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Carnage (2003)
Tomatometer
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Reviews Counted:35
Fresh:27
Rotten:8
Average Rating:6.9/10
Theatrical Release:Sep 5, 2003 Limited
Synopsis: Delphine Gleize's startling first feature, CARNAGE, adroitly turns random moments into pieces of a tight-fitting puzzle, creating a thick multidimensional plot filled with unexpected parallels and... Delphine Gleize's startling first feature, CARNAGE, adroitly turns random moments into pieces of a tight-fitting puzzle, creating a thick multidimensional plot filled with unexpected parallels and delicately unfolding secrets. The film centers on the connection between a gored bullfighter and a young girl who watches the incident on television. The bull is destroyed, dismembered, and dispersed to markets in Spain, France, and Belgium. While the young girl, Winnie (Raphaelle Molinier), grapples with her understanding of death and personal identity, her parents buy a bull bone for their dog at a gourmet market. The salesclerk, Carlotta (Chiara Mastroianni), is a struggling actor trying to experience rebirth through aquatic exercises and primal screaming. Elsewhere, the university researcher Jacques (Jacques Gamblin), who has retained the eyes of the bull for his studies, finds himself emotionally distanced from his pregnant wife Betty (Lio). His brother, a taxidermist named Luc (Bernard Sens), covets the bull's horns which their mother (Esther Gorintin) gave him as a gift. In CARNAGE, the brave Gleize is on a complex cinematic storytelling mission. The subject matter is at times tragic, but moments of quirky comic relief show the rich contrasts in this discourse of life, love, and survival. [More]
Starring: Chiara Mastroianni, Angela Molina, Lio, Lucia Sanchez
Starring: Chiara Mastroianni, Angela Molina, Lio, Lucia Sanchez, Esther Gorintin, Maryline Even, Clovis Cornillac, Jacques Gamblin, Feodor Atkine
Director: Delphine Gleize
Director: Delphine Gleize
Screenwriter: Delphine Gleize
Producer: Jerome Dopffer
Composer: Eric Neveux
Studio: Wellspring
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Reviews for Carnage
Whereas most movies about serendipity and degrees of human separation usually fail by trying to pick profundity from, well, dry bones, here, director Gleize knows that to dig too deeply only distracts one's attention from the strange comedy of life.
Though Ms. Gleize's intellectual ambitions are large and sometimes vague, her cinematic self-confidence is as bracing as her eye is meticulous.
A truly remarkable and compassionate debut from a savvy, self-confident filmmaker. No bull.
Gleize is a smart director with a fresh eye, and she finds inventive ways to underscore her theme, which is that good things and bad things happen to most of us in roughly equal measure but that, somehow, we keep plugging away.
Funny, sad, and tinged with magic realism, this ambitious comedy-drama is as original as it is nimbly directed.
For those who are patient, there are quite a few things to admire, including the performances and the film's ambitious, audacious storytelling conceits.
Similar to the recent Dog Days and Divine Intervention, Carnage fares much better than both.
Funny, ironic (in the best sense of the word), dramatic, sweet and metaphorical, Carnage never lets go of its witty mix.
The film becomes a complex tissue of intersecting lives, but Gleize handles each developing story with amazing ease, and the fabulist touches are the icing on a very tasty cake.
[Director] Gleize has nevertheless written an imaginative and loopy script where the twisting storylines, each with its own distinct tone, eventually connect.
Carnage has some narrative messiness. But the beautiful thing here - besides Gleize's fabulous eye - is that not a single one of her solutions for the healing that takes place in her characters' lives is predictable.
With Carnage, a pungent tale of love and sacrifice, French filmmaker Delphine Gleize has fashioned a modest epic about our ridiculous human comedy.
Delphine Gleize achieves a mastery of the visual, the metaphoric, and the dramatic that few other veteran filmmakers could pull off.
A gorgeously morbid meditation on the interconnectivity of life (and death).
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 82% 82% | Paranormal Activity |
| 57% 57% | 9 |
| 44% 44% | Jennifer's Body |
| 58% 58% | A Perfect Getaway |
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