Here’s hoping Benigni doesn't try to tackle The Little Mermaid as his next project.
Pinocchio (2002)
Tomatometer
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Reviews Counted:53
Fresh:0
Rotten:53
Average Rating:2.4/10
Consensus: Roberto Benigni misfires wildly with this adaptation of Pinocchio, and the result is an unfunny, poorly-made, creepy vanity project.
Theatrical Release:Dec 25, 2002 Wide
Box Office: $3,627,416
Synopsis: Roberto Benigni (LIFE IS BEAUTIFUL) brings Carlo Collodi's classic children's story to life in this big budget live-action adaptation. Gepetto (Carlo Guiffre), a humble toy maker, fashions a... Roberto Benigni (LIFE IS BEAUTIFUL) brings Carlo Collodi's classic children's story to life in this big budget live-action adaptation. Gepetto (Carlo Guiffre), a humble toy maker, fashions a marionette out of a log that has miraculously appeared on his doorstep. After wishing upon a star that his creation, Pinocchio (Benigni), would come to life, Gepetto's wish is granted by the beautiful Blue Fairy (Nicoletta Braschi). The only condition is that Pinocchio must prove his valor, and be completely honest at all times, in order to become a real boy. Unfortunately, this isn't easy for the enthusiastic puppet, who seems to find trouble everywhere he turns. After a long, tumultuous journey, in which Pinocchio is accosted by two corrupt thieves, turned into a donkey, and swallowed by a shark, Pinocchio is reunited with his father, setting up a final challenge that will prove once and for all if Pinocchio has the heart to become a real boy. Benigni's follow-up to the Oscar-winning LIFE IS BEAUTIFUL is a crowd-pleasing fantasy film, featuring beautiful cinematography from Dante Spinotti (HEAT, L.A. CONFIDENTIAL). The American release boasts the voices of actors Breckin Meyer, Glenn Close, and John Cleese. [More]
Starring: Roberto Benigni, Carlo Guiffre, Nicoletta Braschi, Breckin Meyer
Starring: Roberto Benigni, Carlo Guiffre, Nicoletta Braschi, Breckin Meyer, Glenn Close
Director: Roberto Benigni
Director: Roberto Benigni
Screenwriter: Roberto Benigni
Producer: Vincenzo Cerami, Gianluigi Braschi, Roberto Benigni, Nicoletta Braschi, Elda Ferri
Composer: Nicola Piovani
Studio: Miramax Films
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Release:
Jul 15, 2003
Reviews for Pinocchio
Audiences can be expected to suspend their disbelief only so far -- and that does not include the 5 o'clock shadow on the tall wooden kid as he skips off to school.
The recut American version is truly awful, but a good 75 percent of the awfulness is attributable to Miramax, the film's distributor.
The so-inept- it's-surreal dubbing (featuring the voices of Glenn Close, Regis Philbin and Breckin Meyer) brings back memories of cheesy old Godzilla flicks.
This is a monumental achievement in practically every facet of inept filmmaking: joyless, idiotic, annoying, heavy-handed, visually atrocious, and often downright creepy.
The movie unfolds in a clumsy zone between fantasy and realism, and in the end it's neither here nor there.
The idea of 49-year-old Roberto Benigni playing the wooden boy Pinocchio is scary enough. The reality of the new live-action Pinocchio he directed, cowrote and starred in borders on the grotesque.
Though boasting sumptuous production design, this redundantly plotted vanity project sadly lacks magic or charm.
At times, the movie looks genuinely pretty. Your nightmares, on the other hand, will be anything but. Not even Felinni would know what to make of this Italian freakshow.
Would Benigni's Italian Pinocchio have been any easier to sit through than this hastily dubbed disaster?
The dialogue is very choppy and monosyllabic despite the fact that it is being dubbed.
Benigni presents himself as the boy puppet Pinocchio, complete with receding hairline, weathered countenance and American Breckin Meyer's ridiculously inappropriate Valley Boy voice.
Adults will certainly want to spend their time in the theater thinking up grocery lists and ways to tell their kids how not to act like Pinocchio. As for children, they won't enjoy the movie at all.
Benigni's Pinocchio is extremely straight and mind-numbingly stilted, its episodic pacing keeping the film from developing any storytelling flow.
Latest News for Pinocchio
August 14, 2006:
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