The Dr. Strangelove of the Palestinian-Israeli conflict, bringing barely acknowledged fears to the surface so they can be understood.
Divine Intervention (2003)
Tomatometer
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Reviews Counted:68
Fresh:55
Rotten:13
Average Rating:7.2/10
Consensus: Suleiman utilizes absurdist humor to craft a provocative, original film.
Theatrical Release:Jan 17, 2003 Limited
Synopsis: DIVINE INTERVENTION writer-director Elia Suleiman has been compared to Woody Allen and Charlie Chaplin, presumably because he has Allen's intelligent, self-deprecating humor and Chaplin's gift for... DIVINE INTERVENTION writer-director Elia Suleiman has been compared to Woody Allen and Charlie Chaplin, presumably because he has Allen's intelligent, self-deprecating humor and Chaplin's gift for silent comedy. DIVINE INTERVENTION is not a silent film, but an intensely quiet comedy about daily life in the West Bank and Israel. Suleiman provides a series of not-altogether-related vignettes of people choked with boredom and drained of compassion, such as an angry mob of adolescents stabbing Santa Claus, or the neighbor who throws garbage onto the property next door (and complains when its thrown back), or checkpoint soldiers who sing and dance, and look menacing doing so. Though there is no distinct protagonist in this atypical satire, the filmmaker plays himself returning to Nazareth to help his ailing, hospitalized father (Nayef Fahoum Daher). Between visits to the hospital, where patients chain smoke in the halls outside their rooms, Suleiman falls for a West Bank woman (Manal Khader). Restrictions force them to carry out their relationship with only some hand-holding in the parking lot of the Israeli checkpoint between their two cities. DIVINE INTERVENTION favors extended, slow-paced scenes that seem suspended in time until they are punctuated with supercharged Arabian dance music like Madonna producer Mirwais Ahmadazi's "Definitive Beat" or Natacha Atlas's unbelievable cover version of Screamin' Jay Hawkins's "I Put A Spell On You." Though the characters often seem too distracted by anxiety and anguish to really connect with one another, Suleiman's sense of humor giddily overrides all the darker messages here, as in the climactic sequence--reminiscent of Monty Python--in which armed men in choreographed unison shoot at a target outlined in the figure of a veiled woman and she refuses to capitulate. [More]
Starring: Elia Suleiman, Emma Boltanski, Amer Daher, Jamel Daher
Starring: Elia Suleiman, Emma Boltanski, Amer Daher, Jamel Daher, Naeif Daher, George Ibrahim, Salman Nattor, Nazira Suleiman
Director: Elia Suleiman
Director: Elia Suleiman
Screenwriter: Elia Suleiman
Producer: Humbert Balsan, Avi Kleinberger, Joachim Ortmanns, Babette Schroder, Elia Suleiman
Studio: Avatar Films
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Reviews for Divine Intervention
Veers uneasily and unsatisfyingly from kitschy, agitprop surrealism to a laconic spareness that is less profound than tedious.
Something of a rarity: A wry, mordantly funny black comedy that boldly embraces fantasies of Palestinian power.
A movie of long, expressive silences, Divine Intervention articulates things that have never been articulated, at least on the screen.
A mixed bag of angry social satire, as scattershot as an Uzi, hitting many of its targets with about as much subtlety.
It's impossible not to be impressed by the resourcefulness of Palestinian director Elia Suleiman's new film, Divine Intervention, which actually manages to find humour in the condition of living in Arab Israel.
The interlocking series of setups, punch lines and non sequiturs add up to something touching, provocative and wonderfully strange.
This Competition film achieves a level of artistry and firm control over a clear, concise vision that makes it worthy of festival honors.
Women take on a role of auxiliary endurance... the only character[s] to confront the camera head-on, in close up, or direct stares.
An imaginative and daring Palestinian film about the fights and feuds in Nazareth that have shredded community life and banished civility under the terror of Israeli occupation.
Divine Intervention is very clear that the conflict in the Middle East is all one big farce.
Frequently hilarious and frustratingly underdeveloped at the same time.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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