Khyentse Norbu traces Dondup’s path to enlightenment with mixed results that are nonetheless culturally engaging and gently amusing.
Travellers & Magicians (2005)
Tomatometer
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Reviews Counted:56
Fresh:53
Rotten:3
Average Rating:7.4/10
Consensus: Interwined tales of spiritual discovery are set against a gorgeous, evocative landscape in this pleasant, engaging import.
Runtime: 1 hr 48 mins
Genre: Foreign Films
Synopsis: Writer-director Khyentse Norbu, who scored an international hit with the 1999 drama THE CUP (PHORPA), about Tibetan refugees obsessed with watching the World Cup soccer finals, returns to his... Writer-director Khyentse Norbu, who scored an international hit with the 1999 drama THE CUP (PHORPA), about Tibetan refugees obsessed with watching the World Cup soccer finals, returns to his homeland to make the remarkably charming and engaging TRAVELLERS & MAGICIANS, the first feature-length film to be made completely within the Kingdom of Bhutan. Norbu, who worked with Bernardo Bertolucci on 1997's LITTLE BUDDHA, is believed to be His Eminence Dzongsar Jamyang Khyentse Rinpoche, an incarnate lama, and he infuses TRAVELLERS & MAGICIANS with a thoughtful and contemplative Buddhist mind-set. Tshewang Dendup stars as Dondup, a young, impatient cigarette smoker from the city who has stopped by the small, remote village of Chendebji on his way to America, where he can't wait to make lots of money. But as he sets out on his long journey, he misses his bus and must try to hitch a ride down the mountain on the nearly deserted roads. He is soon joined by an old apple picker (Ap Dochu), a monk who plays the dramyin (Sonam Kinga), a rice-paper maker (Dasho Adab Sangye), and the rice-paper maker's college-age daughter (Sonam Lhamo). As they wait for rides, the monk begins relating a story about a magic student, Tashi (Lhakpa Dorji), who doesn't believe in magic and would rather start making money in the corporate world. But his brother, Karma (Namgay Dorjee), who does believe, concocts a plan that soon has Tashi stranded in the middle of the forest with a bitter old man (Gomchen Penjore) and his beautiful, much-younger wife, Deki (Deki Yangzom). Norbu magnificently intertwines the two stories, creating an enchanting, unforgettable film that is filled with heart, hope, and humor. [More]
Starring: Tshewang Dendup, Ap Dochu, Sonam Kinga, Sonam Lhamo
Starring: Tshewang Dendup, Ap Dochu, Sonam Kinga, Sonam Lhamo, Dasho Adab Sangye, Lhakpa Dorji, Ngawang Dorjee, Gomchen Penjore, Deki Yangzom
Director: Khyentse Norbu
Director: Khyentse Norbu
Screenwriter: Khyentse Norbu
Producer: Jeremy Thomas, Raymond Steiner, Malcolm Watson
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Reviews for Travellers & Magicians
The juxtaposition of the two stories isn't anything particularly new -- numerous films have attempted something similar -- but Norbu's boldness in approaching each with such starkly different stylistic visions is uncharacteristically invigorating.
Acknowledge the timeless, universal human question of whether to stay in the dull, safe place you know or take a chance in a wider, scarier, potentially more rewarding world.
Writer-director Khyentse Norbu sees paradise not as the seat of perfection, but as the warmth of a simple, loving community.
Delightful performances are delivered by all in this ingenious work of cinema that is worth seeing if only for its glorious views of the Himalayas.
A delightful lesson of self-discovery and may even leave you believing in magic.
America may have many things to offer, but it doesn’t have scenery like this
A pleasant, colorful travelogue directed by the Bhutanese lama Khyentse Norbu.
The scenery is breathtaking, the amateur cast is appealing, and the road trip, though as shaggy and unruly as the vagabond official's haircut, emits a pleasant buzz.
Norbu (The Cup) shifts smoothly between a kind of Buddhist The Postman Always Rings Twice and depicting the bonds that form among Dondup and his companions.
An extraordinary Buddhist road movie about the dangers and unhappiness that comes in our attempts to deny the present moment for dreamlands of our own making.
As the journey progresses, the director conjures comedic, at times uniquely Buddhist tensions.
We can glory, for an hour or two, in the splendors of a life based on renunciation -- and then return, without having to renounce anything ourselves, to a life of unrigorous indulgence.
Yesterday's dreams, today's heartache--that's the meaning of this involving story within a story, the first movie shot entirely in Bhutan.
The film is not profound and the resolution not entirely satisfying, but it a pleasant enough experience.
Pic has been adeptly packaged, with every advantage taken to show off the spectacular locations through which the travelers journey.
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