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Reconstruction (2004)
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Reviews Counted:37
Fresh:28
Rotten:9
Average Rating:6.4/10
Theatrical Release:Sep 10, 2004 Limited
Synopsis: Smitten with a woman he sees on the subway platform, Alex (Nikolaj Lie Kass) impulsively leaves his girlfriend, Simone (Maria Bonnevie) in pursuit of the stranger. Alex and Aimee (also played by... Smitten with a woman he sees on the subway platform, Alex (Nikolaj Lie Kass) impulsively leaves his girlfriend, Simone (Maria Bonnevie) in pursuit of the stranger. Alex and Aimee (also played by Maria Bonnevie) first share a conversation in a bar, and then spend the night together in her hotel room. But there's a hitch: Aimee is married. This beautiful stranger has accompanied her husband, a renowned author (Krister Henriksson), on his book tour to Copenhagen. Suddenly, she is making plans to leave her noncommunicative husband and run away with her new lover. Meanwhile, following his night with Aimee, Alex finds his world turned upside down and inside out. He returns to his apartment to find that it doesn't exist, and neither Simone, nor his friends and family, know who he is. Is this a sign that he should pursue a life with Aimee? Or is the universe simply trying to teach Alex a lesson? This debut feature film from director Christoffer Boe, who also cowrote the screenplay, received the Camera d'Or and the Youth Prize at the 2003 Cannes Film Festival. [More]
Starring: Nicolaj Lie Kass, Maria Bonnevie, Krister Henriksson, Nicolas Bro
Starring: Nicolaj Lie Kass, Maria Bonnevie, Krister Henriksson, Nicolas Bro, Peter Steen, Ida Dwinger, Malene Schwartz, Helle Fargalid
Director: Christoffer Boe, Ake Sandgren
Director: Christoffer Boe
Screenwriter: Christoffer Boe, Mogens Rukov
Producer: Tine Grew Pfeiffer
Director: Ake Sandgren
Producer: Lar Kjeldgaard
Composer: Thomas Knak
Studio: Palm Pictures
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Reviews for Reconstruction
It's all confusing and made more so by Boe's overwrought narration, jerky camera movements and pointless aerial shots that turn what might have been affecting domestic drama into a soulless mind trip reminiscent of The Twilight Zone.
Emblematic of a new sort of filmic collage in which artificial construction is as much a featured part of the point as a means to an end.
Offers not much more than a snazzy-looking but ultimately empty experiment.
Eventually it all starts to feel like an extended European perfume ad: pretty but eye-rollingly pretentious.
Boe’s strange reconstruction of a love quadrangle suggests at times an episode of Unsolved Mysteries as directed by Jean-Luc Godard.
Valiant attempt to innovate in the well-trod realm of Boy Meets Girl doesn't quite coalesce despite a thoughtful and distinctive visual approach.
Reconstruction ends the way it begins, with the narrator uttering, “It is all a film. It is all a construction. It still hurts.” He’s right on all counts.
Boe's notion of cinema as a glamorous art is apparent, but his sense of narrative mystery tends to err on the side of pretentiousness.
Christoffer Boe's self-assured first feature is a moody, enigmatic love story set in the cool elegance of Copenhagen's classical squares and modernist hotels.
Ultimately, the narrative becomes too hypothetical for its good, but it succeeds in holding one's attention with its romantic intensity and sheer old-fashioned glamour.
This is Boe's first full-length film, but he already works the art form like a master. He proves he understands love lost and the hungry yearning burning inside love found.
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