Rick (2003)
Tomatometer
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Reviews Counted:24
Fresh:11
Rotten:13
Average Rating:5.7/10
Theatrical Release:Sep 24, 2004 Limited
Synopsis: RICK is a moral tale that takes its plot from the opera Rigoletto. Curtiss Clayton, a veteran film editor with over 25 films under his belt, including work with Gus Van Sant (DRUGSTORE COWBOY, TO... RICK is a moral tale that takes its plot from the opera Rigoletto. Curtiss Clayton, a veteran film editor with over 25 films under his belt, including work with Gus Van Sant (DRUGSTORE COWBOY, TO DIE FOR) and Vincent Gallo (BUFFALO 66), makes his directorial debut with this New York thriller/black comedy/satire – and indictment of corporate American culture -- starring Bill Pullman in a skillfully layered performance as Rick O'Lette, a middle-aged corporate climber who has lost sight of his humanity and plummets into a nightmare that will ultimately cause him to lose the one thing he loves the most. RICK was written by Daniel Handler, a.k.a. Lemony Snicket, the author of the popular children's book series that has been adapted for the screen by Paramount Pictures as LEMONY SNICKET'S A SERIES OF UNFORTUNATE EVENTS starring Jim Carrey. RICK is stylishly photographed by the award-winning cinematographer Lisa Rinzler (THREE SEASONS, POLLOCK, MENACE II SOCIETY). RICK opens with Bill Pullman's character arriving at his office, a Wall Street marble mausoleum serving as the headquarters of the Image Corporation, a soulless capitalist outfit with the motto "We Can Do This" emblazoned on the lobby wall. The embodiment of corporate executive male arrogance, Rick proceeds to meet Michelle (Sandra Oh), a prospective job candidate, and so humiliates the young woman that when they encounter each other later that night in a trendy bar, she spews a fevered curse: "You are an evil person with an evil soul, and it will come right back at you!" A bit riled after this intense altercation with Michelle, Rick makes an offending comment that causes his boss, Duke (Aaron Stanford), to leave in a huff. Duke, some 20 years Rick's junior, is a real jerk who demoralizes Rick on a regular basis. Clearly Rick resents having to kowtow to this brash young punk. Buck (Dylan Baker), an old business school classmate of Rick's, witnesses the whole incident and approaches Rick with an invitation to use the services of his unorthodox company -- a company that promises to "Take the Rat Race to the Next Level." Rick shuns his advances, but is intrigued enough to take his card and, at Buck's bidding, watches the morning news in an effort to understand what this mysterious outfit is in the business of doing. The news story turns out to be about a corporate CEO found at the bottom of the river. Rick understands and is appalled. But Rick's life is not all business. He shifts gears when he gets home to his 17-year-old daughter Eve (Agnes Bruckner), at once a provocative young woman talking dirty in internet chat rooms to someone named "Big Boss" –- and a vulnerable girl desperately missing her deceased mother. Rick is tender with his daughter and his cockiness eases up as he tries to hold it together for her. It slowly unfolds that Rick was not always the repugnant fellow he is today. Sometime after losing his wife, he lost himself in a world of corporate greed, backstabbing and amoral mantras that have rendered him a casualty in his own life. Then, suddenly Rick O'Lette's private and professional lives collide in an alarmingly twisted way. It seems that Eve's X-rated internet correspondent has been Rick's boss Duke (although neither of them realize who the other is). Impassioned, Rick starts the ball rolling with Buck to contract his company's services. It seems that Duke will be murdered leaving the company Christmas party. Although Rick forbids her to come, Eve makes her way to the party alone, determined to find Duke (who, with a teenager's naivete, she thinks is cute). By this time, Duke has figured out that Eve is the woman known as Vixxxen in the chat room, but he thinks she is Rick's wife or girlfriend. When he finds her at the party, he takes her into his office and they have sex. When they are finished, Eve's identity (and age) are revealed. Meanwhile Rick is intently trying to find Eve to protect her from Duke, but it is too late. Eve leaves the party in Duke's jacket and Santa hat and in this morality tale, Rick cannot stop what he has started. Plans go wildly awry and he is left to suffer the consequences. -- © ContentFilm [More]
Starring: Bill Pullman, Agnes Bruckner, Aaron Stanford, Sandra Oh
Starring: Bill Pullman, Agnes Bruckner, Aaron Stanford, Sandra Oh, Dylan Baker
Director: Curtiss Clayton
Director: Curtiss Clayton
Studio: ContentFilm
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Reviews for Rick
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Julgando que ambientar Rigoletto nos dias atuais é o bastante para ser aplaudido, o filme erra nos diálogos e no tom da narrativa, tornando-se insípido e descartável.
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Very funny, very dark and very clever -- a tale of the corporate id gone wild that promises to upset even the most jaded and hardened of sensibilities. Full Review |
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Wcreenwriter Daniel Handler [(a.k.a. Lemony Snicket)] employs an O. Henry-like twist of irony that first-time director Curtiss Clayton telegraphs long before it strikes. Full Review |
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Manages to be both disquieting and entertaining -- and that's quite a cunning feat of cinema. Full Review |
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By hewing so faithfully to their source, the creators don't let the material pursue its own direction, and the result feels dramatically arbitrary. Full Review |
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A tragic story graced with lots of comedic touches, which makes for an often awkward tone. Full Review |
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Sometimes it's hard to hear the dialogue because the gears of the plot are trying so hard and creaking so loudly. Full Review |
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The intended black comedy is no more than a wan mix of over-the-top unpleasantness and obvious psychologizing. Full Review |
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A new mythology with new morals for a rough, uncertain age. Full Review |
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[The] story and emotions seem a little too big for the frame. Full Review |
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Rick is dark, dark comedy at its most hedonistic. Full Review |
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An ill-advised combination of tragedy and satire, it generally plays like the coffee-break fantasy of a temp who messed up a lunch order and paid for it with his dignity. Full Review |
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Everything about this curio is claustrophobic. Full Review |
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Impressive -- and utterly depressing -- feature debut. Full Review |
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It's rotten to the core and right down to the end. But if you find that such extremes can be fascinating, then the movie may cheer you, not because it is happy, but because it goes for broke. Full Review |
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[M]alicious, ironic cruelty dealt with a deft and subtle hand... Full Review |
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A deliciously bitter tale of lust and betrayal among dog-eat-dog Wall Street bigwigs. Full Review |
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Daniel Handler's script has snap, crackle and pop (he's the author of the popular Lemony Snicket children's books), and Curtiss Clayton's direction is darkly crisp. Full Review |
| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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