Loach delivers another of his beautifully observed portraits of working-class people in social and political turmoil.
A Fond Kiss (2004)
Tomatometer
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Reviews Counted:23
Fresh:20
Rotten:3
Average Rating:7.4/10
Rated: R [See Full Rating] for some strong sexuality and language
Runtime: 1 hr 54 mins
Genre: Dramas
Theatrical Release:Nov 26, 2004 Limited
Synopsis: Ken Loach, known for his gritty, realistic dramas, delivers his most lighthearted film to date with A FOND KISS. While maintaining Loach's characteristic propensity for addressing important and... Ken Loach, known for his gritty, realistic dramas, delivers his most lighthearted film to date with A FOND KISS. While maintaining Loach's characteristic propensity for addressing important and complex social issues, A FOND KISS also depicts a comfortably middle-class Glasgow populated by characters with hopes, dreams, and vacation time. Casim (Atta Yaqub) is the treasured only son of a first-generation Pakistani family, who is engaged to his cousin, Jasmine; the couple is soon to wed and move into an addition to the family home. Less than enthusiastic, Casim is nonetheless resigned to his fate until he meets Roisin (Eva Birthistle), the music teacher at his younger sister's elementary school. Roisin is beautiful, quirky, white, and Catholic, and Casim initiates a relationship that soon blossoms into an intense affair that revives his spirit. Unfortunately, it also inspires opposition and bigotry from all sides, and the two are forced to navigate a sea of social antagonisms along the way. The actors, all of whom were unknowns at the time of shooting, provide a surprising freshness and believability, avoiding the the pitfalls of predictability that threaten the old story of star-crossed lovers. [More]
Starring: Eva Birthistle, Atta Yaqub
Starring: Eva Birthistle, Atta Yaqub
Director: Ken Loach
Director: Ken Loach
Studio: Castle Hill Productions
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Reviews for A Fond Kiss
I was offered a ring of movie matrimony, but it was less than a perfect fit
Despite its flaws, it tackles the societal forces that try to enforce laws on the human heart with such unblinking honesty that it becomes haunting and thought-provoking.
A wonderful ensemble drama that gently draws you into its political concerns with richly personal dramas, showing the bruising ups and downs of love and family heartache.
English-language East-West domestic dramas usually tip the scales in favor of modernity... But A Fond Kiss is equally sympathetic to each side.
Consummate recorders of the grit-and-grime struggle of the underclasses, Loach and collaborator Paul Laverty employ rapid-fire dialogue (rendered ear-poppingly undecipherable in Scots accents) in disheveled and very real family settings.
Even at its most rigged, there's always just enough to admire in the Loach model.
With Loach's Romeo and Juliet in a post-9/11 world, his dramatic focus on an increasingly nomadic planet is both spare and blistering.
The film tells its tale so convincingly and stirringly, the familiarity becomes unimportant.
[Loach] manages to reach beyond social debate to touch you on an emotional level.
This is believable, intelligent filmmaking. It's just that, considering the makers' pedigree, Ae Fond Kiss... is more of a peck than a smacker.
[Loach] sheds little new light on the inevitable clashes between parents rooted to their native culture and their Western-influenced offspring.
For Loach, the liberal filmmaker who is considered in film circles to be the social conscience of films, this is one of his lesser films.
Although Loach takes pains to present all sides of the issues he raises, he courageously faces up to the truth about people's lives, which is his abiding strength.
Ae fond kiss... (...) offers us (...) a slice of life that is truly wonderful in all its simplicity and realism. Ken Loach's film ranks among the years best.
A small movie, told in a familiar way, and it fails to draw the big picture it could. But it does provide one unusual, and very striking sketch of two lives in crisis, and one community in transition.
The filmmaker's scope expands to take in Casim's parents and two sisters, whose public shame and private despair at having the only son move in with a 'goree' -- a white girl -- is made palpably, wrenchingly real.
Loach deftly, delicately balances the political and the personal and gets tender performances from his ridiculously charming leads.
| Tomatometer Percentage | Movie |
|---|---|
| 78% 78% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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