Click to read the article
Luther (2003)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:61
Fresh:27
Rotten:34
Average Rating:5.2/10
Consensus: This cinematic treatment of Martin Luther's life is more dull than inspiring.
Rated: Not Rated
Genre: Dramas
Theatrical Release:Sep 26, 2003 Limited
Box Office: $5,667,046
Synopsis: Armed with no more than his faith and quick wit, one man confronts the greatest powers on earth. Martin Luther's (Joseph Fiennes) bold actions foster an era of personal and religious freedoms... Armed with no more than his faith and quick wit, one man confronts the greatest powers on earth. Martin Luther's (Joseph Fiennes) bold actions foster an era of personal and religious freedoms unprecedented in history. A young law student, Luther abruptly enters a monastery when he believes his life is spared during a violent lightning storm. His ambitious father is infuriated, and Luther turns to a spiritual mentor, Father Johann von Staupitz (Bruno Ganz). Luther proves an eager, apt disciple and is selected to travel to Rome on church business. Luther enters the holy city with the wide-eyed ideals of a young man -- only to have them shattered. Depravity is everywhere. Here, Luther learns about "indulgences" that allow people to buy salvation for a fee and free themselves or deceased relatives from eternal damnation. Disillusioned by this profiteering he asks, "Is not salvation accessible to all?" Luther is sent to study at the university in Wittenberg and later becomes a professor of theology. Among his staunch supporters is Prince Frederick the Wise (Peter Ustinov), who admirers Luther's courage of conviction -- even through his vociferous opinions are beginning to cause ripples. In Rome, the new pope, Leo X, has mandated that funds be raised to build St. Peter's Basilica. The huge financial undertaking is to be financed by the sales of indulgences. The premiere "marketer" of indulgences, John Tetzel (Alfred Molina), preaches to German crowds about the hell fire awaiting their wretched souls should they forego this "special indulgence." Luther is incensed at such naked manipulation, inspiring him to write 95 Theses, an essay he nails to the local church's door. His ideas are reproduced via the new Guttenberg printing press and quickly spread throughout Europe. The Pope reacts angrily. Luther is to recant his heretical writings or face excommunication, trial by inquisition and likely death. The stage is set for confrontation. Luther stands defiant. A schism rips at the heart of the Church as the new "Protestant" movement begins. With the ascent of new attitudes about religion and social order, the world is changed forever. [More]
Starring: Joseph Fiennes, Peter Ustinov, Alfred Molina, Bruno Ganz
Starring: Joseph Fiennes, Peter Ustinov, Alfred Molina, Bruno Ganz, Jonathan Firth, Claire Cox, Benjamin Sadler, Jochen Horst, Torbin Liebrecht
Director: Eric Till
Director: Eric Till
Screenwriter: Camille Thomasson, Bart Gavigan
Producer: Brigitte Rochow
Composer: Richard Harvey
Get This Movie
Reviews for Luther
If this movie succeeds at anything, it's being as messy as the Reformation itself.
The movie is more effective when Martin Luther discovers his faith in the Church is diminished by the abuse of power he witnesses... then story loses focus and falls apart.
It's a film that dashes through much of the life and many of the works of Martin Luther without really getting at the personal or spiritual motivations for his crusade to reform the Catholic church.
It glosses over the brilliant monk's dark side and ignores his prejudices completely.
In 'Luther,' the reality of Martin Luther within sixteenth century temporal and spiritual complexity is dumbed down beyond recognition.
A sincere, well-meaning movie, but it's stilted and ponderous, all too representative of the worst failings of simplistic docudrama.
Luther oversimplifies history. Saying indulgences caused the Protestant Reformation is like saying slavery caused the Civil War.
It's just unfortunate that a movie about such a daring man ultimately takes few risks.
Camille Thomasson and Bart Gavigan's script is plodding and formless, with little sense of the political atmosphere in Germany at the time that saved Luther from becoming just another pile of heretic ashes.
| Tomatometer Percentage | Movie |
|---|---|
| 44% 44% | Night at the Museum: B… |
| 32% 32% | Terminator Salvation |
| 36% 36% | Angels & Demons |
| 95% 95% | Star Trek |
| 25% 25% | Four Christmases |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Fresh Links
Featured

Techland lists the best Sci-Fi films of this decade.

Moviefone takes a look back at the biggest stinkers of the past 10 years.

The Me and Orson Welles star answers reader questions on TIME.com.

Hollywood.com's C. Robert Cargill offers his thoughts on what the best decade for film was.

In the AV Club's "Scenic Routes," Mike D'Angelo reminisces about the Tim Burton film.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic


