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Chi-hwa-seon (2002)
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Reviews Counted:39
Fresh:32
Rotten:7
Average Rating:7.1/10
Theatrical Release:Feb 14, 2003 Limited
Synopsis:
IM Kwon-taek's ninety-fifth film tells the story of renowned nineteenth-century painter JANG Seung-up (Choi Min-Sik), an artist whose revolutionary work - and persona - has forever changed the face...
IM Kwon-taek's ninety-fifth film tells the story of renowned nineteenth-century painter JANG Seung-up (Choi Min-Sik), an artist whose revolutionary work - and persona - has forever changed the face of Korean art.
CHIHWASEON (PAINTED FIRE) begins in the 1850s, when KIM Byung-moon (AHN Sung-ki) saves the young JANG Seung-up from being beaten by a group of drifters. In return, JANG draws him a picture, and as Kim carefully examines the child's rough drawing, he notices the extraordinary potential of the young boy. Years later, KIM Byung-moon becomes JANG Seung-up's mentor and encourages him to pursue the life of an artist. KIM eventually gives JANG the pen name of Oh-won.
Later on his life, JANG Seung-up meets Mae-hyang, a daughter of a Yangban (social elite) who attracts him deeply. Although their passion is strong, they are eventually forced to separate when she runs away from catholic persecution.
JANG Seung-up eventually leaves his house and wanders about in pursuit of "true art," soon realizing that it is through pleasure that he can produce his greatest works. Oh-won's life is thus marked by the paradox of his inspiration derived by addiction to alcohol and convoluted love affairs with women.
As JANG continues to search for artistic transcendence, he stretches the limits of traditional Korean art, rapidly becoming a worldwide artistic reference - and one of Korea's national legends. -- © Kino International
Starring: Min-sik Choi, Sung-Kee Ahn, Ho-jeong Yu, Yeo-jin Kim
Starring: Min-sik Choi, Sung-Kee Ahn, Ho-jeong Yu, Yeo-jin Kim, Ye-jin Son
Director: Kwon-Taek Im
Director: Kwon-Taek Im
Producer: Tae-Won Lee
Composer: Young-dong Kim
Studio: Kino International
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Reviews for Chi-hwa-seon
["Chihwaseon"] explores the life of a brilliant artist virtually unknown in the West while effortlessly teaching us about a tumultuous period in Korea’s past.
Kwon-taek Im's greatest achievement is his visualization of the emotion of art over the intellect.
Painted Fire is gorgeous. Even a shot of the dirty and miserable Jang flinging himself about in a bare room of wadded-up paintings turns into a thing of beauty.
It's somehow a very calming, almost Zenlike experience, and it left me with a peaceful glow that I managed to carry around for the rest of the day.
Budgetary limitations in making the movie are evident in part by abrupt cuts and somewhat crude storytelling
The film is art in all its visual splendor, and no matter how confusing the historic story line may be to Westerners -- and it is -- the images on screen more than compensate for the faults.
It contains many great and beautiful passages, but the overall effect is too fast and basic. As in Frida, we get more of an idea of what the artist did rather than who he or she was.
A handsome film, filled with lavish costumes and set designs and told in a series of exquisitely composed images.
Im distinguishes what might have otherwise been a standard Hollywood biopic through his use of exquisitely composed shots that could have been imagined by Jang himself.
If you've never seen a South Korean film, or even if you have, Chihwaseon is an ideal place to start or continue.
Scene after scene blends masterfully with the work of Ohwon’s paint brush, and the power of images and symbols reveal not only a great artist, but also a pivotal era in Korean history.
Mr. Im's own aesthetic command is evident in the movie's wealth of beautiful, perfectly framed images of nature.
A rather conventional artist's biopic that's occasionally blessed with an astute sense of physical movement and natural spectacle.
A visually alluring and thematically rich portrait of a nineteenth century Korean artist who defied categorization and was a true connoisseur of wonder.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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