Writers, Studios to Resume Negotiations
WGA, AMPTP heading back to the table on November 26.
Nothing's definite yet -- not by a long shot -- but the frosty standoff between the Writers Guild of America and the Alliance of Motion Picture & Television Producers might be starting to thaw.
Variety reports that the two sides have agreed to resume talks, setting November 26 as the date that new negotiations are set to begin. Though both the WGA and the AMPTP agreed to a news blackout, Variety obtained an e-mail from WGA West president Patric Verrone to the membership, saying in part:
"This announcement is a direct result of your efforts...for 12 days I have repeated that a powerful strike means a short strike...Now it is equally important that we now prove that good news won't slow us down, either. We must remember that returning to the bargaining table is only a start. Our work is not done until we achieve a good contract and that is by no means assured. Accordingly, what we achieve in negotiations will be a direct result of how successfully we can keep up our determination and resolve."
Until recently, the AMPTP had insisted that it wouldn't resume negotiations until the strike ended. The latest developments are encouraging, but don't break out the champagne -- there's still a lot of ground that both sides need to cover before the strike can end, and they haven't stopped slinging arrows just yet. Variety quotes AMPTP president Nick Counter as recently saying:
"For true negotiations to take place, there has to be some expectation that a deal can be made, but by their past actions and their current rhetoric that certainly doesn't appear to be the case."
And just think -- even if this strike is resolved quickly, we've still got the actors' and directors' strikes to look forward to in 2008.
Source: Variety
Variety reports that the two sides have agreed to resume talks, setting November 26 as the date that new negotiations are set to begin. Though both the WGA and the AMPTP agreed to a news blackout, Variety obtained an e-mail from WGA West president Patric Verrone to the membership, saying in part:
"This announcement is a direct result of your efforts...for 12 days I have repeated that a powerful strike means a short strike...Now it is equally important that we now prove that good news won't slow us down, either. We must remember that returning to the bargaining table is only a start. Our work is not done until we achieve a good contract and that is by no means assured. Accordingly, what we achieve in negotiations will be a direct result of how successfully we can keep up our determination and resolve."
Until recently, the AMPTP had insisted that it wouldn't resume negotiations until the strike ended. The latest developments are encouraging, but don't break out the champagne -- there's still a lot of ground that both sides need to cover before the strike can end, and they haven't stopped slinging arrows just yet. Variety quotes AMPTP president Nick Counter as recently saying:
"For true negotiations to take place, there has to be some expectation that a deal can be made, but by their past actions and their current rhetoric that certainly doesn't appear to be the case."
And just think -- even if this strike is resolved quickly, we've still got the actors' and directors' strikes to look forward to in 2008.
Source: Variety
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Raziel5000 writes: on Nov 19 2007 07:11 AM "For true negotiations to take place, there has to be some expectation that a deal can be made, but by their past actions and their current rhetoric that certainly doesn't appear to be the case." Wow, I don't think I've ever seen a more blatant case of the pot calling the kettle black. Good god. I actually hope the writers now put the residuals back on the table now. For the AMPTP making this statment if nothing else. (Reply to this) |
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lonechicken writes: on Nov 19 2007 07:25 AM So are directors who also write allowed to do rewrites during shooting, while the strike's going on? Like say, the Wachowski brothers. (Reply to this) |
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Raziel5000 writes: on Nov 19 2007 07:34 AM In reply to this comment (#1288124) If they are part of the WGA then no, they aren't supposed to be writing. If they are not part of the WGA then its a different story, but I'd imagine the Wachowski brothers are (although I stand to be corrected here as I haven't looked it up). (Reply to this) |
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BrianInSD writes: on Nov 19 2007 09:25 AM In reply to this comment (#1288131) I'm sure you're right about the Wachowskis belonging to WGA. I don't think it will be an issue WRT Speed Racer, however, since it is currently in post-production and they are wearing their Directors' hats now. In general, however, writer/director members of WGA are not supposed to be doing script-work during the strike. They can still direct but they aren't allowed to re-write. (Reply to this) |
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gigantor21 writes: on Nov 19 2007 10:24 AM Well, it's a start at least. The AMPTP president's remarks are uncalled for, yes, but at least they're planning to negotiate now. Let's just hope they're able to resolve things ASAP. (Reply to this) |
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gigantor21 writes: on Nov 19 2007 10:25 AM And on a side note, what the hell is up with that tacky movie in the related links thread? It looks no-budget to the point of being Ghanaian--and trust me, I've seen enough Ghanaian juju movies to make that analogy. (Reply to this) |
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kdbarrett writes: on Nov 19 2007 12:09 PM "That tacky movie" has the title "Strike" plus it has a hilariously bad poster. It's perfect! J. J. Abrams pointed out that because of the strike, he's missing the chance to add/change lines to the scenes he's filming for Star Trek XI, so it would seem that writer/directors are NOT writing. (Reply to this) |
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XxMayhemxX writes: on Nov 19 2007 01:52 PM The writers can do rewrites or finish scripts if they cross the line secretly. Usually done for potential blockbusters, and big name directors and producers. Altho, those writers are also going against everything their comrades are fighting for. Also, some directors do on-set dialogue changes and revisions if nessacary. A rough draft, so to speak, can be tweaked and added to and still be reasonably good as to the writers specifications and preferences. Especially if the director and writers have worked together before. (Reply to this) |
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XxMayhemxX writes: on Nov 19 2007 01:54 PM Directors do on-set revisions and rewrites whether they are WGA or not. (Reply to this) |
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Raziel5000 writes: on Nov 20 2007 12:48 AM In reply to this comment (#1289690) If a Director is also a writer and is with the WGA then they shouldn't be doing re-writes, on set or not, as part of the strike. Whether it will be done anyway remains to be seen - but in principle they shouldn't be doing it. If its a small change of dialouge or something like that then you would expect some common sense is used and it is just changed, whether written into the script or not - but if its something more substantial and the director is WGA then, in principle, he/she shouldn't be doing it. (Reply to this) |
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Razorback writes: on Nov 20 2007 02:43 AM Directors and television show runners are allowed to do rewrites and on-set dialogue changes, but most won't because they are in the WGA. (Reply to this) |
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