Though boasting sumptuous production design, this redundantly plotted vanity project sadly lacks magic or charm.
Pinocchio (2002)
Tomatometer
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Reviews Counted:53
Fresh:0
Rotten:53
Average Rating:2.4/10
Consensus: Roberto Benigni misfires wildly with this adaptation of Pinocchio, and the result is an unfunny, poorly-made, creepy vanity project.
Theatrical Release:Dec 25, 2002 Wide
Box Office: $3,627,416
Synopsis: Roberto Benigni (LIFE IS BEAUTIFUL) brings Carlo Collodi's classic children's story to life in this big budget live-action adaptation. Gepetto (Carlo Guiffre), a humble toy maker, fashions a... Roberto Benigni (LIFE IS BEAUTIFUL) brings Carlo Collodi's classic children's story to life in this big budget live-action adaptation. Gepetto (Carlo Guiffre), a humble toy maker, fashions a marionette out of a log that has miraculously appeared on his doorstep. After wishing upon a star that his creation, Pinocchio (Benigni), would come to life, Gepetto's wish is granted by the beautiful Blue Fairy (Nicoletta Braschi). The only condition is that Pinocchio must prove his valor, and be completely honest at all times, in order to become a real boy. Unfortunately, this isn't easy for the enthusiastic puppet, who seems to find trouble everywhere he turns. After a long, tumultuous journey, in which Pinocchio is accosted by two corrupt thieves, turned into a donkey, and swallowed by a shark, Pinocchio is reunited with his father, setting up a final challenge that will prove once and for all if Pinocchio has the heart to become a real boy. Benigni's follow-up to the Oscar-winning LIFE IS BEAUTIFUL is a crowd-pleasing fantasy film, featuring beautiful cinematography from Dante Spinotti (HEAT, L.A. CONFIDENTIAL). The American release boasts the voices of actors Breckin Meyer, Glenn Close, and John Cleese. [More]
Starring: Roberto Benigni, Carlo Guiffre, Nicoletta Braschi, Breckin Meyer
Starring: Roberto Benigni, Carlo Guiffre, Nicoletta Braschi, Breckin Meyer, Glenn Close
Director: Roberto Benigni
Director: Roberto Benigni
Screenwriter: Roberto Benigni
Producer: Vincenzo Cerami, Gianluigi Braschi, Roberto Benigni, Nicoletta Braschi, Elda Ferri
Composer: Nicola Piovani
Studio: Miramax Films
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Release:
Jul 15, 2003
Reviews for Pinocchio
An epic turkey, in a league with this year's Swept Away, that must be seen to be believed.
Utterly lacking in charm, wit and invention, Roberto Benigni's Pinocchio is an astonishingly bad film.
The movie unfolds in a clumsy zone between fantasy and realism, and in the end it's neither here nor there.
At times, the movie looks genuinely pretty. Your nightmares, on the other hand, will be anything but. Not even Felinni would know what to make of this Italian freakshow.
Benigni presents himself as the boy puppet Pinocchio, complete with receding hairline, weathered countenance and American Breckin Meyer's ridiculously inappropriate Valley Boy voice.
A film substantially lacking in personality, energy, magic and humor.
The film's stagecrafts are intimate and therefore bolder than the otherwise calculated artifice that defines and overwhelms the film's production design.
What can one say about a balding 50-year-old actor playing an innocent boy carved from a log?
A movie so bad that it quickly enters the pantheon of wreckage that includes Battlefield Earth and Showgirls.
The so-inept- it's-surreal dubbing (featuring the voices of Glenn Close, Regis Philbin and Breckin Meyer) brings back memories of cheesy old Godzilla flicks.
Like Robin Williams on speed, [Roberto Benigni] darts about the screen showing less restraint than a shark in blood-stained water.
This overproduced piece of dreck is shockingly bad and absolutely unnecessary. Hmmm…might I suggest that the wayward wooden one end it all by stuffing himself into an electric pencil sharpener?
Benigni's folly...In every sense of the word, the picture is just frightful; it will either terrify children or bore them to tears, and adults will be rightly appalled by it.
Audiences can be expected to suspend their disbelief only so far -- and that does not include the 5 o'clock shadow on the tall wooden kid as he skips off to school.
Instead of hiding Pinocchio from critics, Miramax should have hidden it from everyone.
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