A scary and poignant documentary about the wall dividing Palestinian territories from Israel.
The Wall (2004)
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Reviews Counted:30
Fresh:21
Rotten:9
Average Rating:5.9/10
Theatrical Release:Aug 26, 2005 Limited
Synopsis: Simone Bitton, director of this thoughtful documentary, was born in Morocco to Jewish parents. She speaks Arabic, French, and Hebrew, identifies as both an Arab and a Jew, and finds herself... Simone Bitton, director of this thoughtful documentary, was born in Morocco to Jewish parents. She speaks Arabic, French, and Hebrew, identifies as both an Arab and a Jew, and finds herself entirely conflicted by the barrier being erected along the border between Israel and Gaza. The film is essentially a rumination upon the wall, as both a metaphor and a very real manifestation of the region's turmoil. Bitton's camera lingers upon its construction and immense presence while interviews with those it effects--on both sides--establish the many ways the wall touches those who live in its shadow. Many of the interviewees refuse to be filmed, afraid of the consequences of speaking their minds, and only their voices and names are heard. Ironies abound, including the fact that the wall, still under construction in many areas, is being built in large part by Arabs. When Bitton asks the foreman why they would want to build a wall around themselves, he blithely states that it's good for them, it gives them jobs and keeps them fed; the question of the wall's consequences is deftly avoided. Similarly, the Minister of Defense delivers Bitton a well-constructed line, glibly acknowledging the wall's environmental toll before asserting that "it's all the Palestinians' fault." Meanwhile, civilians on both sides of the barrier make known their belief that the construction is very much a waste of money, and at two million dollars per kilometer, it's hard not to agree. Many are dismissive of the possibility that so much strife could actually be placated by this simple measure. Noting that the building of walls will not solve anything, the residents of this area express their wish to instead break them down, to end their lives of fear and hatred, in a poignant rendering of daily experience in the shadow of conflict. [More]
Director: Simone Bitton
Director: Simone Bitton
Screenwriter: Simone Bitton
Studio: Lifesize Entertainment
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Reviews for The Wall
A film that considers hard-core political realities alongside agonizing personal truths.
The problem I have is that it stretches out the minutes like the wall stretches out for miles. It’s an interesting subject that would be better served as a documentary short.
The strongest moments of this remarkable film are the quietest, when Bitton simply lets the camera run.
Her film does, however, brilliantly demonstrate how this barricade is a metaphor for all that is wrong in the area. Sadly, it’s a concrete metaphor.
Allows audience members to make up their own minds about the efficacy and morality of the wall separating Israel from the West Bank.
[There are] numerous shots -- some of them several minutes long -- when there is no talk on the soundtrack....they may be an attempt at some kind of poetic meditation, but they merely come across as dull.
One of the most interesting and two-sided films to be made about the Israeli-Palestinian conflict.
An eye-opener about the true dimensions -- both physical and mental -- of the barrier being built to divide Palestinian territories from Israel.
An important human and artistic testament -- a calm meditation on something no one can consider calmly.
Bitton poses the important questions, but too often she lets powerful responses get lost amid footage that lingers forever on some mundane location shot while interviews are happening mostly off camera.
Bitton slyly layers numerous interviews with locals atop the visuals, infusing each scene with an unexpectedly potent context.
Bitton's film exists in a contextual vacuum, and without any historical grounding to help one ascertain the reliability of the wall's numerous critics.
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