A good, serious film.
The Embalmer (2003)
Tomatometer
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Reviews Counted:32
Fresh:26
Rotten:6
Average Rating:6.8/10
Consensus: Intriguingly creepy and unsettling.
Theatrical Release:Jul 18, 2003 Limited
Synopsis: THE EMBALMER, directed by Matteo Garrone, is the story of unrequited love and repressed homosexuality gone awry. Peppino (Ernesto Mahieux) is a diminutive taxidermist who secretly courts an... THE EMBALMER, directed by Matteo Garrone, is the story of unrequited love and repressed homosexuality gone awry. Peppino (Ernesto Mahieux) is a diminutive taxidermist who secretly courts an unsuspecting Greek god named Valerio (Valerio Foglia Manzillo) by grossly overpaying him to work as his assistant. Hungry for direction and purpose in life, Valerio chooses to ignore the romantic yearnings of the older, much homelier man's attentions, throws himself into the work, and pals around with Peppino in spite of their differences. Peppino orchestrates debauched nights on the town with prostitutes in an effort to gain false intimacy with Valerio. There is no denying that the younger man is a willing party, and he even looks the other way when Peppino is employed by the mob to stash drugs in corpses. When Valerio falls in love with the tempestuous Deborah (Elisabetta Rochetti), Peppino is outraged to find that she is stubborn and shrewd, and cannot be manipulated for his own ends. The seemingly gentle path of Matteo Garrone's naturalistic film gives way to darker undercurrents and a creeping suspense that is irresistibly absorbing and quietly nerve-wracking. Director of photography Marco Onorato provides deep and dark wide-angle shots. And the littered beaches and abandoned streets of Cremona and locations outside Naples create a beautifully bereft backdrop that enhances this tale of three lost souls. [More]
Starring: Ernesto Mahieux, Valerio Foglia Manzillo, Elisabetta Rocchetti, Lina Bernardi
Starring: Ernesto Mahieux, Valerio Foglia Manzillo, Elisabetta Rocchetti, Lina Bernardi, Pietro Biondi, Benardino Terraacciano, Marcella Granito
Director: Matteo Garrone
Director: Matteo Garrone
Screenwriter: Ugo Chiti, Matteo Garrone, Massimo Gaudioso
Producer: Luigi Lagrasta, Domenico Procacci
Composer: Banda Osiris
Studio: First Run Features
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Reviews for The Embalmer
Brilliantly creates an atmosphere of malignant malaise and foreboding.
A bummer, but one that manages to stick to its depraved convictions until the strange and bitter end.
The Embalmer is a movie that will keep fresh on your mind for a few days but probably won't be preserved in your memory for all time.
Once Peppino is identified as a sexual predator, the movie loses whatever compassion it had for him, seeming to imply that his obsession and his sexual identity are the same thing.
Director Garrone keeps the story involving even though it doesn't quite live up to the star's strong talents.
Finds a disconcerting niche between edgy character thriller and black comedy.
Art-house audiences, who demand more daring and commitment than this mesmerizing but basically teasing effort is willing to provide, will still find much that is seductive.
Mahieux ... builds a character so relentlessly powerful and creepy that The Embalmer leaves an aftertaste -- we can practically smell him.
At moments, the story skirts uncomfortably close to the grotesque. But this atmospheric oddity delivers a surprisingly sensitive take on the overwhelming ache of loneliness.
Despite its virtues, the picture comes across rather like something that has itself been disinterred from the fairly remote past.
In spite of some stiltedness, The Embalmer is an oft-intriguing examination of unquenched desire and the power of beauty.
The Embalmer has the look of naturalized Fellini and, in its nearly unblinking analysis of human power relations, a story worthy of Fassbinder.
With fewer sensational confrontations, The Embalmer is a major work. As it stands, it signals the emergence of an exceptional filmmaker.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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