—— As Above/So Below Aug 29
40% The November Man Aug 27
98% Starred Up Aug 27
81% The Congress Aug 29
62% Life Of Crime Aug 29

Top Box Office

92% Guardians of the Galaxy $17.2M
20% Teenage Mutant Ninja Turtles $16.7M
39% If I Stay $15.7M
20% Let's Be Cops $10.8M
18% When The Game Stands Tall $8.4M
34% The Expendables 3 $6.5M
32% The Giver $6.4M
45% Sin City: A Dame to Kill For $6.3M
65% The Hundred-Foot Journey $5.3M
20% Into The Storm $3.8M

Coming Soon

—— Innocence Sep 05
—— The Identical Sep 05
—— The Longest Week Sep 05
67% The House of Magic Sep 05
74% God Help the Girl Sep 05

New Episodes Tonight

86% The Bridge (FX): Season 2
91% The Divide: Season 1
83% Extant: Season 1
—— Franklin & Bash: Season 4
—— Graceland: Season 2
—— Hot in Cleveland: Season 5
57% Legends: Season 1
—— Motive: Season 2
69% Mystery Girls: Season 1
38% Taxi Brooklyn: Season 1
43% Young & Hungry: Season 1

Discuss Last Night's Shows

—— Covert Affairs: Season 5
88% Finding Carter: Season 1
67% Matador: Season 1
—— Pretty Little Liars: Season 5
—— Rizzoli & Isles: Season 5
—— Royal Pains: Season 5
—— Sullivan & Son: Season 3
60% Tyrant: Season 1

Certified Fresh TV

86% The Bridge (FX): Season 2
83% Extant: Season 1
89% The Honorable Woman: Season 1
87% The Knick: Season 1
89% Manhattan: Season 1
97% Masters of Sex: Season 2
73% Murder in the First: Season 1
89% Outlander: Season 1
82% Satisfaction: Season 1
87% The Strain: Season 1
82% Welcome to Sweden: Season 1
77% You're the Worst: Season 1

Hide and Seek Reviews

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Josh Bell
Las Vegas Weekly

If you're really looking to be terrified, skip this film and rent Uptown Girls instead.

Full Review Source: Las Vegas Weekly | Original Score: 2/5

January 27, 2005
Roger Moore
Orlando Sentinel
Top Critic IconTop Critic

Give us a reason to care.

Full Review Source: Orlando Sentinel | Original Score: 2/5

January 28, 2005
Roger Ebert
Chicago Sun-Times
Top Critic IconTop Critic

There was a point in the movie when suddenly everything clicked, and the Law of Economy of Characters began to apply. That is the law that says no actor is in a movie unless his character is necessary.

Full Review Source: Chicago Sun-Times | Original Score: 2/4

January 28, 2005
James Berardinelli
Top Critic IconTop Critic

Movies about the psychological abuse of a child can be powerful when the subject matter is handled in a serious, sensitive manner. But when it is employed as a plot device to enable a surprise revelation, it becomes offensive.

Full Review Source: ReelViews | Original Score: 1/4

January 27, 2005
John P. McCarthy
ReelTalk Movie Reviews

The film's weakness lies in its transparency more than in its execution.

Full Review Source: ReelTalk Movie Reviews

January 31, 2005
Scott Weinberg

This barely even qualifies as a movie. It's an easily digested piece of commercial product, not unlike a loaf of bread or those pantyhose that come in an egg.

Full Review Source: | Original Score: 1.5/5

February 1, 2005
Anton Bitel
Movie Gazette

Full Review Source: Movie Gazette | Original Score: 5/10

February 26, 2005
Nick Schager
Lessons of Darkness

A lame showcase for DeNiro's monotonous blankness and the hysterics of Fanning.

Full Review Source: Lessons of Darkness | Original Score: D

June 20, 2005
Eric D. Snider

An ordinary, mildly suspenseful, eventually preposterous thriller that warrants no more attention or thought than the time it takes to watch it, if that.

Full Review Source: | Original Score: C

February 2, 2005
Jeff Otto
IGN Movies

If it wasn't already the case, Robert De Niro's name on a project now means absolutely nothing.

Full Review Source: IGN Movies | Original Score: 1/5

February 7, 2005
Manohla Dargis
New York Times
Top Critic IconTop Critic

Robert De Niro rises to a formidable challenge in this sufficiently unsettling thriller: he holds his own against the scene-swiping 10-year-old actress Dakota Fanning.

Full Review Source: New York Times | Original Score: 2.5/5

January 27, 2005
Brian Orndorf

Seek ends with a whimper and not a bang, but at least it finally ends; sadly, this turns out to be the highlight of the experience.

Full Review Source: | Original Score: D+

January 28, 2005
Kit Bowen

Even though Hide and Seek's chilling tag phrase--"Come out, come out, wherever you are!"--may be enticing, just stay right where you are.

Full Review Source: | Original Score: 1/4

January 27, 2005
Jim Lane
Sacramento News & Review

The movie follows a tired formula almost from the start. It's a long road, and we see every twist coming from miles away.

Full Review Source: Sacramento News & Review | Original Score: 2/5

February 3, 2005
Rebecca Murray

Robert De Niro is batting 0 for 2 with creepy thrillers.

Full Review Source: | Original Score: D

February 2, 2005
Joshua Tyler

Another movie in which rich white people who don't seem to have or need jobs move to a mansion in the country to be terrorized by a mysterious, faceless, evil.

Full Review Source: | Original Score: 2.5/5

January 26, 2005
Frank Ochieng
Movie Eye

"Come out, come out, wherever you are" sounds hauntingly inviting. Still, one should take the contrary view and remain hidden from this perfunctory peek-a-boo picture

Full Review Source: Movie Eye | Original Score: 1.5/4

January 29, 2005
Eric Melin

It is one thing for a movie to be boring and awful, but it is quite another to be insulting, in bad taste, and utterly ridiculous at the same time.

Full Review Source: | Original Score: 0/4

January 30, 2005
Emily Blunt
Blunt Review

This film is ultimately a waste of one's precious time.

Full Review Source: Blunt Review | Original Score: 2/4

January 30, 2005
Brent Simon
Now Playing Magazine

Another wrongheaded, stilted and obvious thriller. Yawn...

Full Review Source: Now Playing Magazine | Original Score: D+

January 27, 2005
Jeffrey M. Anderson
Combustible Celluloid
May 26, 2006
Derek Elley
Top Critic IconTop Critic
September 12, 2008

AV Club
Top Critic IconTop Critic
April 17, 2004

St. Louis Post-Dispatch
Top Critic IconTop Critic
January 28, 2005
January 30, 2005

Boston Phoenix
February 5, 2005

Sydney Morning Herald
January 17, 2006

Time Out
Top Critic IconTop Critic
June 24, 2006
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