It's an apocalyptic ghost story with some eerie images and a surprising turn toward the end, but it bogs down considerably between the good scenes.
Pulse (2005)
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Reviews Counted:48
Fresh:35
Rotten:13
Average Rating:6.8/10
Consensus: A sinister spine-tingling techno-thriller whose artistry lies in the power of suggestion rather than a barrage of blood and guts or horror shop special effects.
Theatrical Release:Nov 9, 2005 Limited
Synopsis: "Would you like to meet a ghost?" This foreboding question is posed to a young man by his own computer, suddenly able to dial up to the Internet--by itself. Unfortunately for the characters in... "Would you like to meet a ghost?" This foreboding question is posed to a young man by his own computer, suddenly able to dial up to the Internet--by itself. Unfortunately for the characters in Kiyoshi Kurosawa's PULSE, inquisitive PCs are the least of their problems. What begins as the seemingly isolated suicide of a computer hacker in Tokyo leads to a series of mysterious disappearances and deaths in this bone-chilling thriller. As Michi (Kumiko Aso), a young woman working on a rooftop plant nursery, attempts to find out what happened to her deceased friend, a slacker named Kawashima (Haruhiko Katô) reports his computer's unusual behavior to Harue (Koyuki), an attractive tech specialist. Separately, they witness an unraveling horror which manifests itself in haunting digital images, coal-black stains, doors sealed with red tape, and lingering apparitions--all leading to a steady decrease in Tokyo's population. Like RING, another prime example of Japanese horror, Kurosawa's PULSE manages to take a B-movie plot and elevate to a level of both terror and artistry that's rarely, if ever, seen in the West. Rather than relying on gore and special effects, the film uses expert cinematography (courtesy of Junichirô Hayashi, also the cameraman on RING and Kurosawa's CHARISMA), bleak backdrops, creepy music, and the good ol' power of suggestion to create what eventually becomes an existential nightmare. To call PULSE "scary" would be a grave understatement; most viewers will never look at a roll of red tape the same way again. [More]
Starring: Haruhiko Katô, Kumiko Aso, Shinji Takeda, Koji Yakusho
Starring: Haruhiko Katô, Kumiko Aso, Shinji Takeda, Koji Yakusho, Jun Fubuki
Director: Kiyoshi Kurosawa
Director: Kiyoshi Kurosawa
Screenwriter: Kiyoshi Kurosawa
Studio: Magnolia Pictures
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Reviews for Pulse
Kurosawa places his scary story in the context of intellectual conflict. In the case of Pulse, it's a Cartesian argument, but one with which Kurosawa is careful not to get too bogged down while scaring the bejesus out of his audience.
Kurosawa... fills the film with an eerie emptiness, where suicides erupt out of nowhere and mankind dissolves in an oily smudge of hopelessness...
Pulse may be just as effective an exploration of the nature of loneliness and isolation in Japanese society as any number of documentaries on the subject.
in the labyrinthine fabric of Pulse, different characters must all, one by one, confront their own isolation, insignificance and deepest, darkest despair.
You hate to call a ghost movie haunting, but there it is. It sticks around and rattles.
With brooding visuals and a thematically charged text, Kairo warns against the destructive, dehumanizing power of the internet.
Not just the scariest sample of J-horror I've yet seen, but also the most profound
If you don't believe in ghosts, or the baleful influence of the Internet, or websites that can turn on unplugged computers, you might regard Pulse with skepticism.
Whether you take it as horror show or social commentary (or both), this is sublimely terrifying stuff.
If one masterpiece were to emerge from the recent glut of generally good-quality Japanese horror movies, this chilling apocalyptic ghost story from Kyroshi Kurosawa is it.
Brings some of the creepiest imagery yet seen to bear on the question of how ghosts might manifest themselves before the living.
There are very few moments in Kiyoshi Kurosawa's fiercely original, thrillingly creepy horror movie that don't evoke a dreamlike dread of the truly unknown.
Not only is this one of the best of the recent Asian examples of the fright flick, but it's one of the best movies about individual isolation and loneliness ever made.
Did I mention that nothing in the two snail-paced hours of Pulse makes close to a shred of sense?
The film’s calculated elusiveness has the effect of distancing us from the story.
Latest News for Pulse
August 09, 2006:
Critical Consensus: A Brave New "World," A "Step" Down, And No Screenings for "Pulse" and "Zoom"
This week at the movies, we've got Oliver Stone paying tribute to the heroes of 9/11 ("World Trade Center," starring Nicolas Cage); two youngsters trying to start a... More...
May 25, 2006:
Trailer Bulletin: Pulse
The Japanese version was called "Kairo." The long-delayed American remake is called "Pulse," and the all-new theatrical trailer can be viewed right here. More...
April 06, 2006:
A Pair of "Grudge 2" Set Visits
IGN FilmForce and JoBlo's have chimed in with their set reports from Sony's upcoming Grudge sequel, and the movie geeks report from Japan that the sequel is coming along... More...
November 30, 2005:
Trailer Bulletin: Pulse
Anyone out there ready for yet another Japan-to-America horror remake? Then sit back and get comfortable for the "Pulse" trailer, which you can see right here. More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
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