Philip Seymour Hoffman has his best role to date--perhaps the best he can ever hope to get.
Capote (2005)
Tomatometer
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Reviews Counted:178
Fresh:160
Rotten:18
Average Rating:8.2/10
Consensus: Philip Seymour Hoffman's riveting central performance guides a well-constructed retelling of the most sensational and significant period in author Truman Capote's life.
Rated: R [See Full Rating] for some violent images and brief strong language
Runtime: 1 hr 54 mins
Genre: Dramas
Theatrical Release:Sep 30, 2005 Limited
Box Office: $28,337,516
Synopsis: In November, 1959, Truman Capote (Philip Seymour Hoffman), the author of Breakfast at Tiffany's and a favorite figure in what is soon to be known as the Jet Set, reads an article on a back page of... In November, 1959, Truman Capote (Philip Seymour Hoffman), the author of Breakfast at Tiffany's and a favorite figure in what is soon to be known as the Jet Set, reads an article on a back page of the New York Times. It tells of the murders of four members of a well-known farm family—the Clutters—in Holcomb, Kansas. Similar stories appear in newspapers almost every day, but something about this one catches Capote's eye. It presents an opportunity, he believes, to test his long-held theory that, in the hands of the right writer, non-fiction can be compelling as fiction. What impact have the murders had on that tiny town on the wind-swept plains? With that as his subject—for his purpose, it does not matter if the murderers are never caught—he convinces The New Yorker magazine to give him an assignment and he sets out for Kansas. Accompanying him is a friend from his Alabama childhood: Harper Lee (Catherine Keener), who within a few months will win a Pulitzer Prize and achieve fame of her own as the author of To Kill a Mockingbird. Though his childlike voice, fey mannerisms and unconventional clothes arouse initial hostility in a part of the country that still thinks of itself as part of the Old West, Capote quickly wins the trust of the locals, most notably Alvin Dewey (Chris Cooper), the Kansas Bureau of Investigation agent who is leading the hunt for the killers. Caught in Las Vegas, the killers—Perry Smith (Clifton Collins Jr.) and Dick Hickock (Mark Pellegrino)—are returned to Kansas, where they are tried, convicted and sentenced to die. Capote visits them in jail. As he gets to know them, he realizes that what he had thought would be a magazine article has grown into a book, a book that could rank with the greatest in modern literature. His subject is now as profound as any an American writer has ever tackled. It is nothing less than the collision of two Americas: the safe, protected country the Clutters knew and the rootless, amoral country inhabited by their killers. Hidden behind Capote's often frivolous façade is a writer of towering ambition. But even he wonders if he can write the book—the great book—he believes destiny has handed him. "Sometimes, when I think how good it could be," he writes a friend, "I can hardly breathe." -- © Sony Pictures Classics [More]
Starring: Philip Seymour Hoffman, Catherine Keener, Clifton Collins, Chris Cooper
Starring: Philip Seymour Hoffman, Catherine Keener, Clifton Collins, Chris Cooper, Bob Balaban, Bruce Greenwood, Amy Ryan, Mark Pellegrino, Dan Futterman
Director: Bennett Miller
Director: Bennett Miller
Producer: Michael Ohoven, William Vince, Caroline Baron, Dana Kimmell
Studio: Sony Pictures Classics
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Reviews for Capote
Capote is always kept aloft by the amazing performance at its center.
A quiet and introspective movie, Capote nonetheless offers an outsized performance as its prize attraction, something worth a look all on its own.
Philip Seymour Hoffman gives one of the year's best performances as a writer who found a story that changed his life -- and all of journalism.
Miller rallies in a big way in the last half hour, giving us a conclusion that's strong, intricate, perfectly logical, and heartbreaking.
Hoffman captures what is presented as an astonishing capacity for insinuation and connects it to a deep personal understanding of the basic human need for connection.
An absorbing, emotionally challenging movie out of the dubious process (in terms of dramatic potential) of literary legwork.
I don't think I've ever seen another performance based on a famous artist that was as psychologically acute or troubling.
Hoffman goes beyond the surface mannerisms and diction. He disappears into Capote.
Philip Seymour Hoffman does a flat-out fabulous job as Tru, and it's a compelling tale, particularly the dual meaning of "In Cold Blood."
As much a compelling portrait of an often misunderstood author as it is a powerful crime drama
Bennett Miller's film is a fascinating and fine-grained reconstruction of the period in which Truman Capote wrote In Cold Blood.
Acting doesn't get much better than Philip Seymour Hoffman's acid-etched -- yet oddly poetic -- portrait of Truman Capote.
...one of the most effective performances of Philip Seymour Hoffman's career...
Capote gives us a riveting depiction of an artist who desperately straddled the border between those two worlds.
A superlative performance by Philip Seymour Hoffman as the famous writer whose need to be special manifests itself as both entertaining and deeply disturbing.
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