Bergman's eloquent achievement lies less in his story's details than in his script's emotional honesty, which speaks to how an ordinary family would deal with such struggles.
Broken Wings (2004)
Tomatometer
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Reviews Counted:66
Fresh:61
Rotten:5
Average Rating:7.3/10
Consensus: An accurate and compassionate rendering of an ordinary family in crisis.
Rated: R [See Full Rating] for some language, brief nudity and drug use
Runtime: 84 mins
Genre: Dramas
Theatrical Release:Mar 12, 2004 Limited
Synopsis: The winner of nine prizes at the Israeli Academy Awards and a hit in its home country, the award-winning BROKEN WINGS is the extraordinarily moving story of the life and loves of the Ullman family,... The winner of nine prizes at the Israeli Academy Awards and a hit in its home country, the award-winning BROKEN WINGS is the extraordinarily moving story of the life and loves of the Ullman family, an ordinary Israeli family coping with everyday life. Nine months after her husband died, Dafna Ullman (renowned stage actress Orli Zilberschatz-Banai) has just gone back to work as a night shift hospital midwife. 16-year old Yair (Nitai Gvirtz), has dropped out of school, abandoned a potential basketball career and now hides inside a mouse costume, distributing flyers on the subway. 11 year-old Ido (Daniel Magon), deals with his building aggression by trying to break the world free jump record (and practices into an empty swimming pool), while six year-old Bahr (Eliana Magon) begins a lonely first day of school. So, it's left to 17 year-old Maya, (lovely newcomer Maya Maron), a gifted budding singer/song writer, to act as a surrogate mother to her youngest siblings. Everyone tries to navigate their daily lives as best as they can - jobs, romantic involvements, a car that won't start ... - but when Maya forgets to pick up little Bahr from school, it's an incident which causes a major upheaval in their lives … Told with sincerity, drama, and self-deprecating humor, Nir Bergman's feature debut has a remarkable freshness and a keen sense of observation of the contemporary family. Shot entirely on location in Haifa and Tel Aviv, BROKEN WINGS reveals an Israel very different from the televised news images and violent world politics, and also portrays a truly universal experience. -- © Sony Pictures Classics [More]
Starring: Orly Zilberschatz-Banai, Maya Maron, Eliana Magon, Nitai Gvirtz
Starring: Orly Zilberschatz-Banai, Maya Maron, Eliana Magon, Nitai Gvirtz, Daniel Magon, Vladimir Freedman, Danny "Mooki" Niv, Dana Ivgy
Director: Nir Bergman
Director: Nir Bergman
Screenwriter: Nir Bergman
Composer: Avi Belleli
Studio: Sony Pictures Classics
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Reviews for Broken Wings
A movie of small emotional gestures that add up to something almost overwhelming.
It reminds us, after all, that throughout the world, all family feeling is local.
Celebrates the binding sinew of family connection and the power of a mother's love.
Grieving families have been dealt with before in outstanding films like 'Moonlight Mile' and 'In the Bedroom,' but never with more unflinching realism than in 'Broken Wings.'
This is a movie with four children at hand, but its views of ambiguity and human complexity are distinctly grown-up.
Bergman is primarily interested in behavioral truth, and that is enough to make him a talent worth watching.
Wonderfully acted and sharply observed, Broken Wings is marked by a strong sense of what it's like to be part of a family.
Broken Wings tells the kind of story that only a cinematic neophyte would find novel. But it tells that story with such emotional nuance, and with such fine performances, that it somehow feels fresh.
A wise and sensitive piece of filmmaking that heralds the arrival of a major new talent.
These bits of metaphor accumulate, of course, leading to a literal tragedy that pulls the family back together.
Heartfelt acting and a sometimes tragic but ultimately life-affirming story make this an unusually touching Israeli production.
'The characters are so ordinary and identifiable helping to make it a more universal approach to the way human beings deal with tragedy'
Writer-director Bergman's debut doesn't have stylistic pizazz, and some of its scenes sag a little under the weight of mournful music. But the story is told with stirring simplicity that builds momentum.
There is a seasoned richness and vivid specificity to these lives, for all their hurts and losses.
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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