Walks the thin line of empathizing with its subject without necessarily endorsing or condoning her action.
Monster (2003)
Tomatometer
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Reviews Counted:177
Fresh:146
Rotten:31
Average Rating:7.2/10
Consensus: Charlize Theron dominates this stirring, brutal film with a break through performance.
Rated: R [See Full Rating] for strong violence and sexual content, and for pervasive language
Runtime: 1 hr 50 mins
Genre: Dramas
Theatrical Release:Dec 24, 2003 Limited
Box Office: $34,187,787
Synopsis: In a revelatory performance, Charlize Theron stars in the shocking and moving true-life story of Aileen Wuornos, a prostitute executed last year in Florida after being convicted of murdering six... In a revelatory performance, Charlize Theron stars in the shocking and moving true-life story of Aileen Wuornos, a prostitute executed last year in Florida after being convicted of murdering six men. While Wuornos confessed to the six murders, including a policeman, she claimed to have killed only in self-defense, resisting violent assaults while working as a prostitute. Bravely burrowing beneath the tabloid headlines about America’s first female serial killer—and the media’s sordid designation of Wuornos as an unrepentant monster—in the midst of the horrors and pathologies, first-time writer-director Patty Jenkins unearths an unlikely love story between two misfits. Nearing suicidal despair, Wuornos wanders into a Florida bar, where she meets Selby Wall (Christina Ricci), a young woman sent by her parents to live with an aunt in order to “cure her homosexuality.” Wuornos—victim of a tragic, abusive upbringing—quickly falls in love, and clings to Selby like a life preserver. Unable to find a legitimate job but desperate to sustain her relationship with Selby, Wuornos continues working as a prostitute. When one of her johns turns violent, Wuornos shoots the man in self-defense; the first in her tragic string of killings. Shot in many of the actual locations where Wuornos committed her crimes between 1989-90, in its grittiness, verisimilitude, and hard-won empathy for its antihero, Monster is reminiscent of the great, iconoclastic American films of the ‘60s and ‘70s. Co-starring Bruce Dern, Monster succeeds as searing social commentary, road movie, and, most profoundly, as love story. Theron’s ferocious, fully-committed work—astounding physical transformation matched by unerring psychological acuity—is sure to surprise audiences familiar with her work, and in writer-director Jenkins, Monster heralds a major new filmmaking talent. -- © Newmarket Films [More]
Starring: Charlize Theron, Christina Ricci, Bruce Dern, Scott Wilson
Starring: Charlize Theron, Christina Ricci, Bruce Dern, Scott Wilson, Pruitt Taylor Vince, Annie Corley, Lee Tergesen
Director: Patty Jenkins
Director: Patty Jenkins
Screenwriter: Patty Jenkins
Producer: Charlize Theron, Matt Damon, Clark Peterson, Donald Kushner, Brad Wyman
Composer: BT
Studio: Newmarket Films
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Reviews for Monster
Yes, her transformation is a bit of a stunt, but [Theron] works hard and bravely to salvage a human shape from the wreckage of Wuornos' life.
It's the first full-length work by writer-director Patty Jenkins and marks her as a gifted portrayer of emotional intimacies and wrenching acts of violence.
Its series of weak excuses and cliched insights illuminate nothing, and the movie ends up little more than a lesbian slasher flick.
Theron's work here stands with that of Jennifer Connelly, Hope Davis, Naomi Watts, Cate Blanchett and Charlotte Rampling as one of the best female performances of 2003.
There's the uncanny sensation that Theron has forgotten the camera and the script and is directly channeling her ideas about Aileen Wuornos. She has made herself the instrument of this character.
A gruesome, helpless spiral barely saved by an actress locating humanity where few would have cared to bother.
Charlize Theron transforms into a husky street survivor... the kind of stunt that gets Oscar nominations. Theron turns it into a bristling performance that deserves them.
With Monster, Theron finally rises above B-movie mediocrity and positions herself amongst the crème de la crème of thespians.
It's disturbing and creepy, but it's hands down the best female performance I've seen this year.
...a movie full of victims, with Wuornos as the most sympathetic of the bunch.
Would we still be talking about Monster, though, without Theron’s remarkable transition? Probably not.
With no subtext, there’s no way to react except with laughter to scenes in which, say, Wuornos... declares that she wants a career
More often than not, Theron gives us a caricature rather than a character. As a result, Monster is a well-made movie without much purpose.
Brings the horror stories of everyday life down to a recognizable level.
Monster is a brave, unsettling film, a little rough around the edges but unflinching to the end.
Theron gets so deep into the role that it takes our breath away, and not just because of her shocking physical transformation."
Charlize Theron's breathtaking, heartbreaking transformation makes this movie about the woman called America's first female serial killer an astonishing achievement.
Latest News for Monster
January 12, 2006:
Theron Gets Ready to Produce Some "Ice"
According to Variety, the lovely Ms. Charlize Theron is about to reunite with the producer behind "Monster" to deliver "The Ice at the Bottom of the World,"... More...
April 25, 2005:
"Blair Witch" Director to be "Altered" by Rogue Pictures
More...
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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