Happily Ever After is never as insightful or as funny as Woody at his best. But the film has a fine-tuned approach to human behavior.
Happily Ever After (2005)
Tomatometer
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Reviews Counted:40
Fresh:23
Rotten:17
Average Rating:6/10
Consensus: Though this French film features good acting, it lacks the wit and charm one would expect to see.
Runtime: 1 hr 45 mins
Genre: Foreign Films
Box Office: $121,785
Synopsis: Yvan Attal writes, directs, and stars in this meditation on extra-marital affairs. When he and his wife (Charlotte Gainsbourg) find they are both attracted to other people, even though they are... Yvan Attal writes, directs, and stars in this meditation on extra-marital affairs. When he and his wife (Charlotte Gainsbourg) find they are both attracted to other people, even though they are happily married with a young son, their whole relationship comes under reconsideration. Meanwhile, other couples in midlife explore similar predicaments. [More]
Starring: Yvan Attal, Charlotte Gainsbourg, Alain Chabat, Emmanuelle Seigner
Starring: Yvan Attal, Charlotte Gainsbourg, Alain Chabat, Emmanuelle Seigner, Alain Cohen, Anouk Aimée
Director: Yvan Attal
Director: Yvan Attal
Screenwriter: Yvan Attal
Producer: Claude Berri
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Reviews for Happily Ever After
A tremendously provocative date movie for couples brave enough to face each other afterward.
There's nothing much wrong with the film; my complaint is that there's nothing much right about it.
Attal knows that no matter how adult we feel when we say, 'I do,' marriage is all child's play: jealousy, lies and pure, unconditional love. Perplexing, but not a bad option.
The main reason to see it is to witness a fine lady making the most of what she's been given to play.
If this is director Attal's attempt to dive into the complex world of marriages, he barely swam past the shoreline.
Whatever points screenwriter/director Attal is trying to make about relationship envy get lost as the marital conflicts become more contrived and shrill.
Attal has a way of interweaving his characters' real lives and inner thoughts into the fabric of his film in inventive and engaging ways.
It is too bad that the [scenes that do work] remain only fleeting -- almost furtive -- glances into the lives of the characters, and are not part of a coherent and properly focused story.
Scenes of impressive subtlety and thoughtfulness centering around the pensive Gabrielle [Charlotte Gainsbourg] are overshadowed by the antics of the middle-aged men.
In a world filled with empty lust and marital discord, Yvan Attal’s wistful comedy is about a guy who loves his wife.
This look at the assorted struggles of modern hetero coupledom gives off a distinctly moldy aroma.
...But, for the most part, Attal’s psychological insights and his skill with actors...draw us into the characters’ lives, in ways that are never less than sympathetic.
Like the story, the camerawork in Happily Ever After is loose, fluid and intent on discovery; it lets characters' moments together and alone unfurl easily and casually in a way that Hollywood seems to want to avoid like failure.
If you ever get a chance to see Happily Ever After at any venue and in any form, drop everything and see it.
| Tomatometer Percentage | Movie |
|---|---|
| 15% 15% | The Ugly Truth |
| 98% 98% | Up |
| 36% 36% | G.I. Joe: The Rise of … |
| 52% 52% | The Taking of Pelham 1… |
| 45% 45% | Ice Age: Dawn of the D… |
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 68% 68% | Funny People |
| 25% 25% | Four Christmases |
| 45% 45% | Shorts |
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