If the WB television network made movies in Israel, Broken Wings is what we'd get.
Broken Wings (2004)
Tomatometer
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Reviews Counted:66
Fresh:61
Rotten:5
Average Rating:7.3/10
Consensus: An accurate and compassionate rendering of an ordinary family in crisis.
Rated: R [See Full Rating] for some language, brief nudity and drug use
Runtime: 84 mins
Genre: Dramas
Theatrical Release:Mar 12, 2004 Limited
Synopsis: The winner of nine prizes at the Israeli Academy Awards and a hit in its home country, the award-winning BROKEN WINGS is the extraordinarily moving story of the life and loves of the Ullman family,... The winner of nine prizes at the Israeli Academy Awards and a hit in its home country, the award-winning BROKEN WINGS is the extraordinarily moving story of the life and loves of the Ullman family, an ordinary Israeli family coping with everyday life. Nine months after her husband died, Dafna Ullman (renowned stage actress Orli Zilberschatz-Banai) has just gone back to work as a night shift hospital midwife. 16-year old Yair (Nitai Gvirtz), has dropped out of school, abandoned a potential basketball career and now hides inside a mouse costume, distributing flyers on the subway. 11 year-old Ido (Daniel Magon), deals with his building aggression by trying to break the world free jump record (and practices into an empty swimming pool), while six year-old Bahr (Eliana Magon) begins a lonely first day of school. So, it's left to 17 year-old Maya, (lovely newcomer Maya Maron), a gifted budding singer/song writer, to act as a surrogate mother to her youngest siblings. Everyone tries to navigate their daily lives as best as they can - jobs, romantic involvements, a car that won't start ... - but when Maya forgets to pick up little Bahr from school, it's an incident which causes a major upheaval in their lives … Told with sincerity, drama, and self-deprecating humor, Nir Bergman's feature debut has a remarkable freshness and a keen sense of observation of the contemporary family. Shot entirely on location in Haifa and Tel Aviv, BROKEN WINGS reveals an Israel very different from the televised news images and violent world politics, and also portrays a truly universal experience. -- © Sony Pictures Classics [More]
Starring: Orly Zilberschatz-Banai, Maya Maron, Eliana Magon, Nitai Gvirtz
Starring: Orly Zilberschatz-Banai, Maya Maron, Eliana Magon, Nitai Gvirtz, Daniel Magon, Vladimir Freedman, Danny "Mooki" Niv, Dana Ivgy
Director: Nir Bergman
Director: Nir Bergman
Screenwriter: Nir Bergman
Composer: Avi Belleli
Studio: Sony Pictures Classics
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Reviews for Broken Wings
...reminiscent, in its gritty and sometimes unrelievedly grim aspect, of some of British director Mike Leigh's social naturalism
It's not until the film is over that we fully appreciate the originality of an Israeli film that focuses completely on the family crisis while leaving politics behind altogether.
Approaching the family's unremarkable life with careful delicacy, Bergman extracts marvellous performances from his cast.
Maya is its main character, and Maron has a comfortable, sympathetic screen presence.
A wise and sensitive piece of filmmaking that heralds the arrival of a major new talent.
Broken Wings is not a great film. But it's a good, solid one that should connect with intelligent audiences as strongly here as it did abroad.
Heartfelt acting and a sometimes tragic but ultimately life-affirming story make this an unusually touching Israeli production.
'The characters are so ordinary and identifiable helping to make it a more universal approach to the way human beings deal with tragedy'
Celebrates the binding sinew of family connection and the power of a mother's love.
Broken Wings tells the kind of story that only a cinematic neophyte would find novel. But it tells that story with such emotional nuance, and with such fine performances, that it somehow feels fresh.
This is a movie with four children at hand, but its views of ambiguity and human complexity are distinctly grown-up.
While there's nothing ordinary about Bergman's accomplished family story, the line resonates with the director's own philosophy.
Bergman's eloquent achievement lies less in his story's details than in his script's emotional honesty, which speaks to how an ordinary family would deal with such struggles.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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