Heady theological badminton, as vigorously thoughtful as it is piously historical.
Luther (2003)
Tomatometer
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Reviews Counted:61
Fresh:27
Rotten:34
Average Rating:5.2/10
Consensus: This cinematic treatment of Martin Luther's life is more dull than inspiring.
Rated: Not Rated
Genre: Dramas
Theatrical Release:Sep 26, 2003 Limited
Box Office: $5,667,046
Synopsis: Armed with no more than his faith and quick wit, one man confronts the greatest powers on earth. Martin Luther's (Joseph Fiennes) bold actions foster an era of personal and religious freedoms... Armed with no more than his faith and quick wit, one man confronts the greatest powers on earth. Martin Luther's (Joseph Fiennes) bold actions foster an era of personal and religious freedoms unprecedented in history. A young law student, Luther abruptly enters a monastery when he believes his life is spared during a violent lightning storm. His ambitious father is infuriated, and Luther turns to a spiritual mentor, Father Johann von Staupitz (Bruno Ganz). Luther proves an eager, apt disciple and is selected to travel to Rome on church business. Luther enters the holy city with the wide-eyed ideals of a young man -- only to have them shattered. Depravity is everywhere. Here, Luther learns about "indulgences" that allow people to buy salvation for a fee and free themselves or deceased relatives from eternal damnation. Disillusioned by this profiteering he asks, "Is not salvation accessible to all?" Luther is sent to study at the university in Wittenberg and later becomes a professor of theology. Among his staunch supporters is Prince Frederick the Wise (Peter Ustinov), who admirers Luther's courage of conviction -- even through his vociferous opinions are beginning to cause ripples. In Rome, the new pope, Leo X, has mandated that funds be raised to build St. Peter's Basilica. The huge financial undertaking is to be financed by the sales of indulgences. The premiere "marketer" of indulgences, John Tetzel (Alfred Molina), preaches to German crowds about the hell fire awaiting their wretched souls should they forego this "special indulgence." Luther is incensed at such naked manipulation, inspiring him to write 95 Theses, an essay he nails to the local church's door. His ideas are reproduced via the new Guttenberg printing press and quickly spread throughout Europe. The Pope reacts angrily. Luther is to recant his heretical writings or face excommunication, trial by inquisition and likely death. The stage is set for confrontation. Luther stands defiant. A schism rips at the heart of the Church as the new "Protestant" movement begins. With the ascent of new attitudes about religion and social order, the world is changed forever. [More]
Starring: Joseph Fiennes, Peter Ustinov, Alfred Molina, Bruno Ganz
Starring: Joseph Fiennes, Peter Ustinov, Alfred Molina, Bruno Ganz, Jonathan Firth, Claire Cox, Benjamin Sadler, Jochen Horst, Torbin Liebrecht
Director: Eric Till
Director: Eric Till
Screenwriter: Camille Thomasson, Bart Gavigan
Producer: Brigitte Rochow
Composer: Richard Harvey
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Reviews for Luther
Though it fails when providing a rounded history of the life of Martin Luther, it succeeds in giving viewers a little taste of the other social factors influencing things during the 16th century in Europe.
A throwback to the days when such movies as 'A Man for All Seasons' tackled big religious ideas in the context of significant historical events...
Luther oversimplifies history. Saying indulgences caused the Protestant Reformation is like saying slavery caused the Civil War.
Completely stealing the picture, Peter Ustinov ... is breathtakingly brilliant.
Till's movie is most notable for achieving the impossible: making Martin Luther's story into a snooze fest.
Camille Thomasson and Bart Gavigan's script is plodding and formless, with little sense of the political atmosphere in Germany at the time that saved Luther from becoming just another pile of heretic ashes.
Luther is a film that you know will end with one of those codas telling us what a profound life he led. But the movie itself just doesn't leave that kind of footprint.
It's just unfortunate that a movie about such a daring man ultimately takes few risks.
Corny and irritatingly simplistic though this fast-paced biography of 16th-century German religious reformer Martin Luther may be, it's undeniably entertaining.
For all its scope and detail, Luther fails to convey the sense of history moved by a compelling individual.
An informative immersion in the history of both Catholic and Protestant churches, and a rather refreshing take on medieval morality.
As the film veers uncertainly between meticulous historical recapitulation and shameless hokum, it brings enough characters to populate a mini-series.
After a summer of numbing mindlessness, there is something frankly refreshing about a movie that deals even superficially with as significant a figure as the rebellious 16th century theologian Martin Luther.
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