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Divine Intervention (2003)
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Reviews Counted:68
Fresh:55
Rotten:13
Average Rating:7.2/10
Consensus: Suleiman utilizes absurdist humor to craft a provocative, original film.
Theatrical Release:Jan 17, 2003 Limited
Synopsis: DIVINE INTERVENTION writer-director Elia Suleiman has been compared to Woody Allen and Charlie Chaplin, presumably because he has Allen's intelligent, self-deprecating humor and Chaplin's gift for... DIVINE INTERVENTION writer-director Elia Suleiman has been compared to Woody Allen and Charlie Chaplin, presumably because he has Allen's intelligent, self-deprecating humor and Chaplin's gift for silent comedy. DIVINE INTERVENTION is not a silent film, but an intensely quiet comedy about daily life in the West Bank and Israel. Suleiman provides a series of not-altogether-related vignettes of people choked with boredom and drained of compassion, such as an angry mob of adolescents stabbing Santa Claus, or the neighbor who throws garbage onto the property next door (and complains when its thrown back), or checkpoint soldiers who sing and dance, and look menacing doing so. Though there is no distinct protagonist in this atypical satire, the filmmaker plays himself returning to Nazareth to help his ailing, hospitalized father (Nayef Fahoum Daher). Between visits to the hospital, where patients chain smoke in the halls outside their rooms, Suleiman falls for a West Bank woman (Manal Khader). Restrictions force them to carry out their relationship with only some hand-holding in the parking lot of the Israeli checkpoint between their two cities. DIVINE INTERVENTION favors extended, slow-paced scenes that seem suspended in time until they are punctuated with supercharged Arabian dance music like Madonna producer Mirwais Ahmadazi's "Definitive Beat" or Natacha Atlas's unbelievable cover version of Screamin' Jay Hawkins's "I Put A Spell On You." Though the characters often seem too distracted by anxiety and anguish to really connect with one another, Suleiman's sense of humor giddily overrides all the darker messages here, as in the climactic sequence--reminiscent of Monty Python--in which armed men in choreographed unison shoot at a target outlined in the figure of a veiled woman and she refuses to capitulate. [More]
Starring: Elia Suleiman, Emma Boltanski, Amer Daher, Jamel Daher
Starring: Elia Suleiman, Emma Boltanski, Amer Daher, Jamel Daher, Naeif Daher, George Ibrahim, Salman Nattor, Nazira Suleiman
Director: Elia Suleiman
Director: Elia Suleiman
Screenwriter: Elia Suleiman
Producer: Humbert Balsan, Avi Kleinberger, Joachim Ortmanns, Babette Schroder, Elia Suleiman
Studio: Avatar Films
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Reviews for Divine Intervention
Elia Suleiman is a talented man who made a striking film to voice the sorrows of his people and there are sorrows to be lamented, but his film is drawn from an ugliness and intellectual dishonesty that besmirches any lesson that could possibly be extracte
A mordantly amusing black comedy about life among the Arab citizens of Israel.
Life in the Arab-Israeli region has a random and arbitrary unintelligibility, if this surreal stylization validly reflects it. But, validity comes into question.
...a non-narrative film that mixes agitprop with Pythonesque silliness and an almost stately, rueful kind of slapstick that recalls Buster Keaton in tone if not physicality.
El director hilvana sensaciones, alegorías, representaciones más bien absurdas, e inspiradas en el cine mudo o la comedia física de Buster Keaton o Jacques Tati.
Suleiman works in slow, poetic scenes that build to hilarious climaxes.
Provocative yet self-reflective, hilarious yet heartbreaking chronicle of love and pain.
As the film progresses, it becomes considerably more focused . . . even though it doesn't always make sense.
Some of Suleiman's symbols are maddeningly obtuse, while others -- like the final shot of a pressure cooker -- are ridiculously obvious.
From the first scenes -- a sorry-looking Santa huffing and puffing his way up a hill to flee a gang of Palestinian youths -- Divine Intervention intercedes to offer the most unexpected of film experiences.
The visual puns, sight gags and the little parables told by the few speaking characters are rarely laugh-out-loud funny. But they provoke thought, debate and diverse interpretations.
A brilliant comic cry of pain, a surrealistically piercing protest at what its maker sees as brutal oppression and chooses to attack with satire rather than rocks or bombs.
a film to be studied and analyzed. Too bad it's not accessible enough to connect on an entertainment level.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
| 53% 53% | David & Layla |
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