Jarhead is a minimalist epic -- a grunt's eye view of the 1991 Persian Gulf War that, in more ways than one, never lifts its gaze higher.
Jarhead (2005)
Tomatometer
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Reviews Counted:182
Fresh:110
Rotten:72
Average Rating:6.4/10
Consensus: This first person account of the first Gulf War scores with its performances and cinematography but lacks an emotional thrust.
Rated: R [See Full Rating] for pervasive language, some violent images and strong sexual content
Runtime: 2 hrs 3 mins
Genre: Dramas
Theatrical Release:Nov 4, 2005 Wide
Box Office: $0
Synopsis: For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's 2003 book on his experiences in the first Gulf War, and enlists William Broyles... For his third feature film, British director Sam Mendes (AMERICAN BEAUTY) turns to the pages of Anthony Swofford's 2003 book on his experiences in the first Gulf War, and enlists William Broyles Jr.--a former Lieutenant who fought in Vietnam--to convert it into a screenplay. Mendes's film strays into FULL METAL JACKET territory as it opens, with young recruit Swofford (Jake Gyllenhaal) undertaking some rigorous basic training under the steely, watchful eye of Staff Sgt. Sykes (Jamie Foxx). Impressed, Sykes invites Swofford to join his team, and partners him with Troy (Peter Sarsgaard), ultimately taking them to Saudi Arabia to fight in the first Gulf War. But once they arrive in the punishing heat of the desert, the long wait for battle sends many of the Marines dangerously close to the brink of insanity. Drawing on the experience of acclaimed cinematographer Roger Deakins (THE SHAWSHANK REDEMPTION) to help viewers get a close-up taste of the Marines' punishing life in the desert, Mendes's film enters into deeply unsettling territory, the likes of which many cinemagoers won't have experienced since Martin Sheen lost his tenuous grip on reality in APOCALYPSE NOW. Indeed, Mendes deploys a few similar tactics to those that made Francis Ford Coppola's 1979 film so effective: a hip soundtrack that uses songs from artists as varied as Public Enemy and the Rolling Stones, and a feeling of disillusionment and futility among the troops that really digs in when the battle finally blackens the desert skies. Avoiding any overt antiwar sentiments, Mendes instead provides a thoughtful account of life as a modern day soldier, demonstrating how technology has made the average Marine's job all but redundant, and created disaffected troops who are as much a threat to each other as the enemies they wait to face in the trenches. [More]
Starring: Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Wade Williams
Starring: Jake Gyllenhaal, Jamie Foxx, Peter Sarsgaard, Wade Williams, Jacob Vargas, Chris Cooper, Dennis Haysbert, Katherine Randolph
Director: Sam Mendes
Director: Sam Mendes
Screenwriter: William Broyles
Producer: Lucy Fisher, Douglas Wick, Sam Mendes
Composer: Thomas Newman
Studio: Universal Pictures
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Reviews for Jarhead
By showing deadening boredom on screen, Mendes nearly bores his audience to death.
It is not often that a movie catches exactly what it was like to be this person in this place at this time, but Jarhead does.
A disappointing war movie with not one shot fired, no visible enemy, and soldiers standing around in the desert. More gay than “Capote.”
A humor-tinged but ultimately haunting drama that examines the psychology of a Gulf War veteran as carefully and insightfully as any film has done.
The tagline for Jarhead is 'Welcome to the Suck.' Truth in advertising must be making a comeback.
Only a first-rate cast -- headed by Jake Gyllenhaal, and made memorable by the performances of Jamie Foxx and Peter Sarsgaard -- saves Jarhead from looking like a dead duck, covered in oil.
While Jarhead, based on Anthony Swofford's best seller about his modern-day experiences in the Marines, has its moments, it never quite attains its loftiest goals.
Yet one additional reason we need to stick more magnetized yellow ribbons onto the back of our SUVs.
An impeccably well-made piece of Oscar bait that tells us almost nothing we haven’t heard before about the dejection and disillusionment of men in war.
...moves you the most when it pauses to listen to the whimper of a grunt.
This is not a film that wrestles with itself to determine whether it's anti- or pro-war ... it doesn't even try.
We don’t know, but we’ve been told… Mendes’ new film is far from gold.
Puzzlingly hollow .... Although its portrayal of war as tedious hell scores points for novelty, the lack of a discernable point of view considerably limits the film's impact.
A strong military drama that will entertain [you] regardless of which side of the war debate you fall on.
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