'The characters are so ordinary and identifiable helping to make it a more universal approach to the way human beings deal with tragedy'
Broken Wings (2004)
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Reviews Counted:66
Fresh:61
Rotten:5
Average Rating:7.3/10
Consensus: An accurate and compassionate rendering of an ordinary family in crisis.
Rated: R [See Full Rating] for some language, brief nudity and drug use
Runtime: 84 mins
Genre: Dramas
Theatrical Release:Mar 12, 2004 Limited
Synopsis: The winner of nine prizes at the Israeli Academy Awards and a hit in its home country, the award-winning BROKEN WINGS is the extraordinarily moving story of the life and loves of the Ullman family,... The winner of nine prizes at the Israeli Academy Awards and a hit in its home country, the award-winning BROKEN WINGS is the extraordinarily moving story of the life and loves of the Ullman family, an ordinary Israeli family coping with everyday life. Nine months after her husband died, Dafna Ullman (renowned stage actress Orli Zilberschatz-Banai) has just gone back to work as a night shift hospital midwife. 16-year old Yair (Nitai Gvirtz), has dropped out of school, abandoned a potential basketball career and now hides inside a mouse costume, distributing flyers on the subway. 11 year-old Ido (Daniel Magon), deals with his building aggression by trying to break the world free jump record (and practices into an empty swimming pool), while six year-old Bahr (Eliana Magon) begins a lonely first day of school. So, it's left to 17 year-old Maya, (lovely newcomer Maya Maron), a gifted budding singer/song writer, to act as a surrogate mother to her youngest siblings. Everyone tries to navigate their daily lives as best as they can - jobs, romantic involvements, a car that won't start ... - but when Maya forgets to pick up little Bahr from school, it's an incident which causes a major upheaval in their lives … Told with sincerity, drama, and self-deprecating humor, Nir Bergman's feature debut has a remarkable freshness and a keen sense of observation of the contemporary family. Shot entirely on location in Haifa and Tel Aviv, BROKEN WINGS reveals an Israel very different from the televised news images and violent world politics, and also portrays a truly universal experience. -- © Sony Pictures Classics [More]
Starring: Orly Zilberschatz-Banai, Maya Maron, Eliana Magon, Nitai Gvirtz
Starring: Orly Zilberschatz-Banai, Maya Maron, Eliana Magon, Nitai Gvirtz, Daniel Magon, Vladimir Freedman, Danny "Mooki" Niv, Dana Ivgy
Director: Nir Bergman
Director: Nir Bergman
Screenwriter: Nir Bergman
Composer: Avi Belleli
Studio: Sony Pictures Classics
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Reviews for Broken Wings
It's not until the film is over that we fully appreciate the originality of an Israeli film that focuses completely on the family crisis while leaving politics behind altogether.
This story could take place anywhere there are families struggling to remake themselves in the aftermath of tragedy; its universality is perhaps the most potent political message of all.
Bergman's debut feature is tender yet disturbing, sad yet at times funny.
The relatively inconsequential and languid movie merely marks time until a predictable tragedy occurs in the middle. It's easily guessed resolution comes at the end.
Writer-director Nir Bergman, in his feature film debut, captures this fractured family's halting attempts to put itself back together again with compassion and intelligence, drawing understated performances from his entire cast.
Writer-director Bergman's debut doesn't have stylistic pizazz, and some of its scenes sag a little under the weight of mournful music. But the story is told with stirring simplicity that builds momentum.
This is a movie with four children at hand, but its views of ambiguity and human complexity are distinctly grown-up.
Broken Wings tells the kind of story that only a cinematic neophyte would find novel. But it tells that story with such emotional nuance, and with such fine performances, that it somehow feels fresh.
It's one of those small features that sneaks up on you and stays with you long after you leave the theatre.
While there's nothing ordinary about Bergman's accomplished family story, the line resonates with the director's own philosophy.
The excellence of the acting and Bergman's keen eye and ear make us hope for the family.
A believable, tender story of how a terrible crisis can turn out to have a positive, transforming effect on a family as long as there is love.
Maron, a lovely young actress with a gift for soulful silence, does some heartbreaking work.
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