... a kinder, gentler exercise in empty virtuosity.
Lady Vengeance (2005)
Tomatometer
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Reviews Counted:82
Fresh:60
Rotten:22
Average Rating:6.9/10
Consensus: Stylistically flashy and gruesomely violent, Sympathy for Lady Vengeance fits in nicely with the other two films of Park's revenge trilogy.
Theatrical Release:Apr 28, 2006 Limited
Synopsis: South Korean maestro Park Chan-wook concludes his Revenge Trilogy with the operatic, mesmerizing SYMPATHY FOR LADY VENGEANCE. Unlike the first two films in the trilogy--SYMPATHY FOR MR. VENGEANCE... South Korean maestro Park Chan-wook concludes his Revenge Trilogy with the operatic, mesmerizing SYMPATHY FOR LADY VENGEANCE. Unlike the first two films in the trilogy--SYMPATHY FOR MR. VENGEANCE and OLDBOY--this time around, the hero is a heroine. On the heels of her release from prison, Lee Geum-ja (Lee Yeong-ae) embarks on a mission to track down the man responsible for her imprisonment, which also resulted in her being forced to give up her daughter for adoption. Hardened by years in the penitentiary and endlessly fantasizing about the right way to exact revenge, she enlists the help of former cellmates to accomplish her goal. But what she uncovers is a secret so horrifying that no revenge seems fitting. Employing the same techniques (symphonic music, electrifying cinematography, sharp editing) that made OLDBOY such a thrilling cinematic experience, Park Chan-wook concludes his trilogy on a somber note. Beginning as a flashy, almost lighthearted spectacle, SYMPATHY FOR LADY VENGEANCE gradually reveals itself to be a poignant commentary on the futility of revenge. Fortunately, the director's sheer audacity and technical virtuosity keeps it from succumbing to total darkness. This filmed screened as part of Lincoln Center's 2005 New York Film Festival. [More]
Starring: Yeong-ae Lee, Choi Min-Sik
Starring: Yeong-ae Lee, Choi Min-Sik
Director: Chan Wook Park
Director: Chan Wook Park
Studio: Tartan Films
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Reviews for Lady Vengeance
Lady Vengeance dazzles us with cinematic savoir-faire, but it is ultimately as cold, calculating and contradictory as its anti-heroine.
Probably like nothing you've seen before, but you'd have to be pretty sick and twisted to really get off on it.
The whole process adds up to a fairly impressive two-stage thrill ride.
The whole process adds up to a fairly impressive two-stage thrill ride,
It concludes Park's trilogy on a dual note of circular tragedy and fragile hope, while working equally well as an introduction to his universe of retribution and repentance or as a stand-alone thriller with a darkly feminist twist.
Chan-wook has examined many aspects of the concept of revenge, including the most lasting: consequences. For many movies, the act of retribution is the point of the film. For Chan-wook, it's the starting point for a larger tapestry.
Lady Vengeance is his most sullen and patient film, and yet it's breathless pop filmmaking, narratively mercurial, viscerally traumatic, and thematically infernal.
Slick and frequently mesmerising, but ultimately it feels as calculated as the murky, melodramatic denouement.
Lady Vengeance isn't as horrifying as its predecessor but it's certainly powerful enough to end the trilogy on a high note. One thing is for sure... no one dishes out vengeance quite like Chan-wook Park.
The Vengeance Trilogy is a remarkable accomplishment not only for Park, but for world cinema and lovers of the extreme who finally have a collection of films they can truly call art.
The first hour will test the patience of all but diehard fans of the genre, flipping randomly through time before things settle down for a final 50 minutes examining the ethics of revenge.
An unsettling mix of stylish visuals, surreal fantasy, and shocking violence.
He wants to get into the black heart of revenge, and his films are testaments to that journey.
Alternately wonky -- a late plot twist will leave you thinking a couple of the film's reels went missing -- and offensive as only an elegant depiction of brutal violence can be, Lady Vengeance is meretricious nonsense.
Like a fairy tale with fangs, Sympathy for Lady Vengeance promises pleasurable escapism, but ensnares its audience in a thorny line of questioning.
Park's elegant new melodrama... raises meaty questions about vigilantism—unlike Tarantino's similarly plotted and pop-styled Kill Bill.
Latest News for Lady Vengeance
May 15, 2009:
Cannes 2009: The Tomato Report – Thirst’s Vampires Descend on the Croisette
Park Chan-wook is best known for his exceptional Vengeance Trilogy -- Sympathy for Mr. Vengeance, Oldboy and Lady Vengeance -- three blood-soaked, expertly drawn films that... More...
May 10, 2009:
Cannes 2009: RT's 10 Most Anticipated Movies
The Cannes Film Festival will screen nearly 100 films as part of its Official Selection and associated sidebars when it kicks off next week in the Southern France town. The... More...
March 17, 2008:
Charlize Theron Has Sympathy for Lady Vengeance
She'll spend the summer blending humor and superhero action with Will Smith and Jason Bateman in Hancock, but Charlize Theron already has Vengeance on her mind. More...
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