It's busy, stiff, artificial graphics are a perfect match for its busy, stiff, artificial plot.
Appleseed (2004)
Tomatometer
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Reviews Counted:32
Fresh:7
Rotten:25
Average Rating:4.4/10
Consensus: While visually arresting, Appleseed's narrative and dialogue pondering existentialism is ponderous, awkward, and clumsy.
Theatrical Release:Jan 14, 2005 Limited
Box Office: $79,818
Synopsis: The year is 2131. A non-nuclear war has left the earth barren. Deunan Knute roams the badlands, one of the many soldiers who, with lines of communication cut, continue to fight, unaware that the... The year is 2131. A non-nuclear war has left the earth barren. Deunan Knute roams the badlands, one of the many soldiers who, with lines of communication cut, continue to fight, unaware that the war has ended. Deunan is never one to take things lying down: a highly trained soldier with police and SWAT experience, she is prepared for nearly anything -- but not for the heavily armed helicopter that assaults her without warning. Before she realizes what's going on, Deunan is losing consciousness: her last thought is a hazy realization that she's been hit by a tranquilizer. Not only that, but one of the perpetrators is her old love Briareos. He has arrived with the beautiful Hitomi to intercept Deunan and take her back with them to the enigmatic utopia, Olympus. Deunan, now safe in the futuristic city, is awakened by the comforting voice of her ex-lover. But Briareos is not as she remembers him: indeed, he is now hardly human. He tells her the sobering events that occurred in her absence: after suffering a grave injury on the front lines in North Africa, his only chance for survival involved a dramatic surgical process -- or more accurately, a full overhaul that involved a replacement of all his broken parts. In other words, he became a cyborg -- in his case over 75% mechanical. And the city of Olympus -- Deunan soon finds out -- is now the head of the new world order. When the non-nuclear war ended, and no single superpower came out on top, the orderly utopian city filled the role of leadership in the ensuing political vacuum. Globally, the status of Olympus is now such that the "unsupervised countries" actually depend on its assistance to survive. The next day, Deunan files her immigration papers, becoming the most recent arrival to the oddly serene city. Hitomi insists on taking Deunan to the legislature, and shows her the sights of the city on the way. When Deunan sees the contented looks on the faces of the citizens of Olympus, she feels tranquil, even at peace. But the sensation is quickly interrupted by Hitomi's matter-of-fact revelation: that over half of the "model citizens" that inhabit Olympus are precision clones called Bioroids, of which Hitomi is one herself. The Bioroids were purportedly created for the benefit of humankind, "to encourage stability in human society," but nevertheless, the alarming news plants a seed of doubt within Deunan. When Hitomi and Deunan arrive at the legislature, they are greeted by the members of the Council: seven sage-like elders whose ongoing conversation with the supercomputer Gaia collectively forms the "will" that controls Olympus. But effectively, Bioroids are in political control, and they are quietly advancing a plan that could affect the fate of the human legacy. Add to this the fact that Briareos, despite his romantic past with Deunan, now hardly gives her the time of day, it's no wonder that Deunan feels a little nostalgic about life in the badlands, despite the utopia right around her. Why has Briareos changed? Can the Bioroids be trusted? Does Olympus represent an ideal, or a nightmare? Deunan must face her own tortured past, and overcome the disorienting present, in a battle over the future of humanity itself! -- © Geneon Entertainment [More]
Starring: Jennifer Proud, James Lyon
Starring: Jennifer Proud, James Lyon
Director: Shinji Aramaki
Director: Shinji Aramaki
Producer: Fumihiko Sori
Studio: Geneon Entertainment
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Release:
Jun 30, 2009
Reviews for Appleseed
The stock characters and leaden stretches of expository dialogue are welcome evidence that there's still no computer program capable of telling a decent story.
In the clash of 2-D and 3-D images, Appleseed emerges as the cracked-voiced, pasty-faced example of computer animation's clumsy adolescence.
With all that gorgeous imagery, you'd think the filmmakers would have found a way to tell the story visually without using mountains of expositional dialogue.
It's an exceedingly brilliant combination of future shock set-up and old school moralizing, a deconstruction of what it means to be human rendered in tech tones so slick that you often forget you're watching a cartoon.
There's a little too much talking and not as many battle scenes as we would've liked, but Appleseed is still a decent pick.
It’s an impressive effort, packed with ideas and good action scenes, but still trots out a clichéd plot about a super-soldier babe, a race of meek artificial people, giant robot suits, confusing conspiracies and a lot of explosions.
Even in a cartoon this technically astounding, most of the characters appear to have sprung from the DNA of Astro Boy.
the viewer who abstracts away from the more adolescent elements of plot will find that Appleseed has plenty of ideas at its core to keep the mind stimulated.
[A] warrior babe cradles [an] injured cyborg bunny in her arms and weeps for him. Take that, Hotel Rwanda!
Despite swaths of verbal exposition and a tendency to overdose on robot action sequences, the film has enough originality to interest demanding fans of the genre.
The filmmakers are too busy trying to justify their futuristic world, and not enough actually exploring it.
So much to work with and all of it tossed in favor of banal platitudes and a star-crossed romance with all the tension of an oil-change and all the gravitas of an Archie comic
So much to work with and all of it tossed in favor of banal platitudes and a star-crossed romance with all the tension of an oil-change and all the gravitas of an Archie comic
The supposedly human face of our metal-plated robocop's partner -- the inevitable curvy female in a leather jump suit -- is an inexpressive, glossy doll mask, untouched by human hands.
Dazzling visually but is flattened by corny dialogue better suited to the 1936 Flash Gordon serial, a needlessly hard to follow plot and heavy-handed exposition clotted with pseudo-scientific mumbo jumbo.
This long-overdue big-screen adaptation makes it hard to tell what was so revolutionary about the series.
| Tomatometer Percentage | Movie |
|---|---|
| 77% 77% | The Hangover |
| 88% 88% | Inglourious Basterds |
| 66% 66% | Public Enemies |
| 24% 24% | G-Force |
| 44% 44% | Night at the Museum: B… |
| Tomatometer Percentage | Movie |
|---|---|
| 90% 90% | District 9 |
| 86% 86% | 500 Days of Summer |
| 63% 63% | Extract |
| 06% 06% | All About Steve |
| 78% 78% | It Might Get Loud |
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