This trilogy provides a sampler of three short horror films from high-profile Asian directors.
3 Extremes (2005)
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Reviews Counted:62
Fresh:52
Rotten:10
Average Rating:6.8/10
Consensus: This anthology contains brutal, powerful horror stories by three of Asia's top directors.
Rated: R [See Full Rating] for strong disturbing violent content, some involving abortion and torture, and for sexuality and language.
Runtime: 2 hrs 5 mins
Genre: Horror/Suspense
Theatrical Release:Oct 28, 2005 Limited
Synopsis: THREE...EXTREMES brings together an Asian scream team of filmmakers, featuring a trio of short works by Hong Kong's Fruit Chan (DURIAN DURIAN), Korea's Chanwook Park (OLDBOY), and Japan's Takashi... THREE...EXTREMES brings together an Asian scream team of filmmakers, featuring a trio of short works by Hong Kong's Fruit Chan (DURIAN DURIAN), Korea's Chanwook Park (OLDBOY), and Japan's Takashi Miike (AUDITION). The trilogy opens with Chan's disgustingly entertaining DUMPLINGS, which he has also turned into a full-length film. DUMPLINGS stars Miriam Yeung Chin-Wah as Ching, a former TV star who is afraid of facing middle age. She visits Mei (Bai Ling), whose secret recipe for dumplings helps women look and feel younger. But when Ching discovers what's actually in the pot-stickers, she has some deep soul-searching to do. In Park's brutally violent CUT, Lee Byung-hun stars as a movie director who has everything going for him--a beautiful wife, hit films, a fabulous house, and an upstanding reputation. But an extra (Gang Hye-jung) decides to spoil the fun by placing the director in a no-win situation that could end in murder. Finally, Miike closes the frightfest with BOX, a brilliant psychological thriller in which a reclusive novelist (Kyoko Hasegawa) is haunted by her dead twin sister and a dark family secret. Although Miike is highly regarded for his comic ultraviolence, he turns off the blood quotient in this smartly paced, very creepy tale. [More]
Starring: Byung-hun Lee, Pauline Lau, Miriam Yeung, Star
Starring: Byung-hun Lee, Pauline Lau, Miriam Yeung, Star, Peach
Director: Fruit Chan, Chan Wook Park, Takashi Miike
Director: Fruit Chan, Chan Wook Park, Takashi Miike
Screenwriter: Lilian Lee, Chan Wook Park, Hiroyuki Fukushima, Peter Chan
Producer: Fumio Inoue, Naoki Sato
Composer: Kwong Wing Chan, Koji Endo
Studio: Lions Gate Films
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Reviews for 3 Extremes
All three look great and the filmmakers deliver a certain artiness, but their overall triviality and the unpleasantness of the first two make for an extremely distasteful experience.
Miike, known as Japanese cinema's bad-boy shock master, delivers the most textured, delicate and finely crafted episode of the bunch.
Not a dish for the faint of heart, perhaps, but for those with a taste for cruelty with a side order of irony and a dash of gore, it will be a perversely delicious treat.
What all three of these stories share is the quality found in Edgar Allan Poe, H.P. Lovecraft and Stephen King: An attention to horror as it emerges from everyday life as transformed by fear, fantasy and depravity.
Three of Asia's best-regarded young filmmakers contribute to this terror trilogy, each giving his segment a distinctive flavor of bleak black comedy and elegant dread.
Title notwithstanding, Three . . . Extremes really offers only two. The first is one of nausea.
Another pulpy Creepshow movie would be more welcome than a second installment of this stiff stuff.
A trio of horror pics, one, Dumpling, being the best, the other two just fine.
if you're familiar with any of those three directors, you might expect that THREE...EXTREMES lives up to its name. And you would be correct.
So you'd like to see work from a few Asian horror directors, but don't have time to watch three separate movies? Then here's the sampler platter you're looking for!
Park is the one director represented here with both a great "extreme" tale and the means at his disposal to tell it to full effect.
These three directors were allowed to do anything they wanted as long as it was, as the title says, extreme. Believe me, they took it to heart.
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