The almost perfectly realized Capote -- stumbling only in the lack of shading it gives Keener's and Greenwood's characters -- offers a sobering glimpse at what the author had to give up of his soul to achieve his success.
Capote (2005)
Tomatometer
How does the Tomatometer work ![]()
Reviews Counted:178
Fresh:160
Rotten:18
Average Rating:8.2/10
Consensus: Philip Seymour Hoffman's riveting central performance guides a well-constructed retelling of the most sensational and significant period in author Truman Capote's life.
Rated: R [See Full Rating] for some violent images and brief strong language
Runtime: 1 hr 54 mins
Genre: Dramas
Theatrical Release:Sep 30, 2005 Limited
Box Office: $28,337,516
Synopsis: In November, 1959, Truman Capote (Philip Seymour Hoffman), the author of Breakfast at Tiffany's and a favorite figure in what is soon to be known as the Jet Set, reads an article on a back page of... In November, 1959, Truman Capote (Philip Seymour Hoffman), the author of Breakfast at Tiffany's and a favorite figure in what is soon to be known as the Jet Set, reads an article on a back page of the New York Times. It tells of the murders of four members of a well-known farm family—the Clutters—in Holcomb, Kansas. Similar stories appear in newspapers almost every day, but something about this one catches Capote's eye. It presents an opportunity, he believes, to test his long-held theory that, in the hands of the right writer, non-fiction can be compelling as fiction. What impact have the murders had on that tiny town on the wind-swept plains? With that as his subject—for his purpose, it does not matter if the murderers are never caught—he convinces The New Yorker magazine to give him an assignment and he sets out for Kansas. Accompanying him is a friend from his Alabama childhood: Harper Lee (Catherine Keener), who within a few months will win a Pulitzer Prize and achieve fame of her own as the author of To Kill a Mockingbird. Though his childlike voice, fey mannerisms and unconventional clothes arouse initial hostility in a part of the country that still thinks of itself as part of the Old West, Capote quickly wins the trust of the locals, most notably Alvin Dewey (Chris Cooper), the Kansas Bureau of Investigation agent who is leading the hunt for the killers. Caught in Las Vegas, the killers—Perry Smith (Clifton Collins Jr.) and Dick Hickock (Mark Pellegrino)—are returned to Kansas, where they are tried, convicted and sentenced to die. Capote visits them in jail. As he gets to know them, he realizes that what he had thought would be a magazine article has grown into a book, a book that could rank with the greatest in modern literature. His subject is now as profound as any an American writer has ever tackled. It is nothing less than the collision of two Americas: the safe, protected country the Clutters knew and the rootless, amoral country inhabited by their killers. Hidden behind Capote's often frivolous façade is a writer of towering ambition. But even he wonders if he can write the book—the great book—he believes destiny has handed him. "Sometimes, when I think how good it could be," he writes a friend, "I can hardly breathe." -- © Sony Pictures Classics [More]
Starring: Philip Seymour Hoffman, Catherine Keener, Clifton Collins, Chris Cooper
Starring: Philip Seymour Hoffman, Catherine Keener, Clifton Collins, Chris Cooper, Bob Balaban, Bruce Greenwood, Amy Ryan, Mark Pellegrino, Dan Futterman
Director: Bennett Miller
Director: Bennett Miller
Producer: Michael Ohoven, William Vince, Caroline Baron, Dana Kimmell
Studio: Sony Pictures Classics
Get This Movie
Reviews for Capote
In a brilliant, transformative performance, Hoffman plumbs this paradox, showing every color of the famous author whose mix of sensitivity, selfishness and self-loathing led to his death from alcohol and drugs in 1984.
After the initial shock of hearing Capote's familiar squeak of a voice, and seeing his no-nonsense walk and his flamboyant mannerisms, we realize Hoffman is going far deeper, giving us a portrait of uncommon subtlety and emotional depth.
A meditation on the artist's obligations to the art and to society and lines that blur when you cross them.
A gut-wrencher, a sobering tale of how literary genius and moral emptiness combine to produce both great art and shattered lives.
It's a fully realized look at a time and place as well as a riveting study of career obsessions warring with a sense of justice.
I came in expecting Hoffman's tour de force and left with a fuller appreciation of the quiet yet lethal film around him. Lethal, because what it says about the writer's craft, about what often gets destroyed in the name of creation.
It is complex and thoughtful and tragic in the end. And it is certainly one of the best movies of the year.
The best movie about journalism since All the President's Men, and one of the best films about writing ever made.
What saves us from restlessness is superb acting, especially from Collins as the enigmatically gentle killer and the magnificent Hoffman.
Hoffman's portrayal goes beyond impersonation -- though he nails the high-pitched cadences and fey mannerisms -- to find the troubled soul of the man.
Hoffman wraps himself around the role like he's clutching an electric blanket in a Juneau slaughter house
Miller, who directed the documentary The Cruise, and Futterman, whose debut screenplay is based on the biography by Gerald Clarke, show a writer's eye for detail that even Capote would admire.
This spare, uncompromising portrait not only examines what drove the author but delves into the ethics of journalists who identify with their subjects, or pretend to, in order to report their stories.
I found myself admiring the movie’s technique without really buying what it sells.
What genuinely distinguishes the film ... is its willingness to ask questions -- many of which have no clear-cut answers -- about the basic decency of using true events to one's personal advantage.
Capote's sympathy for his subjects is always tempered by his ambition.
Latest News for Capote
September 28, 2006:
Box Office Guru Preview: Ashton vs. Ashton - This Time It's Personal
Ashton Kutcher fans get two chances to see (or hear) their favorite star this weekend as the Hollywood prankster takes on reigning box office champ "Jackass: Number... More...
June 19, 2006:
Hoffman to Star with Hanks and Then Face the "Devil"
Fresh off his Best Actor Oscar for "Capote," Philip Seymour Hoffman now has a pair of high-profile projects underway. In the first one he'll co-star with Tom Hanks and... More...
March 31, 2006:
"Chicken Little" Hatches a No. 1 Seller
Buena Vista Home Entertainment's "Chicken Little" easily crossed the road to the top spot on the national DVD sales chart for the week ended March 26, while New Line... More...
March 06, 2006:
Indie Spirit Awards Distributed
Lost in the shadow of the weekend's Oscar coverage was the annual Independent Spirit Awards presentation, which is where you'll find ... a lot of accolades similar to the... More...
| Tomatometer Percentage | Movie |
|---|---|
| 36% 36% | Angels & Demons |
| 25% 25% | Four Christmases |
| 68% 68% | Funny People |
| 95% 95% | Star Trek |
| 14% 14% | The Ugly Truth |
| Tomatometer Percentage | Movie |
|---|---|
| 83% 83% | Harry Potter and the H… |
| 67% 67% | Public Enemies |
| 75% 75% | Julie & Julia |
| 95% 95% | The Cove |
| 85% 85% | World's Greatest Dad |
RT On Current TV
DIRECTV 358 | Comcast 107 | DISH Network 196 | More...
What’s Hot On RT
Other News
CloseSponsored Links
Fresh Links
Featured

MSN Movies offers a little background on the success of Disney Animation.

TIME takes a look back at the history of vampires on film.

Techland examines the visual splendor of Peter Jackson's upcoming film.

AOL put together a list of 10 recent news items that would be perfect as TV Movies.

Hollywood.com's C. Robert Cargill explores how remakes and reboots have warped our thinking.
Promos

Get the latest Tomatometer updates on upcoming movies!



Top Critic



