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All or Nothing

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All or Nothing (2002)

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Reviews Counted:87

Fresh:72

Rotten:15

Average Rating:7.1/10

Consensus: All or Nothing's depiction of the working-class can be depressingly bleak, but the performances are wonderfully true to life.

Rated: R [See Full Rating] for pervasive language and some sexuality

Runtime: 2 hrs 8 mins

Genre: Dramas

Theatrical Release:Oct 25, 2002 Limited

Synopsis: Following 1999's Oscar-nominated period piece TOPSY-TURVY, acclaimed filmmaker Mike Leigh returns to the familiar terrain of modern, working-class London with ALL OR NOTHING. Yet another... Following 1999's Oscar-nominated period piece TOPSY-TURVY, acclaimed filmmaker Mike Leigh returns to the familiar terrain of modern, working-class London with ALL OR NOTHING. Yet another bittersweet slice-of-life drama conceived in Leigh's now legendary improvisational style, ALL OR NOTHING follows a group of dysfunctional families living in a London housing project who seem to have lost any glimmer of optimism and hope. Phil Bassett (Timothy Spall) works as a cab driver, while his wife Penny (Lesley Manville) holds a job as a clerk in a Safeway. Their two kids, Rachel (Alison Garland) and Rory (James Corden), are overweight and friendless. Nearby, Ron (Paul Jesson) and Carol (Marion Bailey) drink themselves into oblivion every night, while their sex-charged daughter Samantha (Sally Hawkins) attempts to conquer every boy on the block. Next door to them, Penny's coworker Maureen (Ruth Sheen) watches over her daughter, Donna (Helen Coker), who has been impregnated by her bitter, abusive boyfriend. In typical Leigh fashion, each character trudges through the muck of everyday existence, until a minor revelation sparks an understanding that brings hope to their sour lives. Featuring impeccably realized performances by the ensemble cast--most notably Spall and Manville--Leigh's film pays tribute to the exasperating institution of family. [More]

Starring: Timothy Spall, Lesley Manville, Ruth Sheen, Sally Hawkins

Starring: Timothy Spall, Lesley Manville, Ruth Sheen, Sally Hawkins, Alison Garland, James Corden, Helen Coker, Marion Bailey, Paul Jesson

Director: Mike Leigh

Director: Mike Leigh
Screenwriter: Mike Leigh
Producer: Simon Channing Williams,
Composer: Andrew Dickson
Studio: MGM/UA

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Release:

Feb 18, 2003

No Details Exist
 
 

Reviews for All or Nothing

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1 - 20 (sorted by comments)
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Dreary tale of middle-class angst

Full Review Source: Laramie Movie Scope | comment 3 Comments
12/17/02
Robert Roten
Robert Roten
Laramie Movie Scope
N/R

Click to read the article

Full Review Source: FilmFour.com | comment Comment
10/22/02
FilmFour.com

While none of this is easy to watch, you'll be moved anyway.

Full Review Source: E! Online | comment Comment
10/25/02
E! Online
N/R

Click to read the article

Full Review Source: Boston Phoenix | comment Comment
11/18/02
Boston Phoenix
N/R

Click to read the article

Full Review Source: Guardian [UK] | comment Comment
11/19/02
Guardian [UK]
N/R

Click to read the article

Full Review Source: Sydney Morning Herald | comment Comment
04/18/03
Sydney Morning Herald
N/R

Click to read the article

Full Review Source: FilmStew.com | comment Comment
02/01/04
FilmStew.com

Click to read the article

Full Review Source: Film Threat | comment Comment
12/06/05
Film Threat

Click to read the article

Full Review Source: Empire Magazine | comment Comment
12/30/06
Empire Magazine

[Generosity] seems to resonate in Andrew Dickson's sweet, melancholy score, in Dick Pope's tactfully beautiful images and in every frame of this sad, resolute film.

Full Review Source: New York Times | comment Comment
10/24/02
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

This is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that doesn't reveal even a hint of artifice.

Full Review Source: eye WEEKLY | comment Comment
11/19/02
Adam Nayman
Adam Nayman
eye WEEKLY
N/R

Click to read the article

Full Review Source: This is London | comment Comment
10/19/02
Alexander Walker
Alexander Walker
This is London

For close to two hours the audience is forced to endure three terminally depressed, mostly inarticulate, hyper dysfunctional families for the price of one.

Full Review Source: New York Observer | comment Comment
01/17/03
Andrew Sarris
Andrew Sarris
New York Observer
Top Critic Icon Top Critic

Leigh's sympathy for the working poor is unmistakable and unassailable, but the tragic grandeur with which he imbues their pain hovers dangerously close to condescension.

Full Review Source: Washington Post | comment Comment
11/01/02
Ann Hornaday
Ann Hornaday
Washington Post

Leigh and his actors succeed in making these characters human and sympathetic and, thus, all the more profoundly sad.

Full Review Source: TheFilmJournal.com (Ohio) | comment Comment
10/25/02
Arthur Lazere
Arthur Lazere
TheFilmJournal.com (Ohio)

Leigh and his actors succeed in making these characters human and sympathetic and, thus, all the more profoundly sad.

Full Review Source: culturevulture.net | comment Comment
01/07/03
Arthur Lazere
Arthur Lazere
culturevulture.net

The characters do nothing but smoke, eat, argue, drink, argue, fight some more, and drive around. Leigh may have intended to portray tedious lifestyles here, but he doesn’t go anywhere with them.

Full Review Source: Filmcritic.com | comment Comment
12/05/02
Blake French
Blake French
Filmcritic.com

The ensemble performances are nothing short of magnificent.

Full Review Source: Film Journal International | comment Comment
10/02/02
Bruce Feld
Bruce Feld
Film Journal International

It's a challenging film, one that rewards the committed filmgoer.

Full Review Source: Philadelphia Inquirer | comment Comment
11/08/02
Carrie Rickey
Carrie Rickey
Philadelphia Inquirer
Top Critic Icon Top Critic

Leigh's daring here is that without once denying the hardscrabble lives of people on the economic fringes of Margaret Thatcher's ruinous legacy, he insists on the importance of those moments when people can connect and express their love for each other.

Full Review Source: Salon.com | comment Comment
10/31/02
Charles Taylor
Charles Taylor
Salon.com
 
 
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