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Jiminy Glick in LaLaWood (2004)
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Reviews Counted:44
Fresh:10
Rotten:34
Average Rating:4.6/10
Consensus: A television sketch streatched to feature length.
Rated: R [See Full Rating] For language and crude sexual content
Runtime: 1 hr 31 mins
Genre: Action/Adventure
Theatrical Release:May 6, 2005 Limited
Box Office: $25,660
Synopsis: Multitalented comedian Martin Short brings his character Jiminy Glick, the Butte, Montana entertainment television reporter, to the big screen in the comedy JIMINY GLICK IN LALAWOOD. A little... Multitalented comedian Martin Short brings his character Jiminy Glick, the Butte, Montana entertainment television reporter, to the big screen in the comedy JIMINY GLICK IN LALAWOOD. A little sweaty and a lot excitable, Jiminy's finally headed to the big time: the Toronto Film Festival. With his wife Dixie (Jan Hooks) and twin sons Matthew and Modine in tow, Jiminy is poised to realize his celebrity-worshipping dreams by becoming an industry player. After he scores an interview with reclusive, bad-boy actor Ben DiCarlo (Corey Pearson), Jiminy is catapulted to sudden fame and everyone wants in on the action. A famous actress on the decline, Miranda Coolidge (Elizabeth Perkins), seeks Jiminy out, but their new friendship appears to have a deadly result. Can gentle journalist Glick have a hidden violent side? Short, who co-wrote this film with Paul Flaherty and Michael Short, first introduced Jiminy Glick via his Comedy Central television program PRIMETIME GLICK. Here, in a feature-length film, Jiminy has ample room to skewer the pervasive culture of celebrity worship while tying in knowledge of movies and Hollywood history. Staying with his family in a creepy hotel far from the glitterati, with director David Lynch (Short again) as a quasi-guide and narrator, Jiminy navigates the treacherous waters of fame with hilarious results. [More]
Starring: Martin Short, Corey Pearson, Elizabeth Perkins, Jan Hooks
Starring: Martin Short, Corey Pearson, Elizabeth Perkins, Jan Hooks, John Michael Higgins, Janeane Garofalo
Director: Vadim Jean
Director: Vadim Jean
Screenwriter: Martin Short, Paul Flaherty
Producer: Bernie Brillstein, Paul Brooks, Peter Safran, Martin Short
Studio: MGM/UA
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Reviews for Jiminy Glick in LaLaWood
[It] will probably only attract those fans who think the character was amusing in the first place. The rest of us will have our prejudices regarding this obnoxious creation confirmed by this lame effort.
Martin Short himself is one of the funniest men alive, or can be, and has been. But Jiminy Glick needs definition if he's to work as a character.
Wedding a fairly complex mystery with show-biz satire against the real-life festival backdrop requires more structure and maybe more scripted scenes.
There’s a sycophantic nature to the movie (Short shows off his celebrity friends) that prevents the observations from being fierce enough to attain true wit.
The film's humor generally falls flat, and its tone becomes self-congratulatory. Not that congratulations are in order.
Those who wouldn't know the difference between Corey Feldman and Corey Haim, and couldn't care less, will care even less than that about this movie.
So, yeah, this is a terribly flawed film. Then again, it's a film featuring Jiminy Glick; nobody's really expecting much.
Here's hoping Short's next project is more worthy of the guy's skills, because this Jiminy Glick character grows real old, real fast.
This Glick flick balloons from sketch comedy to feature film -- and you can see the stretch marks from the strain.
The great junket whore movie is still awaiting to be made. But Jiminy Glick In Lalawood is a step in the right direction.
In his curdled-butterball way, Jiminy Glick may be the most acidic showbiz send-up since Andy Kaufman's Tony Clifton.
I did find myself laughing at times, and if you are a Jiminy Glick fan, you will too.
It is almost guaranteed one's enjoyment of "Lalawood" will depend on how much arcane knowledge of Hollywood and cinema one has.
Short's fans should wait for the DVD, where they can skip to the good scenes, which amount to 24 minutes of ace material -- perhaps not coincidentally, the same length as an old SCTV episode.
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