Atrikingly visual and thematically stirring, but it doesn't say anything terribly revealing.
Jarhead (2005)
Tomatometer
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Reviews Counted:182
Fresh:110
Rotten:72
Average Rating:6.4/10
Consensus: This first person account of the first Gulf War scores with its performances and cinematography but lacks an emotional thrust.
Rated: R [See Full Rating] for pervasive language, some violent images and strong sexual content
Runtime: 2 hrs 3 mins
Genre: Dramas
Theatrical Release:Nov 4, 2005 Wide
Box Office: $0
Synopsis: For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's 2003 book on his experiences in the first Gulf War, and enlists William Broyles... For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's 2003 book on his experiences in the first Gulf War, and enlists William Broyles Jr.--a former Lieutenant who fought in Vietnam--to convert it into a screenplay. Mendes's film strays into FULL METAL JACKET territory as it opens, with young recruit Swofford (Jake Gyllenhaal) undertaking some rigorous basic training under the steely, watchful eye of Staff Sgt. Sykes (Jamie Foxx). Impressed, Sykes invites Swofford to join his team, and partners him with Troy (Peter Sarsgaard), ultimately taking them to Saudi Arabia to fight in the first Gulf War. But once they arrive in the punishing heat of the desert, the long wait for battle sends many of the Marines dangerously close to the brink of insanity. Drawing on the experience of acclaimed cinematographer Roger Deakins (THE SHAWSHANK REDEMPTION) to help viewers get a close-up taste of the Marines' punishing life in the desert, Mendes's film enters into deeply unsettling territory, the likes of which many cinemagoers won't have experienced since Martin Sheen lost his tenuous grip on reality in APOCALYPSE NOW. Indeed, Mendes deploys a few similar tactics to those that made Francis Ford Coppola's 1979 film so effective: a hip soundtrack that uses songs from artists as varied as Public Enemy and the Rolling Stones, and a feeling of disillusionment and futility among the troops that really digs in when the battle finally blackens the desert skies. Avoiding any overt antiwar sentiments, Mendes instead provides a thoughtful account of life as a modern day soldier, demonstrating how technology has made the average Marine's job all but redundant, and created disaffected troops who are as much a threat to each other as the enemies they wait to face in the trenches. [More]
Starring: Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Wade Williams
Starring: Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Wade Williams, Jacob Vargas, Chris Cooper, Dennis Haysbert, Katherine Randolph
Director: Sam Mendes
Director: Sam Mendes
Screenwriter: William Broyles
Producer: Lucy Fisher, Douglas Wick, Sam Mendes
Composer: Thomas Newman
Studio: Universal Pictures
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Reviews for Jarhead
Sam Mendes' movie is more about how training for war affects a man than the war itself.
In large part, Jarhead is a retread of [Full Metal Jacket] but with all the interesting stuff %u2013 thematic and stylistic %u2013 taken out.
Few films have made military life, especially in wartime, seem so unappealing. But its achievement is also its detriment: soul-killing routine rarely translates to compelling art.
This is the new kind of war, where you don't see the enemy until you stumble across his charred body. This is Jarhead. It's not epic. It's really sort of a cat-and-mouse game.
Jarhead makes you consider the frequently harrowing conditions of those men who put their lives on the line for our country, doing what they're told, without question.
"Sands of Iwo Jima" (1949) in the style of "From Here to Eternity" (1953), updated for the Gulf War.
For Swofford, the war was one long and losing battle against boredom. For anyone caught in the draft of this blustery movie, the experience will be much the same.
We should all hope that our personal frustrating dead ends are directed by Sam Mendes...beautifully realized and sobering.
The film's mixed messages about war and the Marines may be an attempt by director Sam Mendes not to provoke his audience, but it leaves Jarhead weirdly unresolved.
Grippingly flirts with peeling back the layers of truth on these subjugated capital-I issues...
So many films have concentrated on the horrors of war, but none in my recent memory has dealt with the tedium.
A fine, sometimes genuinely tense war movie that doesn't deify war or the Marines at its core.
Not about war, but about training, camaraderie and the awful psychological toll on the men as they wait for war.
Like the marines in this movie, we are forced to deal with the boredom as well as the excitement.
Performances and images from 'Jarhead' will stay with you long after the houselights dim.
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