Sprawling Los Angeles drama of race, power, guns and fear is a little too controlled by coincidence, but the ambitions and cast make it thought-provoking.
Crash (2005)
Tomatometer
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Reviews Counted:194
Fresh:146
Rotten:48
Average Rating:7.1/10
Consensus: A raw and unsettling morality piece on modern angst and urban disconnect, Crash examines the dangers of bigotry and xenophobia in the lives of interconnected Angelenos.
Runtime: 2 hrs 2 mins
Genre: Dramas
Theatrical Release:May 6, 2005 Wide
Box Office: $54,557,348
Synopsis: A Brentwood housewife and her DA husband. A Persian store owner. Two police detectives who are also lovers. A black television director and his wife. A Mexican locksmith. Two car-jackers. A rookie... A Brentwood housewife and her DA husband. A Persian store owner. Two police detectives who are also lovers. A black television director and his wife. A Mexican locksmith. Two car-jackers. A rookie cop. A middle-aged Korean couple… They all live in Los Angeles. And in the next 36 hours, they will all collide… A provocative, unflinching look at the complexities of racial conflict in America, CRASH is that rare cinematic event - a film that challenges audiences to question their own prejudices. Diving headlong into the diverse melting pot of post-9/11 Los Angeles, this compelling urban drama tracks the volatile intersections of a multi-ethnic cast, examining fear and bigotry from multiple perspectives as characters careen in and out of one another's lives. No one is safe in the battle zones of racial strife. And no one is immune to the simmering rage that sparks violence - and changes lives... Funny, powerful, and always unpredictable, CRASH boldly explores the gray area between black and white, victim and aggressor…and finds no easy solutions. The dynamic feature directing debut of Emmy Award-winning writer/producer Paul Haggis, CRASH stars Sandra Bullock, Don Cheadle, Matt Dillon, Jennifer Esposito, William Fichtner, Brendan Fraser, Terrence Howard, Chris "Ludacris" Bridges, Thandie Newton, Ryan Phillippe and Larenz Tate, from a story by Paul Haggis and a screenplay by Haggis and Bobby Moresco. CRASH is produced by Cathy Schulman, Don Cheadle, Bob Yari, Mark R. Harris, Bobby Moresco and Paul Haggis. [More]
Starring: Thandie Newton, Matt Dillon, Don Cheadle, Michael Pena
Starring: Thandie Newton, Matt Dillon, Don Cheadle, Michael Pena, Sandra Bullock, Jennifer Esposito, Brendan Fraser, Larenz Tate, Ludacris, Ryan Phillippe, Terrence DaShon Howard, Shaun Toub
Director: Paul Haggis
Director: Paul Haggis
Screenwriter: Paul Haggis, Robert Moresco
Producer: Cathy Schulman, Don Cheadle, Bob Yari
Composer: Mark Isham
Studio: Lions Gate Films
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Reviews for Crash
By attempting to say everything about race, Haggis ultimately says nothing.
[Helmer Paul Haggis] needs to develop a firmer hand on his own work to really shine.
Crash is a movie you want to see for the great acting performances from some unlikely sources.
Haggis' scariest, most insidious success is that in surprising his audience with characters' paths, he makes us recognize our own expectations are built upon stereotypes
With an angry fist shaking in your face, the film asserts that we're all hard-wired to obey preset alarms when we interact with people of different skin tones.
Haggis writes with such directness and such a good ear for everyday speech that the characters seem real and plausible after only a few words. His cast is uniformly strong; the actors sidestep cliches and make their characters particular.
The characters keep surprising themselves and each other, for better and for worse, and they surprise us, too.
While it's a dazzling feat of screenwriting, less would be more...Still, Haggis evinces remarkable skill [and] with actors like these, who needs subtleties?
Audiences may cringe as Haggis taps into the kind of offensive images that surreptitiously seep into the brains of even the most open-minded. His point is simple: No one is immune.
It's a skillful piece of filmmaking and an impressive debut, though it's so relentlessly bleak and downbeat for most of its running time that it can't recover when it tries to go soft in its third act.
Lop off a few characters, tighten the narrative geometry, and Crash might have a sledgehammer impact. As it is, the film is content to tap you on the shoulder and ask you to take a look around.
Americans from radically different backgrounds are brought together by a grim serendipity in Paul Haggis's frustrating directorial debut.
Haggis challenges our common conceptions about race and allows no character to escape his own hypocrisy.
[The actors] can't quite make Haggis' preachy puppet show feel entirely organic, but they certainly take some of the glare off of the strings.
An absolutely riveting, highly charged drama, Crash is an important motion picture that demands viewing in high schools across the country.
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