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Capote

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Capote (2005)

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Reviews Counted:178

Fresh:160

Rotten:18

Average Rating:8.2/10

Consensus: Philip Seymour Hoffman's riveting central performance guides a well-constructed retelling of the most sensational and significant period in author Truman Capote's life.

Rated: R [See Full Rating] for some violent images and brief strong language

Runtime: 1 hr 54 mins

Genre: Dramas

Theatrical Release:Sep 30, 2005 Limited

Box Office: $28,337,516

Synopsis: In November, 1959, Truman Capote (Philip Seymour Hoffman), the author of Breakfast at Tiffany's and a favorite figure in what is soon to be known as the Jet Set, reads an article on a back page of... In November, 1959, Truman Capote (Philip Seymour Hoffman), the author of Breakfast at Tiffany's and a favorite figure in what is soon to be known as the Jet Set, reads an article on a back page of the New York Times. It tells of the murders of four members of a well-known farm family—the Clutters—in Holcomb, Kansas. Similar stories appear in newspapers almost every day, but something about this one catches Capote's eye. It presents an opportunity, he believes, to test his long-held theory that, in the hands of the right writer, non-fiction can be compelling as fiction. What impact have the murders had on that tiny town on the wind-swept plains? With that as his subject—for his purpose, it does not matter if the murderers are never caught—he convinces The New Yorker magazine to give him an assignment and he sets out for Kansas. Accompanying him is a friend from his Alabama childhood: Harper Lee (Catherine Keener), who within a few months will win a Pulitzer Prize and achieve fame of her own as the author of To Kill a Mockingbird. Though his childlike voice, fey mannerisms and unconventional clothes arouse initial hostility in a part of the country that still thinks of itself as part of the Old West, Capote quickly wins the trust of the locals, most notably Alvin Dewey (Chris Cooper), the Kansas Bureau of Investigation agent who is leading the hunt for the killers. Caught in Las Vegas, the killers—Perry Smith (Clifton Collins Jr.) and Dick Hickock (Mark Pellegrino)—are returned to Kansas, where they are tried, convicted and sentenced to die. Capote visits them in jail. As he gets to know them, he realizes that what he had thought would be a magazine article has grown into a book, a book that could rank with the greatest in modern literature. His subject is now as profound as any an American writer has ever tackled. It is nothing less than the collision of two Americas: the safe, protected country the Clutters knew and the rootless, amoral country inhabited by their killers. Hidden behind Capote's often frivolous façade is a writer of towering ambition. But even he wonders if he can write the book—the great book—he believes destiny has handed him. "Sometimes, when I think how good it could be," he writes a friend, "I can hardly breathe." -- © Sony Pictures Classics [More]

Starring: Philip Seymour Hoffman, Catherine Keener, Clifton Collins, Chris Cooper

Starring: Philip Seymour Hoffman, Catherine Keener, Clifton Collins, Chris Cooper, Bob Balaban, Bruce Greenwood, Amy Ryan, Mark Pellegrino, Dan Futterman

Director: Bennett Miller

Director: Bennett Miller
Producer: Michael Ohoven, William Vince, Caroline Baron, Dana Kimmell
Studio: Sony Pictures Classics

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Release:

Mar 21, 2006

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Reviews for Capote

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161 - 180 (sorted by date)
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Philip Seymour Hoffman has his best role to date--perhaps the best he can ever hope to get.

Full Review Source: rec.arts.movies.reviews | comment Comment
09/30/05
Mark R. Leeper
Mark R. Leeper
rec.arts.movies.reviews

Capote is always kept aloft by the amazing performance at its center.

Full Review Source: CHUD | comment Comment
09/30/05
Devin Faraci
Devin Faraci
CHUD

A quiet and introspective movie, Capote nonetheless offers an outsized performance as its prize attraction, something worth a look all on its own.

Full Review Source: Window to the Movies | comment Comment
09/30/05
Jeffrey Chen
Jeffrey Chen
Window to the Movies

Philip Seymour Hoffman gives one of the year's best performances as a writer who found a story that changed his life -- and all of journalism.

Full Review Source: Netflix | comment Comment
09/29/05
James Rocchi
James Rocchi
Netflix

Miller rallies in a big way in the last half hour, giving us a conclusion that's strong, intricate, perfectly logical, and heartbreaking.

Full Review Source: Film Blather | comment Comment
09/29/05
Eugene Novikov
Eugene Novikov
Film Blather

Hoffman captures what is presented as an astonishing capacity for insinuation and connects it to a deep personal understanding of the basic human need for connection.

Full Review Source: Los Angeles Times | comment Comment
09/29/05
Carina Chocano
Carina Chocano
Los Angeles Times
Top Critic Icon Top Critic

An incisively penetrating character study of the writer

Full Review Source: culturevulture.net | comment Comment
09/29/05
Arthur Lazere
Arthur Lazere
culturevulture.net

An absorbing, emotionally challenging movie out of the dubious process (in terms of dramatic potential) of literary legwork.

Full Review Source: Newsday | comment Comment
09/29/05
Gene Seymour
Gene Seymour
Newsday
Top Critic Icon Top Critic

I don't think I've ever seen another performance based on a famous artist that was as psychologically acute or troubling.

Full Review Source: Christian Science Monitor | comment Comment
09/29/05
Peter Rainer
Peter Rainer
Christian Science Monitor

Hoffman goes beyond the surface mannerisms and diction. He disappears into Capote.

Full Review Source: Slate | comment Comment
09/29/05
David Edelstein
David Edelstein
Slate

Philip Seymour Hoffman does a flat-out fabulous job as Tru, and it's a compelling tale, particularly the dual meaning of "In Cold Blood."

Full Review Source: Modamag.com | comment Comment
09/29/05
Susan Granger
Susan Granger
Modamag.com

As much a compelling portrait of an often misunderstood author as it is a powerful crime drama

Full Review Source: ComingSoon.net | comment Comment
09/28/05
Edward Douglas
Edward Douglas
ComingSoon.net

It teases, fascinates, and haunts.

Full Review Source: Entertainment Weekly | comment Comment
09/28/05
Owen Gleiberman
Owen Gleiberman
Entertainment Weekly
Top Critic Icon Top Critic

a non-stop, well-crafted, depressing venture

Full Review Source: Filmcritic.com | comment Comment
09/27/05
Rachel Gordon
Rachel Gordon
Filmcritic.com

Bennett Miller's film is a fascinating and fine-grained reconstruction of the period in which Truman Capote wrote In Cold Blood.

comment Comment
09/27/05
A.O. Scott
A.O. Scott
New York Times
Top Critic Icon Top Critic

Acting doesn't get much better than Philip Seymour Hoffman's acid-etched -- yet oddly poetic -- portrait of Truman Capote.

Full Review Source: New York Post | comment Comment
09/27/05
Lou Lumenick
Lou Lumenick
New York Post
Top Critic Icon Top Critic

[Capote] will demand recognition at next year's Oscars.

Full Review Source: ReelViews | comment Comment
09/27/05
James Berardinelli
James Berardinelli
ReelViews
Top Critic Icon Top Critic

...one of the most effective performances of Philip Seymour Hoffman's career...

Full Review Source: Reel Film Reviews | comment Comment
09/26/05
David Nusair
David Nusair
Reel Film Reviews

Capote gives us a riveting depiction of an artist who desperately straddled the border between those two worlds.

Full Review Source: Boxoffice Magazine | comment Comment
09/26/05
Kevin Courrier
Kevin Courrier
Boxoffice Magazine

A superlative performance by Philip Seymour Hoffman as the famous writer whose need to be special manifests itself as both entertaining and deeply disturbing.

Full Review Source: Spirituality and Practice | comment Comment
09/23/05
Frederic and Mary Ann Brussat
Frederic and Mary Ann Brussat
Spirituality and Practice
 
 
161 - 180 (sorted by date)
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