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3 Extremes (2005)
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Reviews Counted:23
Fresh:16
Rotten:7
Average Rating:6.5/10
Consensus: This anthology contains brutal, powerful horror stories by three of Asia's top directors.
Rated: R [See Full Rating] for strong disturbing violent content, some involving abortion and torture, and for sexuality and language.
Runtime: 2 hrs 5 mins
Genre: Horror/Suspense
Theatrical Release:Oct 28, 2005 Limited
Synopsis: THREE...EXTREMES brings together an Asian scream team of filmmakers, featuring a trio of short works by Hong Kong's Fruit Chan (DURIAN DURIAN), Korea's Chanwook Park (OLDBOY), and Japan's Takashi... THREE...EXTREMES brings together an Asian scream team of filmmakers, featuring a trio of short works by Hong Kong's Fruit Chan (DURIAN DURIAN), Korea's Chanwook Park (OLDBOY), and Japan's Takashi Miike (AUDITION). The trilogy opens with Chan's disgustingly entertaining DUMPLINGS, which he has also turned into a full-length film. DUMPLINGS stars Miriam Yeung Chin-Wah as Ching, a former TV star who is afraid of facing middle age. She visits Mei (Bai Ling), whose secret recipe for dumplings helps women look and feel younger. But when Ching discovers what's actually in the pot-stickers, she has some deep soul-searching to do. In Park's brutally violent CUT, Lee Byung-hun stars as a movie director who has everything going for him--a beautiful wife, hit films, a fabulous house, and an upstanding reputation. But an extra (Gang Hye-jung) decides to spoil the fun by placing the director in a no-win situation that could end in murder. Finally, Miike closes the frightfest with BOX, a brilliant psychological thriller in which a reclusive novelist (Kyoko Hasegawa) is haunted by her dead twin sister and a dark family secret. Although Miike is highly regarded for his comic ultraviolence, he turns off the blood quotient in this smartly paced, very creepy tale. [More]
Starring: Byung-hun Lee, Pauline Lau, Miriam Yeung, Star
Starring: Byung-hun Lee, Pauline Lau, Miriam Yeung, Star, Peach
Director: Fruit Chan, Chan Wook Park, Takashi Miike
Director: Fruit Chan, Chan Wook Park, Takashi Miike
Screenwriter: Lilian Lee, Chan Wook Park, Hiroyuki Fukushima, Peter Chan
Producer: Fumio Inoue, Naoki Sato
Composer: Kwong Wing Chan, Koji Endo
Studio: Lions Gate Films
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Reviews for 3 Extremes
Asian horror like the new Three ... Extremes beats an American film like Saw II at its own game.
One is haunting and wonderful, one is very good, and one spoils the fun.
Ask three of Asia's most extreme filmmakers to contribute a short horror film each, and the result is, well, extreme.
Blood, grotesquerie and humor mix equally in the first two, but the full combo makes a savory witches' brew for Asian-cinema cultists (or Halloween lovers in need of a gore fix).
It has three stories, and each is extreme. Yet even literalism can be an understatement.
You can't watch these three mini-movies without wondering what you possibly can take from them, but there's warped creativity at work in all of them, and if you can separate talent from content, you'll see three very adventurous filmmakers at work.
Makes a persuasive argument for what's wrong with so many horror films today.
Three . . . Extremes will be a must-see only for fans of Asian horror, but it may also send some people looking for full-length films by these gifted filmmakers.
For those in the middle, fasten your seat belts for a bumpy ride -- narratively and artistically -- and don't go in on a full stomach.
The first is the best, the second most riveting, the third most disturbing, but all will stay with you for weeks.
This trilogy provides a sampler of three short horror films from high-profile Asian directors.
All three look great and the filmmakers deliver a certain artiness, but their overall triviality and the unpleasantness of the first two make for an extremely distasteful experience.
Miike, known as Japanese cinema's bad-boy shock master, delivers the most textured, delicate and finely crafted episode of the bunch.
What all three of these stories share is the quality found in Edgar Allan Poe, H.P. Lovecraft and Stephen King: An attention to horror as it emerges from everyday life as transformed by fear, fantasy and depravity.
Three of Asia's best-regarded young filmmakers contribute to this terror trilogy, each giving his segment a distinctive flavor of bleak black comedy and elegant dread.
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