Senoras y senores: yo tambien me he vuelto loco de amor.
Mad Love (2001)
Tomatometer
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Reviews Counted:49
Fresh:23
Rotten:26
Average Rating:5.4/10
Consensus: An overwrought bodice-ripper, Mad Love is more silly than dramatic.
Theatrical Release:Aug 30, 2002 Limited
Synopsis: Laredo, 22nd August, 1496. A fleet sets sail for Flanders. Its mission, to carry Princess Joan to the court at Brussels where she is to be wed to the monarch later to be known as Philip the... Laredo, 22nd August, 1496. A fleet sets sail for Flanders. Its mission, to carry Princess Joan to the court at Brussels where she is to be wed to the monarch later to be known as Philip the Handsome. Sparks fly at their first meeting. One look is enough to touch off mutual attraction and uncontrollable desire. They forget their political obligations and abandon themselves to their emotions. However, destiny has other plans in store for them. The death of her elder brother and sister and her mother Isabella the Catholic leave Princess Joan as the Queen of Castile and heir to the crown of Aragon. These events culminate in two battles: one political, between the Flemish and Castilian nobility, and the other, much more grievous, is the one Joan will wage in her marriage bed. -- © 2002 Sony Pictures Classics [More]
Starring: Pilar Lopez de Ayala, Daniele Liotti, Manuela Arcuri, Eloy Azorin
Starring: Pilar Lopez de Ayala, Daniele Liotti, Manuela Arcuri, Eloy Azorin, Rosana Pastor, Giuliano Gemma
Director: Vicente Aranda
Director: Vicente Aranda
Screenwriter: Vicente Aranda
Studio: Sony Pictures Classics
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Reviews for Mad Love
The gifted and lovely Ms. López de Ayala makes Joan both an imperious queen and a passionate creature of desire.
The film is beautifully mounted, but, more to the point, the issues are subtly presented, managing to walk a fine line with regard to the question of Joan's madness.
It's López de Ayala's show, and she's relentless in her energy and passion.
It's like an old Warner Bros. costumer jived with sex -- this could be the movie Errol Flynn always wanted to make, though Bette Davis, cast as Joan, would have killed him.
An often watchable, though goofy and lurid, blast of a costume drama set in the late 15th century.
The film may occasionally feel like a political science lesson brought to soap-operatic life, but it's well acted and artfully done.
A compelling Spanish film about the withering effects of jealousy in the life of a young monarch whose sexual passion for her husband becomes an obsession.
A sumptuously-appointed account of the life of the 16th-century Spanish royal Joan of Castile.
If you're in the mood for impressive castles and sumptuous costumes, torch-lit processions and decorative nudity, this is the place to turn.
A chick flick of the first order, disguised by just enough historical detail to elevate the proceedings somewhat.
The film benefits from a phenomenal central performance by Lopez de Ayala.
So vivid a portrait of a woman consumed by lust and love and crushed by betrayal that it conjures up the intoxicating fumes and emotional ghosts of a freshly painted Rembrandt.
Lopez de Ayala's exquisite acting makes us feel the frustration and sadness of a woman fighting against betrayal from all angles.
A sexy, peculiar and always entertaining costume drama set in Renaissance Spain, and the fact that it's based on true events somehow makes it all the more compelling.
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