Kormakur fails to make us care about these characters . . . rather, their scathing unpleasantness makes us want to run away as quickly as possible
The Sea (2003)
Tomatometer
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Reviews Counted:53
Fresh:27
Rotten:26
Average Rating:5.7/10
Theatrical Release:May 16, 2003 Limited
Synopsis:
The Sea is a family drama set in a remote fishing village in Iceland. The whole existence of the village is based upon the local fisheries, but new economic realities are slowly eroding that...
The Sea is a family drama set in a remote fishing village in Iceland. The whole existence of the village is based upon the local fisheries, but new economic realities are slowly eroding that foundation. The aging owners of small fishing boats are selling their fishing quotas to larger companies in other parts of the country and therefore the local processing plants have less work to offer and the community suffers.
Thordur, the ruthless patriarch of the main fishing company in the village, refuses to give in. His stand is that the benefits of greater efficiency can only come at the unacceptable cost of closing his plant and thus closing down the village. But while he's delivering sermons along those lines he also makes an aside about how the only people willing to work at his plant are foreign migrant labourers, so it is not really clear what he wants to save. But save it he does. However he also realizes that he is aging and his preferences might become moot in a heartbeat or lack thereof. The therefore decides to summon his children home, hoping to put his house in order.
He has three children. Haraldur the oldest has been minding the shop in the fishing plant, but he is weak willed and not really up to the job. To make matters worse he is in constant financial difficulties which are not helped by his alcoholic wife. His sister Ragnheidur moved away years ago, studying filmmaking abroad for a decade before settling in the capital of Reykjavik where she is married to a harmless Norwegian expat, constantly lashing at him with her sharp tongue. Agust is the youngest and his father's favourite. Thordur plans for him to run the company as soon as Agust finishes his business studies in Paris, but unbeknownst to him Agust has long since given up on that and has instead been practicing his songwriting abilities. Agust doesn't intend to heed his father's summons, but his mildly pregnant French fiancée Françoise more or less drags him to the airport if only in order for herself to better understand her boyfriend and perhaps save the relationship which is on it's last legs. The three children are not the only family members. After their mother passed away years ago Thordur married his sister-in-law Kristín, taking in her newly born daughter María of somewhat obscure paternity as well. To make matters even more complicated his octogenarian mother lives with them too, mainly snarling Sibylline curses to any and all.
His children however have other ideas about the future than their father. They want their father to sell out and are not above taking extreme measures to have their way. Their reasons are selfish in many ways, but as the argument with their father reaches climax it becomes painfully obvious that perhaps it is not the future that worries them, but rather the tragic and dark family secrets of the past. With skeletons rattling in every closet the grand family dinner takes an unexpected course and Thordur is forced to wage battle against his own family. The outcome of this battle is by no means sure, except that the victory will by Pyrrhic for all involved. -- © Blueeyes Productions
Starring: Gunnar Eyjolfsson, Hilmir Snaer Gudnason, Helene de Fougerolles, Kristbjorg Kjeld
Starring: Gunnar Eyjolfsson, Hilmir Snaer Gudnason, Helene de Fougerolles, Kristbjorg Kjeld, Sven Nordin, Gudrun S. Gisladottir, Sigurdur Skulason, Elva Osk Olafsdottir, Nina Dogg Filippusdottir, Herdis Porvaldsdottir
Director: Baltasar Kormákur
Director: Baltasar Kormákur
Screenwriter: Baltasar Kormákur, Olafur Haukur Simonarson
Producer: Baltasar Kormákur, Jean-Francois Fonlupt
Studio: Palm Pictures
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Reviews for The Sea
Grows more and more ludicrous, like some compendium episode of 'Dallas' or 'Dynasty,' but with snow.
Bad behavior, by itself, can entertain for only so long. By film's end, the laughs had disappeared and black comedy had turned into dour, pointless drama.
The potential for spiteful humor exists throughout the movie, but Kormakur keeps hooking into melodrama, and for that you need at least one sympathetic character in whom to invest.
This fishing village is one cold, harsh, and colorless place - just like the people who live there.
There's little healing to be found in the bitter melodrama, but there is a small sense of triumph...
The emotional appeal could be likened to that of a car wreck--Kormakur knows you'll have to look just to see how bad it gets.
A particularly strong family drama, and the Icelandic setting helps, adding a touch of the exotic.
The Sea is overcrowded and overwritten, with too many shrill denunciations and dramatic surprises; we don't like the characters and, worse, they don't interest us.
Ultimately fails to separate itself from the countless family dramas that have come before it.
A messy but thoroughly engrossing family saga that combines the brooding tone of Ingmar Bergman with the over-the-top skulduggery of Eugene O'Neill.
It's an invigorating hybrid of soap opera and tragedy -- a wild Cat on a Cold Tin Roof, a fiery Cherry Orchard, a tragicomic King Lear on ice.
A decent Icelandic import about obligation and skeletons in the closet. The film's greatest success is in its metaphor -- that it captures the similarities familial bonds share with its turbulent namesake.
Kormakur and cowriter Olafur Haukur Simonarson take the themes of the overrated Dogme film "The Celebration," turn them inside out and infuse them with global economics, black humor and some of the quirks of the coastal "Local Hero."
It's hard to imagine anyone enjoying it except for those seeking to see people up there on the screen unhappier than themselves.
The movie, which means to be a no-frills baring of the human soul, is undone by its own malignant contempt for every one of its characters.
With the script and most of the actors trying too hard, there's a shrillness to this unhappy clan, especially the women.
Dysfunction seeps from every pore of this family, and the anger and ugliness of the characters overwhelm not just the story but the movie's stunning National Geographic location.
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 32% 32% | Terminator Salvation |
| 44% 44% | Night at the Museum: B… |
| 86% 86% | A Christmas Tale |
| 60% 60% | Paper Heart |
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