The two male leads, bulwarks of the Danish film industry for more than a decade, play off each other like the veterans they are.
Brothers (2005)
Tomatometer
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Reviews Counted:70
Fresh:62
Rotten:8
Average Rating:7.5/10
Consensus: This tense, understated drama explores the complications of individual and social ethics stemming from the repercussions of war on one man and his family.
Rated: R [See Full Rating] for violence, language and brief nudity.
Runtime: 1 hr 57 mins
Genre: Foreign Films
Theatrical Release:May 6, 2005 Limited
Box Office: $245,006
Synopsis: Connie Nielsen, who has played pivotal roles in such English-language films as GLADIATOR, THE DEVIL'S ADVOCATE, and RUSHMORE, is the powerful and emotional heart of BROTHERS, a moving Danish film... Connie Nielsen, who has played pivotal roles in such English-language films as GLADIATOR, THE DEVIL'S ADVOCATE, and RUSHMORE, is the powerful and emotional heart of BROTHERS, a moving Danish film set in her home country. Directed by Susanne Bier (who made the Dogme 95 film OPEN HEARTS), BROTHERS tells the story of two very different brothers: Jannik (Nikolaj Lie Kaas) is a drunken loser who has just been released from prison for bank robbery and assault, while Michael (Ulrich Thomsen) is a well-respected army major and family man, with a wife, Sarah (Nielsen), and two kids. But when Michael goes off on a mission to Afghanistan to rescue a captured radar man, his helicopter is shot down and he is assumed to have been killed in action. The news devastates Sarah and her in-laws, while Jannik becomes more reckless before stepping in to help her and the kids build a new life. But as Jannik and Sarah grow close, it is discovered that Michael has survived--and has done something that haunts him and threatens everything and everyone. Bier's film is filled with tender moments as well as bitter, frightening, fast-paced scenes that are hard to forget. Nielsen is a standout as Sarah, who tries to balance love and loss and then love again with a man she's not sure she knows anymore. [More]
Starring: Connie Nielsen, Ulrich Thomsen, Nicolaj Lie Kass, Lene Maria Christensen
Starring: Connie Nielsen, Ulrich Thomsen, Nicolaj Lie Kass, Lene Maria Christensen, Andre Babikian, Laura Bro, Lars Hjortshoj, Niels Olsen, Rebecca Logstrup Saltau, Sarah Juel Werner
Director: Susanne Bier
Director: Susanne Bier
Screenwriter: Anders Thomas Jensen
Story: Susanne Bier, Anders Thomas Jensen
Producer: Sisse Graum Jorgensen
Composer: Johan Soderqvist
Studio: IFC Films
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Reviews for Brothers
After the film ends you may find fault with certain plot elements, but while you’re watching it, Bier’s effort totally sucks you in.
Bier, honored as an Emerging Master at the Seattle International Film Festival this year, is clearly a director to watch. In her hands, a story that could become melodramatic is gripping and heartbreaking.
The intimate handheld camera work and the attention to life's small details bring an emotional authenticity to this heartbreaking story.
The film melts into a duel of despair, rivalry and reconciliation that is as pure as it is painful.
The been-there, seen-that feeling is hard to shake, despite the undeniable skill in the presentation.
The wrenching “Brothers” is like “The Deer Hunter” for the War on Terror.
At its core, Susanne Bier's wrenching portrayal of the shifting dynamics within a Danish family is really about survival, about how we cope in the face of shattering grief and what we'll do -- anything, really -- to save ourselves.
A profoundly affecting movie, one in which our sympathies lie with everyone.
This Danish film ultimately loses the battle due to an underwhelming exit strategy.
Feels like an amalgam of newsreel and stage drama, but with the most potent aspects of both art forms.
Keeps itself floating above the suds thanks to Bier's crisp and lively visual design, the general loveliness of her cast ... and her attention to small moments of arresting domestic authenticity.
An often fascinating look at what it means to be a husband, a friend ... and a brother.
Through it all, Sarah is the linchpin, and Nielsen is never less than utterly convincing (something you couldn't say about her American work).
This impressively original film plays with cliches, especially ones about how people act, and act out, in crises. Then it explodes those conventions with devastating consequences.
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| Tomatometer Percentage | Movie |
|---|---|
| 66% 66% | Public Enemies |
| 83% 83% | Harry Potter and the H… |
| 44% 44% | Night at the Museum: B… |
| 75% 75% | Julie & Julia |
| 32% 32% | Terminator Salvation |
| Tomatometer Percentage | Movie |
|---|---|
| 88% 88% | Inglourious Basterds |
| 78% 78% | The Hangover |
| 49% 49% | Taking Woodstock |
| 26% 26% | The Goods: Live Hard, Sell Hard |
| 47% 47% | The Girl From Monaco |
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