Mayor of the Sunset Strip (2003)
Average Rating: 7.4/10
Reviews Counted: 76
Fresh: 66 | Rotten: 10
A fascinating, poignant look at the cult of celebrity.
Average Rating: 7.4/10
Critic Reviews: 29
Fresh: 27 | Rotten: 2
A fascinating, poignant look at the cult of celebrity.
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Average Rating: 3.5/5
User Ratings: 1,606
My Rating
Movie Info
When Rodney Bingenheimer was just a teenager -- a diminutive, long-haired kid who was picked on a lot -- his mother, a divorced autograph hound, dropped him off in front of the home of actress Connie Stevens and essentially said, "Good luck." Stevens was on location shooting a movie and Bingenheimer says he didn't see his mother again for five or six years after that. The Mayor of the Sunset Strip, a documentary by George Hickenlooper (Hearts of Darkness: A Filmmaker's Apocalypse), tracks
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All Critics (85) | Top Critics (31) | Fresh (67) | Rotten (10) | DVD (7)
Has a commercial reach that goes beyond local hero worship thanks in part to an all-star lineup of interviewees, including Cher, David Bowie, Mick Jagger, Gwen Stefani and Courtney Love, to name just a few confirmed Rod-heads.
Captures Bingenheimer in all his celeb-fondling glory. But it's a forlorn sight, one the film doesn't turn away from as it arcs from giddy inclusion to lonely pathos.
Creepily entertaining.
Feels like an elegy for an aging rock pixie.
At first a wryly comic study of a real-life, shag-topped Zelig ... Hickenlooper's nuanced documentary shifts into far deeper and darker emotional territory once it starts revealing Bingenheimer's heart-wrenching backstory.
Occasionally laughable, often sad, and profoundly evocative of the way we live now, adrift in a culture saturated with celebrity and obsessed by fame.
a great doc but sad as hell
A film that critiques our obsession with celebrity while simultaneously exploiting it.
Wisely switching from film to DV when the setting demands a more subtle camera situation, it's a mature documentary from a veteran of the form.
By the end, I felt neither happy nor sad for Rodney. I enjoyed being in his presence for 90 minutes, but I can't exactly agree that he has a magnetic personality.
too much in awe of subject matter
Wistful oddball documentary by George Hickenlooper.
Hickenlooper is admittedly not an obsessive rock 'n' roll fan, which is an advantage and a problem. He's able to see the subterranean L.A. demimonde through fresh eyes ...
If Hickenlooper's wistful documentary starts with a short subject, heavier concerns drum in the background.
...a nostalgic merry-go-round. It's quaint, charming, and often entrancing. You're riding the best horse on the ride. And the music couldn't be better.
Fans of rock music will likely be enthralled by the movie's look at various musical movements.
Audience Reviews for Mayor of the Sunset Strip
Super Reviewer
Following around this odd charactor who somehow managed to get in with the in crowd back in the 60's - full of so many flat moments (the father and stepmother scenes are enough to make you grind your teeth to nubs; and yes I understand that it is a juxtaposition shining a light on social whatsits - but a little goes a very long way!).
I'm sure that patching together all the archival footage of Rodney hanging out with EVERYBODY who was somebody was a daunting task - but really, these glimses and interviews with the famous are the only interesting bits.
Following Rodney to England as he castes his mother's ashes to the sea, and then the final "what do you want the ending of the film to be" question, are just.... too personal and really not rewarding at all - kind of like the film itself.
There are too many moments where the camera focuses on Rodney as he says... nothing! The scenes with his girlfriend (who stares at the camera as if it's her mortal enemy) are creepy - he talks about her as if she isn't there, and then when she finally speaks it's to inform one and all that she and Rodney are just friends and that she has a "boyfriend" - it all comes off so shallow, especially in light of how the film set her up as the light of his life.
The insights about the music/radio business were just perfect however - what a dog eat dog industry - and I will give Rodney credit that, in this day and age where it's all about payola (money given by the record companies to get air time for a band), he seemed to rise above it - creating superstars simply because he liked what he heard - altruistic and the way it should be - but sadly is not.
It's sad how he now seems to be religated to the back burner - as if the scene has passed him by - the corporate scene perhaps, but not the musical one - and that's what he apparantly is staying true to.
An odd film about an odd man.
Super Reviewer
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