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Carnage (2003)
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Reviews Counted:35
Fresh:27
Rotten:8
Average Rating:6.9/10
Theatrical Release:Sep 5, 2003 Limited
Synopsis: Delphine Gleize's startling first feature, CARNAGE, adroitly turns random moments into pieces of a tight-fitting puzzle, creating a thick multidimensional plot filled with unexpected parallels and... Delphine Gleize's startling first feature, CARNAGE, adroitly turns random moments into pieces of a tight-fitting puzzle, creating a thick multidimensional plot filled with unexpected parallels and delicately unfolding secrets. The film centers on the connection between a gored bullfighter and a young girl who watches the incident on television. The bull is destroyed, dismembered, and dispersed to markets in Spain, France, and Belgium. While the young girl, Winnie (Raphaelle Molinier), grapples with her understanding of death and personal identity, her parents buy a bull bone for their dog at a gourmet market. The salesclerk, Carlotta (Chiara Mastroianni), is a struggling actor trying to experience rebirth through aquatic exercises and primal screaming. Elsewhere, the university researcher Jacques (Jacques Gamblin), who has retained the eyes of the bull for his studies, finds himself emotionally distanced from his pregnant wife Betty (Lio). His brother, a taxidermist named Luc (Bernard Sens), covets the bull's horns which their mother (Esther Gorintin) gave him as a gift. In CARNAGE, the brave Gleize is on a complex cinematic storytelling mission. The subject matter is at times tragic, but moments of quirky comic relief show the rich contrasts in this discourse of life, love, and survival. [More]
Starring: Chiara Mastroianni, Angela Molina, Lio, Lucia Sanchez
Starring: Chiara Mastroianni, Angela Molina, Lio, Lucia Sanchez, Esther Gorintin, Maryline Even, Clovis Cornillac, Jacques Gamblin, Feodor Atkine
Director: Delphine Gleize
Director: Delphine Gleize
Screenwriter: Delphine Gleize
Producer: Jerome Dopffer
Composer: Eric Neveux
Studio: Wellspring
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Reviews for Carnage
Gleize has a number of award-winning short films under her belt, and she directs this magical-realist fable with originality and disarming confidence.
Confidently directed and tightly constructed, Carnage announces the presence of a fresh, powerful directorial mind with each frame.
Funny, sad, and tinged with magic realism, this ambitious comedy-drama is as original as it is nimbly directed.
A bit long and pretentious at times, Carnage is still an interesting narrative experiment that recalls some of the more avant garde Eastern European cinema from the early '70s.
Carnage has some narrative messiness. But the beautiful thing here - besides Gleize's fabulous eye - is that not a single one of her solutions for the healing that takes place in her characters' lives is predictable.
For those who are patient, there are quite a few things to admire, including the performances and the film's ambitious, audacious storytelling conceits.
Whereas most movies about serendipity and degrees of human separation usually fail by trying to pick profundity from, well, dry bones, here, director Gleize knows that to dig too deeply only distracts one's attention from the strange comedy of life.
Watching the movie is like attending a meeting of the Masons: It all seems silly unless you decipher the hermeneutics, numerology and theosophy.
[Director] Gleize has nevertheless written an imaginative and loopy script where the twisting storylines, each with its own distinct tone, eventually connect.
there are far better movies that don't try your patience like Carnage does
Delphine Gleize achieves a mastery of the visual, the metaphoric, and the dramatic that few other veteran filmmakers could pull off.
The film eventually becomes tedious, but there are enough flashes of moral intelligence and cinematic inspiration here to make one eagerly anticipate Gleize's sophomore effort.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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