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Movies / On DVD / Tosca
Tosca

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Tosca (2002)

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Reviews Counted:37

Fresh:24

Rotten:13

Average Rating:6.3/10

Rated: Not Rated

Runtime: 2 hrs

Genre: Musical & Performing Arts

Theatrical Release:Jul 12, 2002 Limited

Synopsis: French director Benoit Jacquot (A SINGLE GIRL) adapts the famous opera by Giacomo Puccini in his film TOSCA. The stunningly dramatic opera stars--Angela Gheorghiu as Floria Tosca, Roberto Alagna as... French director Benoit Jacquot (A SINGLE GIRL) adapts the famous opera by Giacomo Puccini in his film TOSCA. The stunningly dramatic opera stars--Angela Gheorghiu as Floria Tosca, Roberto Alagna as Mario Cavaradossi, and Ruggero Raimondi as Baron Scarpia--steal the show with their intense vocal range and fiery acting. The film cuts back and forth between black and white photography that shows the singers and a full orchestra recording the opera in a studio, and color photography that shows the costumed presentation, act by act, with several different sets. Mario (Alagna) is painting a portrait on the wall of the chapel, inspired by a fair-haired beauty who he has just seen praying below. When his girlfriend, the possessive Diva Tosca (Gheorghui) pays him a surprise visit, he must reassert his love for her, trying to ease her worries and her jealousy at seeing the painting. However, that night when a prisoner escapes, Mario is a suspected accomplice and he is wanted by the police. The evil Baron Scarpia (Raimondi) lies to Tosca, telling her that Mario ran off with the fair-haired beauty, and using her jealousy to get her to aid the police in his capture. This film was included in the Rendez-Vous with French Cinema 2002 festival organized by the Film Society of Lincoln Center in New York City. [More]

Starring: Angela Gheorghiu, Roberto Alagna, Ruggero Raimondi

Starring: Angela Gheorghiu, Roberto Alagna, Ruggero Raimondi

Director: Benoit Jacquot

Director: Benoit Jacquot
Composer: Giacomo Puccini

[See More Credits]

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Release:

Oct 25, 2005

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Reviews for Tosca

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21 - 40 (sorted by date)
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Opera on film is never satisfactory. The art demands live viewing. The innate theatrics that provide its thrills and extreme emotions lose their luster when flattened onscreen.

Full Review Source: Boxoffice Magazine | comment Comment
08/02/02
Bridget Byrne
Bridget Byrne
Boxoffice Magazine

Director Benoit Jacquot, making his first opera-to-film translation with Tosca, conveys the heaving passion of Puccini's famous love-jealousy- murder-suicide fandango with great cinematic innovation.

Full Review Source: Entertainment Weekly | comment Comment
08/02/02
Lisa Schwarzbaum
Lisa Schwarzbaum
Entertainment Weekly
Top Critic Icon Top Critic

This filmed Tosca -- not the first, by the way -- is a pretty good job, if it's filmed Tosca that you want. I'll stay with the stage versions, however, which bite cleaner, and deeper.

Full Review Source: L.A. Weekly | comment Comment
08/01/02
Alan Rich
Alan Rich
L.A. Weekly

Audiences are advised to sit near the back and squint to avoid noticing some truly egregious lip-non-synching, but otherwise the production is suitably elegant.

comment Comment
08/01/02
Gregory Weinkauf
Gregory Weinkauf
New Times

Every conceivable mistake a director could make in filming opera has been perpetrated here.

Full Review Source: Film Journal International | comment Comment
07/27/02
David Noh
David Noh
Film Journal International

A rare example of first-rate filmed opera.

Full Review Source: New York Magazine | comment Comment
07/21/02
Peter Rainer
Peter Rainer
New York Magazine
Top Critic Icon Top Critic

The director has injected self-consciousness into the proceedings at every turn. The results are far more alienating than involving.

Full Review Source: Hollywood Reporter | comment Comment
07/18/02
Frank Scheck
Frank Scheck
Hollywood Reporter

I'd rather watch a rerun of The Powerpuff Girls

Full Review Source: Planet Sick-Boy | comment Comment
07/12/02
Jon Popick
Jon Popick
Planet Sick-Boy

Benoit Jacquot serves up Puccini's warhorse with a minimum of cinematic hoo-ha and a maximum of respect.

Full Review Source: Newsday | comment Comment
07/12/02
Jan Stuart
Jan Stuart
Newsday
Top Critic Icon Top Critic

A fine production with splendid singing by Angela Gheorghiu, Ruggero Raimondi, and Roberto Alagna.

Full Review Source: Christian Science Monitor | comment Comment
07/12/02
David Sterritt
David Sterritt
Christian Science Monitor

Jacquot's rendering of Puccini's tale of devotion and double-cross is more than just a filmed opera. In his first stab at the form, Jacquot takes a slightly anarchic approach that works only sporadically.

Full Review Source: New York Post | comment Comment
07/12/02
Megan Turner
Megan Turner
New York Post

Jacquot's strategy allows his cast the benefit of being able to give full performances ... while demonstrating vividly that the beauty and power of the opera reside primarily in the music itself.

Full Review Source: TV Guide's Movie Guide | comment Comment
07/11/02
Maitland McDonagh
Maitland McDonagh
TV Guide's Movie Guide

For the most part, it works beautifully as a movie without sacrificing the integrity of the opera.

Full Review Source: New York Times | comment Comment
07/11/02
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

Two hours fly by -- opera's a pleasure when you don't have to endure intermissions -- and even a novice to the form comes away exhilarated.

Full Review Source: Village Voice | comment Comment
07/11/02
Elizabeth Zimmer
Elizabeth Zimmer
Village Voice

Angela Gheorghiu as famous prima donna Floria Tosca, Roberto Alagna as her lover Mario Cavaradossi, and Ruggero as the villainous, lecherous police chief Scarpia, all sing beautifully and act adequately.

Full Review Source: New York Observer | comment Comment
07/11/02
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic

If the material is slight and admittedly manipulative, Jacquot preserves Tosca's intoxicating ardor through his use of the camera.

Full Review Source: Filmcritic.com | comment Comment
07/10/02
Jeremiah Kipp
Jeremiah Kipp
Filmcritic.com

Though the opera itself takes place mostly indoors, Jacquot seems unsure of how to evoke any sort of naturalism on the set.

Full Review Source: Slant Magazine | comment Comment
07/02/02
Ed Gonzalez
Ed Gonzalez
Slant Magazine
N/R

Click to read the article

Full Review Source: Guardian [UK] | comment Comment
05/26/02
Guardian [UK]
N/R

Click to read the article

Full Review Source: FilmFour.com | comment Comment
05/14/02
FilmFour.com

As it stands it's an opera movie for the buffs.

Full Review Source: BBC | comment Comment
05/06/02
Laura Bushell
Laura Bushell
BBC
 
 
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