While much of the action is subtle, the impact is as searing and visceral as any film currently in theaters.
Capote (2005)
Tomatometer
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Reviews Counted:178
Fresh:160
Rotten:18
Average Rating:8.2/10
Consensus: Philip Seymour Hoffman's riveting central performance guides a well-constructed retelling of the most sensational and significant period in author Truman Capote's life.
Rated: R [See Full Rating] for some violent images and brief strong language
Runtime: 1 hr 54 mins
Genre: Dramas
Theatrical Release:Sep 30, 2005 Limited
Box Office: $28,337,516
Synopsis: In November, 1959, Truman Capote (Philip Seymour Hoffman), the author of Breakfast at Tiffany's and a favorite figure in what is soon to be known as the Jet Set, reads an article on a back page of... In November, 1959, Truman Capote (Philip Seymour Hoffman), the author of Breakfast at Tiffany's and a favorite figure in what is soon to be known as the Jet Set, reads an article on a back page of the New York Times. It tells of the murders of four members of a well-known farm family—the Clutters—in Holcomb, Kansas. Similar stories appear in newspapers almost every day, but something about this one catches Capote's eye. It presents an opportunity, he believes, to test his long-held theory that, in the hands of the right writer, non-fiction can be compelling as fiction. What impact have the murders had on that tiny town on the wind-swept plains? With that as his subject—for his purpose, it does not matter if the murderers are never caught—he convinces The New Yorker magazine to give him an assignment and he sets out for Kansas. Accompanying him is a friend from his Alabama childhood: Harper Lee (Catherine Keener), who within a few months will win a Pulitzer Prize and achieve fame of her own as the author of To Kill a Mockingbird. Though his childlike voice, fey mannerisms and unconventional clothes arouse initial hostility in a part of the country that still thinks of itself as part of the Old West, Capote quickly wins the trust of the locals, most notably Alvin Dewey (Chris Cooper), the Kansas Bureau of Investigation agent who is leading the hunt for the killers. Caught in Las Vegas, the killers—Perry Smith (Clifton Collins Jr.) and Dick Hickock (Mark Pellegrino)—are returned to Kansas, where they are tried, convicted and sentenced to die. Capote visits them in jail. As he gets to know them, he realizes that what he had thought would be a magazine article has grown into a book, a book that could rank with the greatest in modern literature. His subject is now as profound as any an American writer has ever tackled. It is nothing less than the collision of two Americas: the safe, protected country the Clutters knew and the rootless, amoral country inhabited by their killers. Hidden behind Capote's often frivolous façade is a writer of towering ambition. But even he wonders if he can write the book—the great book—he believes destiny has handed him. "Sometimes, when I think how good it could be," he writes a friend, "I can hardly breathe." -- © Sony Pictures Classics [More]
Starring: Philip Seymour Hoffman, Catherine Keener, Clifton Collins, Chris Cooper
Starring: Philip Seymour Hoffman, Catherine Keener, Clifton Collins, Chris Cooper, Bob Balaban, Bruce Greenwood, Amy Ryan, Mark Pellegrino, Dan Futterman
Director: Bennett Miller
Director: Bennett Miller
Producer: Michael Ohoven, William Vince, Caroline Baron, Dana Kimmell
Studio: Sony Pictures Classics
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Reviews for Capote
Restrained in its presentation and dogged in its attention to detail, this is one terrific film with several outstanding performances highlighted by Hoffman in the lead role.
Capote is another full-house flush hand performance by Philip Seymour Hoffman.
At the center of this treatment as well as its human subject, there is a coldness around the heart.
A boffo performance, it's here that the Oscar® race must begin. This is something that has to be seen to be believed and is worth the price of a ticket all by itself.
Let me put this bluntly: Capote is, without a doubt, one of the best films of the year.
It's Philip Seymour Hoffman who steals the show. Steals? He owns it outright.
This sober drama limning the roots of the artist's inspiration and his ruthless ambition provides the great Philip Seymour Hoffman with one of his best roles yet.
The movie is both ruthlessly critical of its subject and unabashedly affectionate toward him, and Hoffman hits every note so it rings true.
Hoffman delivers a thrilling and profound Oscar-caliber performance that will haunt viewers well after the movie is over.
The kind of devastating portrait Capote dispassionately penned about others; we're left with the chilling impression of a frightfully ambitious creature who got exactly what he wanted and was damned by his own answered prayers.
This is fascinating stuff, a biopic (or something like it) that actually uses the form to shed light on its subject and the society surrounding him.
Philip Seymour Hoffman’s performance and the subject matter are worth watching... but the movie's intensity never reaches the dramatic level of the story.
Entertainment by Philip Seymour Hoffman both fun and heartbreaking in the enthralling retelling of the American saga that was the end of Truman Capote.
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