A jumbled, self-indulgent mess with a rash of story lines and a squandered cast.
Hotel (2003)
Tomatometer
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Reviews Counted:25
Fresh:9
Rotten:16
Average Rating:4.5/10
Theatrical Release:Jul 25, 2003 Limited
Synopsis: A sinister hotel in Venice forms the backdrop for director Mike Figgis's experimental, stylistically surreal HOTEL. The story centers on director Trent Stoken (Rhys Ifans), who is attempting to... A sinister hotel in Venice forms the backdrop for director Mike Figgis's experimental, stylistically surreal HOTEL. The story centers on director Trent Stoken (Rhys Ifans), who is attempting to film John Webster's play "The Duchess of Malfi" in the style of a Dogme film. He is constantly at loggerheads with his producer, Jonathan Danderfine (David Schwimmer), who eventually takes control of filming when Stoken is shot and falls into a coma. A documentary film crew lead by Charlee Boux (Salma Hayek) simultaneously captures the traumatic events, doting on the personal misfortunes of the cast and crew. As the movie progresses, the sinister, omnipresent hotel staff descend into cannibalism, cooking their guests, and further threatening the production of the film. HOTEL has many intertwining subplots which Figgis ties together neatly with the "The Duchess of Malfi" theme. He also draws on stylistic effects similar to those used in his previous film, TIMECODE, such as multiscreen techniques and free-form story structures with no real conclusions. Drawing on a variety of sources for inspiration, such as the famous darkly comic cannibalism movie DELICATESSEN, and the films of Jean Luc Goddard; Figgis delivers a compelling film, proving he is a director willing to take risks to deliver his true vision. [More]
Starring: Max Beesley, Saffron Burrows, Valentina Cervi, Salma Hayek
Starring: Max Beesley, Saffron Burrows, Valentina Cervi, Salma Hayek, Rhys Ifans, Lucy Liu, Burt Reynolds, Julian Sands
Director: Mike Figgis
Director: Mike Figgis
Screenwriter: Mike Figgis
Producer: Annie Stewart, Etchie Stroh
Studio: Innovation Film Group
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Reviews for Hotel
Figgis cooks up fewer memorable cinematic tricks here than in Time Code, his previous picture, but he still deserves credit for taking more artistic chances than a dozen ordinary directors.
Mainly there's a lot of rambling, posing and the smell of everyone involved giving in to the worst sort of art-damaged self-indulgence.
Some may say it's like watching wine age in a bottle, but the movie also offers the subtle sense of the flavor changing from minute to minute.
Hotel is surprisingly enjoyable, even if you’d hesitate to call it a complete success.
Sexed-up, teched-up, theater-troupe pedantry disguised as avant-garde film.
The plot is so insane that we never get a grip on what's going on, so we never care at all about the characters or situations.
Pulls the conventions of conventional film-making apart right before our eyes and gives a glimpse of the future of narrative cinema.
Latest News for Hotel
May 08, 2008:
Kim Newman on... Hotel
RT Obscura, the exclusive column by renowned critic Kim Newman, sees the writer plumbing the depths of the RT archive in search of some forgotten gems. In his 16th column, Kim... More...
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