Average Rating: 5.1/10
Reviews Counted: 22
Fresh: 7 | Rotten: 15
Given the movie's premise, one would assume it's gritty and street-smart, but in reality it's a slave to stale cliches and formula.
Average Rating: 5.8/10
Critic Reviews: 9
Fresh: 5 | Rotten: 4
Given the movie's premise, one would assume it's gritty and street-smart, but in reality it's a slave to stale cliches and formula.
liked it
Average Rating: 3.9/5
User Ratings: 1,262
A young man with a troubled past expresses himself through street art in this independent drama. Anthony (Mark Webber) is a 19-year-old kid living in New York City who was introduced to "bombing" -- graffiti art sprayed on public walls when the cops aren't looking -- by his older brother. When his brother died, Anthony took up bombing himself, and with the help of his pals Justin (Gano Grills) and Kevin (Jade Yorker) he does murals under the street name "Blest," while struggling to avoid the
May 7, 2003 Wide
Oct 11, 2005
Palm Pictures
All Critics (27) | Top Critics (9) | Fresh (9) | Rotten (15) | DVD (6)
Visually dazzling and dramatically trite -- it's virtuoso piffle.
Notable mainly for its hallucinatory, tripped visuals, which go a long way toward compensating for a less-than-riveting narrative.
A richly textured drama with an angry poetic edge that gets inside the obsessive subculture of New York graffiti artists.
Preachy and single-minded, populated by a world of sympathetic heroes and hissable villains.
A mild, slow-moving drama that belatedly tries to argue that graffiti writers are political artists, not an urban blight.
Lough's impressive, if uneven, debut feature captures the adrenaline rush and contradictory nature of the simultaneously creative and criminal activity but stumbles in its attempt to justify it as an art form.
The story is so loosely developed and devoid of suspense, it barely seems to exist.
I came out of this wishing the paint can crowd would settle for tattoos.
Thoroughly fails to convince that its handful of New York characters known as 'bombers,' graffiti mongers futilely yearning for immortality via nightly despoiling of public and private property, is of any tragic interest.
The film half-heartedly paints their actions as rebel-chic heroism even when it has all the integrity of tomcats spraying outside their yards...
A didactic ode to a lifestyle that makes little sense, no matter the darkly romantic rebel-with-a-cause ideas associated with what is essentially an act of vandalism.
In the end it's all seductive surface and no substance, but Lough has a bold eye and a vivid sense of uniquely urban beauty.
A flashy but numbingly hollow compendium of Trainspotting-inspired visual gimmicks, Lough's tale of New York City 'bombers' is formulaic in the extreme.
Great film about the grafitti underground centering around the top rising artists and their dangerous cat-and-mouse games with the law.
June 22, 2010
A film that tries to capture an underground culture, and fails for the most part.
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