is possible. His determination is turned to desperation by a personal tragedy that now drives him to want to change the past. Testing his theories with a time machine of his own invention, Hartdegen is hurtled 800,000 years into the future, where he discovers that mankind has divided into the hunter…and the hunted.
Based on the classic science-fiction novel by H.G. Wells, "The Time Machine" stars Guy Pearce ("Memento," "L.A. Confidential") in the role of Alexander Hartdegen. Making her feature film debut, Dublin-born singer/songwriter Samantha Mumba stars opposite Pearce as Mara, the woman who befriends Hartdegen in the distant future. The international cast also includes Orlando Jones ("Evolution"), Mark Addy ("The Full Monty"), Phyllida Law ("Saving Grace"), Sienna Guillory ("Kiss Kiss Bang Bang") and Academy Award® winner Jeremy Irons ("Reversal of Fortune," "Die Hard: With a Vengeance").
A co-production of DreamWorks Pictures and Warner Bros. Pictures, "TheTime Machine" marks the live-action directorial debut of Simon Wells, who previously co-directed DreamWorks’ animated hit "The Prince of Egypt." Wells directed "The Time Machine" from a screenplay by John Logan ("Gladiator"), based on the screenplay by David Duncan. Walter F. Parkes ("Gladiator," upcoming "Men in Black 2") and David Valdes ("The Green Mile") produced the film, with Laurie MacDonald, Jorge Saralegui and Arnold Leibovit serving as executive producers, and John Logan co-producing. The film will be distributed domestically by DreamWorks, with Warner Bros. handling the international release.
-- © 2002 Dreamworks Pictures
Starring: Guy Pearce, Jeremy Irons, Orlando Jones, Samantha Mumba
Starring: Guy Pearce, Jeremy Irons, Orlando Jones, Samantha Mumba, Omero Mumba, Sienna Guillory, Mark Addy, Phyllida Law
Director: Simon Wells
Director: Simon Wells
Screenwriter: John Logan
Studio: DreamWorks Distribution LLC
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Reviews for The Time Machine
Stripped of all the ingenuity and observations that made the original story worthwhile.
This new Time Machine is hardly perfect… yet it proves surprisingly serviceable. Even at its worst, it's not half-bad.
...wears its admiration to the George Pal film prominently on its sleeve.
A zippy 96 minutes of mediocre special effects, hoary dialogue, fluxing accents, and -- worst of all -- silly-looking Morlocks.
It is an imaginative adventure yarn with good cinematography, great production design and excellent art direction ... Guy Pearce is effective as the leading man.
That Jeremy Irons’ character should set one to thinking of “Battlefield Earth’s” Travolta is not a good thing.
They gave The Time Machine a major overhaul and ended up with a clunker.
If you want a movie time trip, the 1960 version is a far smoother ride.
Little of the novel's social commentary permeates the film's 96 minutes, which proves to be nothing more than a mindless array of cheesy special effects, enough to triple coat an extra large pizza.
In the new film, it's personal tragedy that provokes the journey, not social upheaval or even scientific curiosity -- which, predictably, makes for a story that's at once more familiar and less interesting.
It’s rare to see a movie that takes such a speedy swan dive from “promising” to “interesting” to “familiar” before landing squarely on “stupid”.
Isn't a complete home run, but...is that rare special effects-laden feature that actually uses its brain and has something worthwhile to say.
How come getting the CGI right is so damned important, but the filmmakers go Ed Wood when it comes to the continuity of the sun in the sky?
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