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Tosca

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Tosca (2002)

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Reviews Counted:37

Fresh:24

Rotten:13

Average Rating:6.3/10

Rated: Not Rated

Runtime: 2 hrs

Genre: Musical & Performing Arts

Theatrical Release:Jul 12, 2002 Limited

Synopsis: French director Benoit Jacquot (A SINGLE GIRL) adapts the famous opera by Giacomo Puccini in his film TOSCA. The stunningly dramatic opera stars--Angela Gheorghiu as Floria Tosca, Roberto Alagna as... French director Benoit Jacquot (A SINGLE GIRL) adapts the famous opera by Giacomo Puccini in his film TOSCA. The stunningly dramatic opera stars--Angela Gheorghiu as Floria Tosca, Roberto Alagna as Mario Cavaradossi, and Ruggero Raimondi as Baron Scarpia--steal the show with their intense vocal range and fiery acting. The film cuts back and forth between black and white photography that shows the singers and a full orchestra recording the opera in a studio, and color photography that shows the costumed presentation, act by act, with several different sets. Mario (Alagna) is painting a portrait on the wall of the chapel, inspired by a fair-haired beauty who he has just seen praying below. When his girlfriend, the possessive Diva Tosca (Gheorghui) pays him a surprise visit, he must reassert his love for her, trying to ease her worries and her jealousy at seeing the painting. However, that night when a prisoner escapes, Mario is a suspected accomplice and he is wanted by the police. The evil Baron Scarpia (Raimondi) lies to Tosca, telling her that Mario ran off with the fair-haired beauty, and using her jealousy to get her to aid the police in his capture. This film was included in the Rendez-Vous with French Cinema 2002 festival organized by the Film Society of Lincoln Center in New York City. [More]

Starring: Angela Gheorghiu, Roberto Alagna, Ruggero Raimondi

Starring: Angela Gheorghiu, Roberto Alagna, Ruggero Raimondi

Director: Benoit Jacquot

Director: Benoit Jacquot
Composer: Giacomo Puccini

[See More Credits]

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Release:

Oct 25, 2005

No Details Exist
 
 

Reviews for Tosca

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1 - 20 (sorted by date)
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Reviews
Tomatometer Critic Review Category
splat
C+

Cole Smithey

Benoit Jacquot ("School of Flesh") directs this stylistically challenging cinematic rendering of Giacomo Puccini's famous 1899 opera with an appropriately powerful performance by opera diva Angela Gheorgiu.

Full Review Source: | comment Comment | Jun., 06 2009 08:45 AM

ColeSmithey.com

splat
2/5

Click to read the article

Full Review Source: | comment Comment | Dec., 30 2006 07:05 AM

Empire Magazine

N/R

Geoff Andrew

Click to read the article

Full Review Source: | comment Comment | Jun., 24 2006 04:10 AM

Time Out

splat
1/5

Michael Szymanski

No review available.

comment Comment | Nov., 04 2005 01:34 AM

Zap2it.com

tomato
3/5

Emanuel Levy

No review available.

comment Comment | Jul., 26 2005 12:01 PM

EmanuelLevy.Com

tomato
3/5

Jake Euker

No review available.

comment Comment | Jul., 17 2005 04:38 PM

F5 (Wichita, KS)

splat
2.5/4

John von Rhein

You would be better off investing in the worthy EMI recording that serves as the soundtrack, or the home video of the 1992 Malfitano-Domingo production.

Full Review Source: | comment Comment | Jun., 12 2003 02:04 PM

Chicago Tribune

tomato
2.5/4

Melinda Bargreen

With three excellent principal singers, a youthful and good-looking diva and tenor and richly handsome locations, it's enough to make you wish Jacquot had left well enough alone and just filmed the opera without all these distortions of perspective.

Full Review Source: | comment Comment | Apr., 25 2003 06:03 PM

Seattle Times

splat
B-

The performance is curiously cold, surprisingly artificial and removed from the very passion embedded deeply within the score and libretto.

Full Review Source: | comment Comment | Apr., 25 2003 08:10 AM

Seattle Post-Intelligencer

tomato
3/4

Phil Villarreal

Definitely not a movie for everyone, but should please fans of the classic opera.

Full Review Source: | comment Comment | Dec., 19 2002 11:39 PM

Arizona Daily Star

tomato
4/4

Steven Rosen

For movie lovers as well as opera lovers, Tosca is a real treat.

Full Review Source: | comment Comment | Dec., 06 2002 04:52 PM

Denver Post

tomato
B+

Robert Denerstein

From the trembling fury of Gheorgiu's Tosca to the penetrating stare of Raimondi's Scarpia, this Tosca blazes with passion. At its best, it's sublime.

Full Review Source: | comment Comment | Dec., 06 2002 08:22 AM

Denver Rocky Mountain News

tomato
3/4

Marta Barber

Jacquot's Tosca is a treat.

Full Review Source: | comment Comment | Oct., 04 2002 06:21 PM

Miami Herald

N/R

Click to read the article

Full Review Source: | comment Comment | Sep., 21 2002 08:16 AM

Boston Phoenix

splat
1.5/4

It is impossible to imagine wanting to see Jacquot's film more than once, if that.

Full Review Source: | comment Comment | Sep., 20 2002 06:44 PM

Boston Globe

tomato
3/4

T. Hashimoto

If you can read the subtitles (the opera is sung in Italian) and you like 'Masterpiece Theatre' type costumes, you'll enjoy this movie.

Full Review Source: | comment Comment | Aug., 30 2002 05:14 PM

San Francisco Examiner

tomato
3/4

Mick LaSalle

The film just might turn on many people to opera, in general, an art form at once visceral and spiritual, wonderfully vulgar and sublimely lofty -- and as emotionally grand as life.

Full Review Source: | comment Comment | Aug., 30 2002 03:35 PM

San Francisco Chronicle

splat
2/5

Cherryl Dawson and Leigh Ann Palone

Passion, lip-synching, tragedy, and lots of really really high notes. For me, this opera isn't a favorite, so it's a long time before the fat lady sings.

Full Review Source: | comment Comment | Aug., 30 2002 07:24 AM

TheMovieChicks.com

tomato

Georgia Rowe

The director sees the strengths of Alagna and Gheorghiu and plays them for every cinematic moment.

Full Review Source: | comment Comment | Aug., 29 2002 12:19 PM

Contra Costa Times

tomato
4/5

Daniel Cariaga

Altogether, this is successful as a film, while at the same time being a most touching reconsideration of the familiar masterpiece.

Full Review Source: | comment Comment | Aug., 14 2002 08:15 AM

Los Angeles Times

 
 
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