a great doc but sad as hell
The Mayor of the Sunset Strip (2003)
Tomatometer
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Reviews Counted: 75
Fresh: 66
Rotten:9
Average Rating: 7.5/10
Consensus: A fascinating, poignant look at the cult of celebrity.
Runtime: 1 hr 34 mins
Genre: Musical & Performing Arts
Theatrical Release: Mar 26, 2004 Limited
Synopsis: Melding biography and social history with a cultural analysis of our Society's obsession with fame and celebrity, "Mayor of the Sunset Strip" chronicles the picaresque life of pop impresario Rodney Bingenheimer, beloved figure on the... Melding biography and social history with a cultural analysis of our Society's obsession with fame and celebrity, "Mayor of the Sunset Strip" chronicles the picaresque life of pop impresario Rodney Bingenheimer, beloved figure on the Los Angeles music scene since the early 1960s, and a friend, confidant, and lifelong admirer of countless luminaries from all walks of public life. As a teenager, motivated by his love for music and the allure of Hollywood, Rodney left his home in northern California for Los Angeles, where, despite a shy, socially awkward nature, he immediately became a ubiquitous presence on the live-music circuit. A constantly evolving fixture as scenester, journalist, promoter and club owner, he eventually earned the nickname "Mayor of the Sunset Strip." After a stint as Davy Jones' stand-in on The Monkees and a successful run as proprietor of Rodney Bingenheimer's English Disco, a magnet for every major star of the early 70s, he began spinning records on Los Angeles' cutting-edge radio station KROQ, and soon became one of the country's most influential DJs. Since then, Rodney has helped define the sounds that have dominated over three decades of music by giving dozens of major artists their first airplay. A partial list of bands he helped to break includes the Sex Pistols, the Clash, the Ramones, X, the Go-Go's, Blondie, Devo, Van Halen, Nirvana, Oasis, No Doubt, and, more recently, Coldplay and the Strokes. Featuring interviews with such stars as David Bowie, Mick Jagger, Cher, Brooke Shields, Brian Wilson, Debbie Harry, Gwen Stefani, Courtney Love, Nancy Sinatra, Coldplay's Chris Martin, and many others, "Mayor of the Sunset Strip" is a fascinating look at a life defined by a fascination with, and a Zelig-like knack for getting close to, the most famous names in music, movies, television, and beyond. For more information please visit www.mayorofthesunsetstrip.com. -- © First Look Pictures [More]
Starring: Rodney Bingenheimer, David Bowie, Gwen Stefani, Coldplay
Starring: Rodney Bingenheimer, David Bowie, Gwen Stefani, Coldplay, Courtney Love, Oasis, Brian Wilson, Doors, Cher, Nancy Sinatra, Mick Jagger, Brooke Shields, Kim Fowley
Director: George Hickenlooper
Director: George Hickenlooper
Producer: Chris Carter, Greg Little, Tommy Perna
Composer: Anthony Marinelli
Studio: First Look
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Reviews for The Mayor of the Sunset Strip
A film that critiques our obsession with celebrity while simultaneously exploiting it.
By the end, I felt neither happy nor sad for Rodney. I enjoyed being in his presence for 90 minutes, but I can't exactly agree that he has a magnetic personality.
Hickenlooper is admittedly not an obsessive rock 'n' roll fan, which is an advantage and a problem. He's able to see the subterranean L.A. demimonde through fresh eyes ...
If Hickenlooper’s wistful documentary starts with a short subject, heavier concerns drum in the background.
Has a commercial reach that goes beyond local hero worship thanks in part to an all-star lineup of interviewees, including Cher, David Bowie, Mick Jagger, Gwen Stefani and Courtney Love, to name just a few confirmed Rod-heads.
...a nostalgic merry-go-round. It's quaint, charming, and often entrancing. You're riding the best horse on the ride. And the music couldn't be better.
Fans of rock music will likely be enthralled by the movie's look at various musical movements.
[The movie,] by exploiting its subject's celebrity contacts, runs counter to the unassuming way Bingenheimer cultivated those contacts over the years.
Worth seeing because its odd, self-effacing subject is satisfying by reason of his very emptiness, and more than a little pathetic.
Captures Bingenheimer in all his celeb-fondling glory. But it's a forlorn sight, one the film doesn't turn away from as it arcs from giddy inclusion to lonely pathos.
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