Opening

43% Sin City: A Dame to Kill For Aug 22
41% If I Stay Aug 22
18% When The Game Stands Tall Aug 22
8% Are You Here Aug 22
96% Love Is Strange Aug 22

Top Box Office

20% Teenage Mutant Ninja Turtles $28.5M
92% Guardians of the Galaxy $25.1M
15% Let's Be Cops $17.8M
34% The Expendables 3 $15.9M
32% The Giver $12.3M
20% Into The Storm $7.9M
65% The Hundred-Foot Journey $7.2M
65% Lucy $5.5M
39% Step Up: All In $2.7M
61% Hercules $2.1M

Coming Soon

0% The November Man Aug 27
98% Starred Up Aug 27
—— As Above/So Below Aug 29
86% The Congress Aug 29
67% Life Of Crime Aug 29

Premieres Tonight

100% Doctor Who: Series 8
18% Intruders: Season 1

New Episodes Tonight

—— Hell on Wheels: Season 4
89% Outlander: Season 1

Discuss Last Night's Shows

33% BoJack Horseman: Season 1
—— Jonah From Tonga: Season 1
86% The Knick: Season 1

The Ringer (2005)

tomatometer

40

Average Rating: 4.8/10
Reviews Counted: 87
Fresh: 35 | Rotten: 52

Despite a few laughs and good intentions, The Ringer is too predictable to really score the points it aims for.

45

Average Rating: 4.9/10
Critic Reviews: 29
Fresh: 13 | Rotten: 16

Despite a few laughs and good intentions, The Ringer is too predictable to really score the points it aims for.

audience

68

liked it
Average Rating: 3.3/5
User Ratings: 397,659

My Rating

Movie Info

A guy trying to do the right thing ends up taking part in one of the most morally dubious con games in history in this comedy. Steve Barker (Johnny Knoxville) is an office drone who wants to move up the corporate ladder, but when he asks his boss for a promotion, it comes with a condition -- Steve has to fire Stavi (Luis Avalos), who has been the firm's janitor for years. Steve decides to soften the blow by hiring Stavi to do his lawn and garden work. However, an accident robs Stavi of several

PG-13,

Comedy

,

Ricky Blitt

May 16, 2006

$35.0M

Fox Searchlight Pictures - Official Site External Icon

Watch It Now

Cast

Latest News on The Ringer

December 21, 2006:
Box Office Guru Preview: Museum Open For Business Over Crowded Christmas Weekend
Moviegoers will have plenty to choose from over the long Christmas holiday weekend as four new...
September 21, 2006:
Box Office Guru Preview: Jackass Crashes into Theaters
Four new films open wide, but they may not be enough to stop the North American box office from...

ADVERTISEMENT

Friend Ratings

No Friends? Inconceivable! Log in to see what your friends have to say.

All Critics (97) | Top Critics (32) | Fresh (35) | Rotten (52) | DVD (22)

The Ringer, for all its glaring flaws, pulls the rug out from under us.

January 6, 2006 Full Review Source: Salon.com
Salon.com
Top Critic IconTop Critic

It's just so predictable.

January 4, 2006 Full Review Source: Ebert & Roeper
Ebert & Roeper
Top Critic IconTop Critic

An uncomfortable intermingling of message movie and gross-out comedy, a sporadically funny vehicle that indicts its audience for laughing. Come on, guys. You can't have your fun and eat it too.

December 28, 2005 Full Review Source: Village Voice
Village Voice
Top Critic IconTop Critic

The worthwhile bits are few and far between. In the rush to avoid exploiting the athletes, the filmmakers have stuck it to the audience instead. Not funny.

December 27, 2005 Full Review Source: Toronto Star
Toronto Star
Top Critic IconTop Critic

Predictable and unconvincing as romantic comedy, the movie is surprisingly sweet and funny whenever Steve is hanging out with his fellow Special Olympics players.

December 27, 2005 Full Review Source: Seattle Times
Seattle Times
Top Critic IconTop Critic

Hits all the right notes in comedy, light down to Earth drama, and a resulting tasteful comedy that's worth watching.

April 29, 2009 Full Review Source: Cinema Crazed
Cinema Crazed

A good-natured comedy that isn't particularly interesting or, for that matter, very funny.

March 1, 2007 Full Review Source: Film Journal International
Film Journal International

...a whole lot better than one might've expected.

May 27, 2006 Full Review Source: Reel Film Reviews
Reel Film Reviews

my biggest complaint about the film is that it was too soft

May 25, 2006 Full Review Source: 7M Pictures
7M Pictures

It's a bold idea, taking mental handicap as a backdrop for a story about a man's growing up, but this film chickens out as soon as it begins. Nothing is real, nothing is at risk.

April 22, 2006 Full Review Source: Urban Cinefile
Urban Cinefile

Knoxville não é um grande ator, mas o filme é suficientemente divertido (ainda que não engraçado) e tem um bom coração.

April 9, 2006
Cinema em Cena

Navel-scratching slobs won't enjoy this any more than navel-gazing snobs once they catch a whiff of its overwhelming timidity.

April 4, 2006 Full Review Source: Creative Loafing
Creative Loafing

Hilarious comedy with a superb script and strong comic performances - this is undoubtedly the funniest comedy of the year.

March 23, 2006 Full Review Source: ViewLondon
ViewLondon

Knoxville gives an amazingly risky performance--how many actors would have dared to do this?

February 23, 2006 Full Review Source: Shadows on the Wall
Shadows on the Wall

With Knoxville in the lead, it's condescending, unoriginal, and boorish.

January 21, 2006 Full Review
Tooele Transcript-Bulletin (Utah)

Too bad its good intentions only go so far. The compositions are visually flat, and the movie simply isn't very funny

January 4, 2006 Full Review

These guys are laugh-out-loud funny, not because they're being belittled, but because they're finally getting a chance to show a sense of humor on-screen.

January 4, 2006 Full Review Source: New Times
New Times

Considering all of the jackass things [Knoxville's] done on his way to fame, his presence in The Ringer helps the film challenge the idea of what is normal and what is intellectually disabled.

January 3, 2006 Full Review Source: Reel Times: Reflections on Cinema
Reel Times: Reflections on Cinema

A director and cast who all seem to be in on the joke come as close to success as anyone could have with a premise that's finally just ... unfilmable.

January 3, 2006 Full Review Source: Tyler Morning Telegraph (Texas)
Tyler Morning Telegraph (Texas)

So blandly predictable, so shamelessly manipulative, so flatly directed and so unfunny that it's impossible for its good intentions to carry the day.

December 28, 2005 Full Review Source: Mountain Xpress (Asheville, NC)
Mountain Xpress (Asheville, NC)

Surprisingly sweet and unexpectedly positive.

December 27, 2005 Full Review Source: TV Guide's Movie Guide
TV Guide's Movie Guide

Audience Reviews for The Ringer

As a film enthusiast, you're always looking to be surprised. The more one learns about a given medium or art form, the more one risks falling into cynicism, focussing solely on the conventions and limitations of said form until the only surprises in life are the crushing disappointments. I hinted at this in my review of The First Day of the Rest of Your Life, arguing that sometimes it is best to go in completely cold.

I find myself in a similar predicament with The Ringer. Like Remi Bezançon's debut from six years ago, there are a lot of aspects to its surface which could cause any sensible film fan to write it off. From any angle it's not a great film, just as you wouldn't expect any of the individuals it showcases to be great athletes. But when given the chance to show what it can do, it is surprising and genuinely touching.

While ostensibly helmed by Barry W. Blaustein, The Ringer is at heart a Farrelly Brothers project. It's shot and constructed in a very similar manner to the Farrellys' own directorial efforts, and nods towards many of the themes and motifs which are explored in the likes of Dumb and Dumber or There's Something About Mary. These include: the lengths to which men go to be with women, how childhood trauma impacts on people in adult life, and the social status of people with disabilities.

It's fitting, albeit in an unfortunate way, that I should be reviewing this film so soon after the tragic death of Rik Mayall. Both Mayall and the Farrellys have aspects of their ouevre which appear outwardly to be puerile, adolescent and stupid - Bottom being the clearest example in the former case. But in both instances, the toilet humour can be regarded as superficial, a way-in for the mainstream to explore issues which would not be raised so aptly in lesser productions.

It is, of course, perfectly easy to view Bottom as just an endless string of knob gags and rude words. But it is just as possible to view it as a modern-day Waiting for Godot, exploring as it does the existential angst of two lonely men with no discernable purpose or special qualities. In the same way, we can write off The Ringer as just another predictable film about an adolescent man-child, hooking up with a woman who's out of his league and being offensive along the way. But beneath this predictable surface, its treatment of issues surrounding disability is admirable, if not reasonably sophisticated.

There are many aspects to The Ringer which are annoyingly predictable. Its characters are painted in broad strokes and feel very one-dimensional, at least for the first 30 minutes. Brian Cox in particular gets very little to work with: we get the set-up of his dirty dealings with the Mob, which explains his slave-driver nature, and he has to spend the rest of the film being sleazy because that's the purpose of his character. The main characters are all archetypes and the film doesn't make a great deal of effort to challenge these archetypes or make them distinctive beyond the talent attached.

The plot of The Ringer is equally formulaic. Because Johnny Knoxville's character is positioned so strongly as the good guy, we know from the start that he's not going to follow through with things. The romance with Katherine Heigl's character is merely an extra incentive to excuse what we know is going to happen. While his final speech about being a cheat is mercifully short - compared to similar speeches in Oscar-bait movies - there is nothing really new being said here.

This formulaic feel is reinforced in Blaustein's direction. We get the inevitable training montages, with first Steve's dad and then his fellow competitors putting him through his paces. It's possible to do these scenes well and make them funny (in A Knight's Tale, for example), but here they feel flat and are edited in an all-too-conventional manner. The awkward conversations between Lynn and 'Jeffy' are framed in tight, off-angle close-ups, just like any teen comedy you care to mention.

The cinematography to The Ringer also has an oddly plastic quality to it which makes aspects of the film seem all the more unbelievable. The film is shot by Mark Irwin, a frequent Farrelly collaborator who began his career shooting some of David Cronenberg's best work. But this is 'plastic reality' in a bad sense: the primary colours look garish, many shots are slightly overexposed, and the sets have a very tacky feel to them.

But in spite of all these problems or shortcomings, there is much about The Ringer which can and should be praised. First and foremost, it handles its central concept (a man pretending to be disabled) with taste and dexterity. In Lars von Trier's The Idiots, people pretended to be disabled in a misjudged and ill-conceived statement of rebellion; we were expected to like Stoffer, who led the movement, but very quickly dismissed him as a pretentious oaf. Here, on the other hand, the filmmakers never condone what Steve is doing, demonstrating the flaws in his father's ableist arguments and using their offensive nature to poke fun at such small-minded attitudes.

While many Hollywood productions would ask their actors to mimic a disability, Blaustein and the Farrellys actually cast actors with the same disabilities as the characters they play. If Spinal Cord Injury Zone is to be believed, there are over 150 actors with intellectual disabilities who have supporting roles in the film. Crucially, the film doesn't draw attention to them or give them special treatment; they're treated like every other actor in the film, and that is just as it should be.

This reflects the central message of The Ringer: that people with disabilities, of whatever kind, are just as capable of leading a normal and successful life as anyone else. Each of the Special Olympic athletes who get a decent amount of screen time are built up as rounded characters, with their own personalities, aspirations, flaws and power structures. Blaustein and the Farrellys deserve a lot of credit for holding their nerve, putting in the hard yards and never using the characters' disability for any kind of cheap, nasty gag.

Knoxville is also a pleasant surprise in the leading role. You'd think that the man behind Jackass might not have the chops to hold our attention beyond the physical set-pieces, let alone charm us. But Knoxville acquits himself well, gradually winning us over and lending at least some credibility to his relationship with an equally decent Heigl. Sure, he's no Robert De Niro, and the script itself isn't great, but as with so much of this film, he's better than we had any right to expect.

The Ringer is a slight but pleasant surprise, taking a premise that could have been deeply misjudged and turning it into something respectful and passingly entertaining. While not a great film by any standards in terms of its storytelling and production qualities, it does handle its subject matter with respect without resorting to high-and-mighty rhetoric. If nothing else, like Animal House before it, it proves that bad taste does not always mean bad quality.
June 20, 2014
Daniel Mumby
Daniel Mumby

Super Reviewer

Comical, but disjointed, The Ringer fails at being an effective comedy that has any real merit. I don't personally think that this film makes fun of disabled people, and I didn't take offence (I have Cerebral Palsy), I simply think that the film given the subject matter could have been much better than what it turned out to be. The film was comical at times, but it lacked anything to really make this comedy stand out. I thought it was nice to see Johnny Knoxville in a comedy other than Jackass, unfortunately, this is not a great comedy, and he is capable of so much better. This film is poorly constructed with tiresome gags that are just not funny. The film had potential in being something better than this, but it failed miserably. This is an awful film with no redeeming qualities, and given a script rewrite, this film could have been good. The jokes don't work most of the time, and though the film has a good intention, it doesn't do anything with the material. The film suffers from its predictability, and therefore by the films end, you really don't care about the characters. This film, like I said could have been good, but with a poor, predictable script, it never succeeds, and it becomes awful by the minute. The Ringer just ends up being a missed opportunity in trying to create a good comedy. The film could have much better than this.
June 3, 2012
TheDudeLebowski65
Jeff "The Dude" Lebowski

Super Reviewer

Johnny Knoxville playing mentally challenged shouldn't be too much of a stretch for him. What with all the braincells he must have lost during his years in Jackass, he's practically in the special olympics already. Anyways, before this becomes too much of a thesis on Johnny's IQ (or rather to say, lack thereof), let me just mention what I thought of the actual movie. First and foremost, I was surprised in a very positive way in how it deals with the whole concept. Contrary to what you may believe, it doesn't make fun of its special participants, but rather celebrates their great personalities, while giving them a chance to shine on the big screen. Furthermore, it makes a very important statement about how society - out of the worst kind of ignorance - underestimates these individuals and what they're actually capable of. Besides said message, it's also a highly entertaining story with its heart in the right place. I was laughing out loud on more than a few occations - never once feeling the urge to look at the watch. One of my favourite gags is when Johhny (a.k.a. Steve Barker) watch a bunch of movies with his uncle for "research", and between a copy of Rain Man and Forrest Gump, you also see a video marked "Best of Chevy Chase". Now, I don't know about the rest of you, but that sure counts for funny in my book.
September 8, 2011
CloudStrife84
Mike S

Super Reviewer

Absolutely hilarious. Love Johnny Knoxville, he's a legend!
June 23, 2011
murphmann93
Bethany Murphy

Super Reviewer

    1. Yolie: Yeah, we got that, scuse me, gotta go to the restroom. [rolls eyes]
    – Submitted by Matthew B (20 months ago)
    1. Mark: Do it again and you'll be admiring my butt from the pavement with a straw!
    – Submitted by Andrew S (2 years ago)
    1. Billy: Sratch! You scratched my CD.
    2. Billy: You picked it up in clear daylight and you scratched it.
    3. Steve Barker / Jeffy: Jeffy just admiring CD.
    4. Billy: Hey don't give me tude!
    – Submitted by Andrew S (2 years ago)
View all quotes (3)

Discussion Forum

Discuss The Ringer on our Movie forum!

What's Hot On RT

Critics Consensus
Critics Consensus

Sin City 2 is a So-So Sequel

<em>The Simpsons</em>
The Simpsons

Catch up on 25 seasons of hilarity

Total Recall
Total Recall

Robert Rodriguez's 10 Best Movies

Worst Summer Movies
Worst Summer Movies

We list the 60 worst since 1975

Red Carpet Roundup
Red Carpet Roundup

Best red carpet pictures of the week

Find us on:                     
Help | About | Jobs | Critics Submission | Press | API | Licensing | Mobile