On the Run is both a breath of fresh storytelling air and an exciting homage to film noir.
On the Run (2002)
Tomatometer
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Reviews Counted:40
Fresh:29
Rotten:11
Average Rating:6.8/10
Consensus: Gripping, fast moving thriller. Best seen with the other parts of the trilogy.
Theatrical Release:Jan 30, 2004 Limited
Synopsis: A cinematic gamble without precedent, this ambitious project comprises three films, in three disparate genres, that provide not so much the same action from different perspectives, but rather,... A cinematic gamble without precedent, this ambitious project comprises three films, in three disparate genres, that provide not so much the same action from different perspectives, but rather, different pieces, consequences, and results of the combined actions of all the films. Structurally reminiscent in certain ways to Krzystzof Kieslowski's Three Colors Trilogy and Akira Kurosawa's Rashomon, (its literary inspiration was Lawrence Durrell's Alexandria Quartet) it takes the idea of ever-expanding narrative webs to an exciting new level. The first film is a fast-paced thriller, the second a romantic comedy, and the third a melodrama; each of the feature length films can be seen alone, but each feature narrative gaps that can only be filled by viewing the other films. Seen together they're a remarkably cohesive and satisfying achievement that has the effect of creating a fourth film that exists only in the viewer's mind. Director Lucas Belvaux himself plays one of the lead roles, accompanied brilliantly by Dominique Blanc, Catherine Frot, Ornella Muti, Gilbert Melki, and François Morel ON THE RUN (CAVALE) - The first installment focuses its noir-thriller lens on Bruno, an extreme-left revolutionary who has escaped from prison and is looking to settle scores with old enemies. He must avoid capture by Pascal, a downtrodden cop looking to regain his credibility while simultaneously helping his addict wife Agnes score morphine. But Bruno finds Agnes first and trades her a fix for a hideout: her friend Cecile's apartment. -- © Magnolia Pictures [More]
Starring: Lucas Belvaux, Gilbert Melki, Ornella Muti, Francois Morel
Starring: Lucas Belvaux, Gilbert Melki, Ornella Muti, Francois Morel, Catherine Frot, Dominique Blanc
Director: Lucas Belvaux
Director: Lucas Belvaux
Screenwriter: Lucas Belvaux
Composer: Ricardo del Fra
Studio: Magnolia Pictures
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Reviews for On the Run
For such a meticulously carved puzzle that all but announces it has missing pieces, On the Run mostly succeeds as both an exercise and a stand-alone entertainment.
Seen as a whole, The Trilogy is an entirely different experience altogether, as one pieces together the clues dropped in each to paint a more compelling picture.
the central irony of this noir is that the man 'on the run' is a relic of a bygone era who is really standing still while the rest of the world gallops ahead
A self-styled nocturnal noir, 'On the Run' is violent but not bloody, more in the school of classic gangster flicks than current gorefests.
An unflinchingly intelligent probe into far-left monomania and the brutish power of ideology divorced from ordinary empathy.
A solid noir thriller albeit one with a politically reactionary subtext.
The first and third add up to something very poignant and satisfying.
This is a gripping thriller. It's so sparse, it feels as though it's been pared down to the bone marrow.
While On the Run is entirely successful on its own terms, it also works as integral part of Belvaux's audacious experiment in form and style.
Suffused with a real sense of sadness of the lost ideals of a generation, the film transcends the banality of many lesser thrillers.
Of the three films, "On the Run" is the most successful as a standalone piece.
Each film stands satisfyingly on its own as a genre piece, but the triplex provides added understanding of character and consequence.
| Tomatometer Percentage | Movie | Date |
|---|---|---|
| | Film Ist: A Girl & A Gun | 12/2 |
| | Before Tomorrow | 12/2 |
| 67% 67% | Everybody's Fine | 12/4 |
| 60% 60% | Brothers | 12/4 |
| | Armored | 12/4 |
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