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Appleseed

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Appleseed (2004)

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Reviews Counted:32

Fresh:7

Rotten:25

Average Rating:4.4/10

Consensus: While visually arresting, Appleseed's narrative and dialogue pondering existentialism is ponderous, awkward, and clumsy.

Rated: R [See Full Rating] for some violence

Runtime: 1 hr 45 mins

Genre: Action/Adventure

Theatrical Release:Jan 14, 2005 Limited

Box Office: $79,818

Synopsis: The year is 2131. A non-nuclear war has left the earth barren. Deunan Knute roams the badlands, one of the many soldiers who, with lines of communication cut, continue to fight, unaware that the... The year is 2131. A non-nuclear war has left the earth barren. Deunan Knute roams the badlands, one of the many soldiers who, with lines of communication cut, continue to fight, unaware that the war has ended. Deunan is never one to take things lying down: a highly trained soldier with police and SWAT experience, she is prepared for nearly anything -- but not for the heavily armed helicopter that assaults her without warning. Before she realizes what's going on, Deunan is losing consciousness: her last thought is a hazy realization that she's been hit by a tranquilizer. Not only that, but one of the perpetrators is her old love Briareos. He has arrived with the beautiful Hitomi to intercept Deunan and take her back with them to the enigmatic utopia, Olympus. Deunan, now safe in the futuristic city, is awakened by the comforting voice of her ex-lover. But Briareos is not as she remembers him: indeed, he is now hardly human. He tells her the sobering events that occurred in her absence: after suffering a grave injury on the front lines in North Africa, his only chance for survival involved a dramatic surgical process -- or more accurately, a full overhaul that involved a replacement of all his broken parts. In other words, he became a cyborg -- in his case over 75% mechanical. And the city of Olympus -- Deunan soon finds out -- is now the head of the new world order. When the non-nuclear war ended, and no single superpower came out on top, the orderly utopian city filled the role of leadership in the ensuing political vacuum. Globally, the status of Olympus is now such that the "unsupervised countries" actually depend on its assistance to survive. The next day, Deunan files her immigration papers, becoming the most recent arrival to the oddly serene city. Hitomi insists on taking Deunan to the legislature, and shows her the sights of the city on the way. When Deunan sees the contented looks on the faces of the citizens of Olympus, she feels tranquil, even at peace. But the sensation is quickly interrupted by Hitomi's matter-of-fact revelation: that over half of the "model citizens" that inhabit Olympus are precision clones called Bioroids, of which Hitomi is one herself. The Bioroids were purportedly created for the benefit of humankind, "to encourage stability in human society," but nevertheless, the alarming news plants a seed of doubt within Deunan. When Hitomi and Deunan arrive at the legislature, they are greeted by the members of the Council: seven sage-like elders whose ongoing conversation with the supercomputer Gaia collectively forms the "will" that controls Olympus. But effectively, Bioroids are in political control, and they are quietly advancing a plan that could affect the fate of the human legacy. Add to this the fact that Briareos, despite his romantic past with Deunan, now hardly gives her the time of day, it's no wonder that Deunan feels a little nostalgic about life in the badlands, despite the utopia right around her. Why has Briareos changed? Can the Bioroids be trusted? Does Olympus represent an ideal, or a nightmare? Deunan must face her own tortured past, and overcome the disorienting present, in a battle over the future of humanity itself! -- © Geneon Entertainment [More]

Starring: Jennifer Proud, James Lyon

Starring: Jennifer Proud, James Lyon

Director: Shinji Aramaki

Director: Shinji Aramaki
Producer: Fumihiko Sori
Studio: Geneon Entertainment

[See More Credits]

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Release:

Jun 30, 2009

[DVD Details]
 
 
  • Earth's last city, Olympus, rose from the ashes of a global war on the backs of Bioroids, artificial clones who make up half the city's population. Under the strict guidance of a supercomputer, humanity's last survivors enjoy an idyllic peace, but only on the surface! Human terrorists within the military seek a return to power and clash with the government's ESWAT forces led by the legendary soldier, Deunan Knute, and her boyfriend who is 75% machine. Retrieving the Appleseed will end the conflict, and Deunan alone holds its secret.
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    Reviews for Appleseed

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    1 - 20 (sorted by source)
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    It's busy, stiff, artificial graphics are a perfect match for its busy, stiff, artificial plot.

    Full Review Source: AV Club | comment Comment
    09/26/05
    Tasha Robinson
    Tasha Robinson
    AV Club

    There is plenty to admire from a technical and artistic standpoint.

    Full Review Source: BBC | comment Comment
    08/16/05
    Matt McNally
    Matt McNally
    BBC

    A visual marvel.

    Full Review Source: Boxoffice Magazine | comment Comment
    01/13/05
    Wade Major
    Wade Major
    Boxoffice Magazine

    The stock characters and leaden stretches of expository dialogue are welcome evidence that there's still no computer program capable of telling a decent story.

    Full Review Source: Chicago Reader | comment Comment
    04/25/07
    J. R. Jones
    J. R. Jones
    Chicago Reader

    In the clash of 2-D and 3-D images, Appleseed emerges as the cracked-voiced, pasty-faced example of computer animation's clumsy adolescence.

    Full Review Source: Chicago Tribune | comment Comment
    01/13/05
    Robert K. Elder
    Robert K. Elder
    Chicago Tribune
    N/R

    Click to read the article

    Full Review Source: Cinema Crazed | comment Comment
    04/29/09
    Felix Vasquez Jr.
    Felix Vasquez Jr.
    Cinema Crazed

    With all that gorgeous imagery, you'd think the filmmakers would have found a way to tell the story visually without using mountains of expositional dialogue.

    Full Review Source: Combustible Celluloid | comment Comment
    02/01/05
    Jeffrey M. Anderson
    Jeffrey M. Anderson
    Combustible Celluloid

    It's an exceedingly brilliant combination of future shock set-up and old school moralizing, a deconstruction of what it means to be human rendered in tech tones so slick that you often forget you're watching a cartoon.

    Full Review Source: DVDTalk.com | comment Comment
    09/26/09
    Bill Gibron
    Bill Gibron
    DVDTalk.com

    There's a little too much talking and not as many battle scenes as we would've liked, but Appleseed is still a decent pick.

    Full Review Source: E! Online | comment Comment
    01/14/05
    E! Online

    It’s an impressive effort, packed with ideas and good action scenes, but still trots out a clichéd plot about a super-soldier babe, a race of meek artificial people, giant robot suits, confusing conspiracies and a lot of explosions.

    Full Review Source: Empire Magazine | comment 1 Comment
    08/19/05
    Empire Magazine

    Even in a cartoon this technically astounding, most of the characters appear to have sprung from the DNA of Astro Boy.

    Full Review Source: Entertainment Weekly | comment Comment
    01/12/05
    Owen Gleiberman
    Owen Gleiberman
    Entertainment Weekly
    Top Critic Icon Top Critic

    the viewer who abstracts away from the more adolescent elements of plot will find that Appleseed has plenty of ideas at its core to keep the mind stimulated.

    Full Review Source: Eye for Film | comment Comment
    07/02/07
    Anton Bitel
    Anton Bitel
    Eye for Film

    [A] warrior babe cradles [an] injured cyborg bunny in her arms and weeps for him. Take that, Hotel Rwanda!

    Full Review Source: Groucho Reviews | comment Comment
    01/14/05
    Peter Canavese
    Peter Canavese
    Groucho Reviews

    Despite swaths of verbal exposition and a tendency to overdose on robot action sequences, the film has enough originality to interest demanding fans of the genre.

    Full Review Source: Hollywood Reporter | comment Comment
    01/13/05
    Richard James Havis
    Richard James Havis
    Hollywood Reporter

    The filmmakers are too busy trying to justify their futuristic world, and not enough actually exploring it.

    Full Review Source: IGN Movies | comment Comment
    01/19/05
    Todd Gilchrist
    Todd Gilchrist
    IGN Movies

    So much to work with and all of it tossed in favor of banal platitudes and a star-crossed romance with all the tension of an oil-change and all the gravitas of an Archie comic

    Full Review Source: Killer Movie Reviews | comment Comment
    01/08/05
    Andrea Chase
    Andrea Chase
    Killer Movie Reviews

    So much to work with and all of it tossed in favor of banal platitudes and a star-crossed romance with all the tension of an oil-change and all the gravitas of an Archie comic

    Full Review Source: Killer Movie Reviews | comment Comment
    01/08/05
    Andrea Chase
    Andrea Chase
    Killer Movie Reviews

    The supposedly human face of our metal-plated robocop's partner -- the inevitable curvy female in a leather jump suit -- is an inexpressive, glossy doll mask, untouched by human hands.

    Full Review Source: L.A. Weekly | comment Comment
    01/12/05
    David Chute
    David Chute
    L.A. Weekly

    Dazzling visually but is flattened by corny dialogue better suited to the 1936 Flash Gordon serial, a needlessly hard to follow plot and heavy-handed exposition clotted with pseudo-scientific mumbo jumbo.

    Full Review Source: Los Angeles Times | comment Comment
    01/13/05
    Kevin Thomas
    Kevin Thomas
    Los Angeles Times
    Top Critic Icon Top Critic

    This long-overdue big-screen adaptation makes it hard to tell what was so revolutionary about the series.

    Full Review Source: Miami Herald | comment Comment
    01/14/05
    Peter Debruge
    Peter Debruge
    Miami Herald
     
     
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