Has been criticized by some reviewers for its low-tech special effects. Curiously, I found this technical transparency part of the film's enormous charm.
The Promise (2005)
Tomatometer
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Reviews Counted:26
Fresh:11
Rotten:15
Average Rating:5.2/10
Consensus: An incoherent plot and ridiculously obvious CGI effects doom this effort from the usually outstanding Chinese director Chen Kaige.
Synopsis: A sweeping martial arts epic in the mode of CROUCHING TIGER, HIDDEN DRAGON, THE PROMISE is a crowd-pleasing stew of action, fairy tale conventions, wire-fu, and romance with undeniable... A sweeping martial arts epic in the mode of CROUCHING TIGER, HIDDEN DRAGON, THE PROMISE is a crowd-pleasing stew of action, fairy tale conventions, wire-fu, and romance with undeniable international appeal for young and old alike. The most expensive film ever produced in China, director Chen Kaige (FAREWELL MY CONCUBINE) has assembled a lavish, far-reaching spectacle in which ornate, brightly-hued costumes and dreamlike landscapes leap off the screen. In a world where gods and mortals share the same space, a poor, orphaned girl in a war-torn land is promised be the Goddess Manshen (Chen Hong) that she will grow up to be beautiful and wealthy--though she will lose every man she loves. The girl grows to be Princess Qingcheng (Cecilia Cheung), radiantly beautiful and with many admirers. When a vicious young duke (Nicholas Tse) becomes intent on capturing her, a General (Hiroyuki Sanada) outfits his slave (Jang Dong-Gun)--who has supernatural running ability--with his armor and orders him to rescue the princess. She falls for him, believing him to be the General. Numerous gorgeous set-pieces would make a great impression regardless of the proceedings, but the tale they serve is thrilling and warm, with an attractive cast to execute it. Computer-generated imagery is employed liberally and often gives THE PROMISE the look of a video game, but the actors, especially Dong-Gun and Cheung, never fail to transcend the visual effects. A huge success in its native China, the film has been shorn of 18 minutes for its U.S. release, but doesn't suffer for the lost weight. Kaige's unique vision--using eye-popping modern technology to tell an old-fashioned story--is sure to join the pantheon of favorite martial-arts films. [More]
Starring: Cecilia Cheung, Nicholas Tse, Hiroyuki Sanada, Jang Dong-Kun
Starring: Cecilia Cheung, Nicholas Tse, Hiroyuki Sanada, Jang Dong-Kun, Chen Hong, Liu Ye
Director: Chen Kaige
Director: Chen Kaige
Screenwriter: Chen Kaige, Zhang Tan
Producer: Chen Hong
Composer: Klaus Badelt
Studio: Weinstein Company
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Reviews for The Promise
Chen Kaige clearly intended this Chinese fantasy-action spectacle to top Zhang Yimou's Hero, and I must admit that I prefer it to the earlier movie.
The Promise is too full of frenetic disconnection and arbitrary comings and goings to connect meaningfully with the hearts and minds of its audience.
With The Promise Chen Kaige has proven enough of a professional that he can make the product. But he remains too much of an artist not to scribble on his signature.
Laden with a plot that could generously be called silly or, less forgivingly, stupid, it never achieves lift-off despite numerous scenes of warriors doing battle in midair.
Simply in terms of its visual poetry, the exhilarating effects of image upon image of dazzling impossibility, The Promise is not to be missed.
[The film elicits] the wide-eyed joy of seeing hundreds of soldiers ride through sets of colossal extravagance. And the sweet release of, briefly, suspending all holds on reality or even logic -- and surrendering to the joys of a fairy tale.
The Promise employs laughable computer effects and second-rate martial-arts fighting to tell the hard-to-figure story of a princess and her three lovers.
As is evident by the film's strong start and faltering finale, the trouble with any promise is failing to keep it.
In the midst of such unrelenting splendour, it's easy to nod gratefully -- and then to nod off.
Much of The Promise resembles a Cirque du Soleil extravaganza, which makes it tough to take seriously.
The Promise is one of those movies in which the individual sequences seem to surpass the overall achievement.
Oddly, The Promise -- which takes place hundreds, even thousands, of years ago, when art directors ruled the earth -- is flagrantly otherworldly but in a way that somehow weighs the picture down.
It suggests that talented Chinese directors are being led astray by the seductions of CGI and wirework fantasies.
Fans of newer Asian martial-arts movies will be satisfied with The Promise, especially because it contains the aerial wirework and swordplay expected of such movies. But the film is not as accomplished as the work of Ang Lee or Yimou Zhang.
A lavish spectacle somewhere between grand opera and cartoon about a love triangle involving a general, a slave and a cursed princess.
The producers should have allocated part of their huge budget for a couple of script polishes.
A princess with a curse, a case of mistaken identity and some of the worst special effects in a film by a world-class director.
The over-the-top acting is forgivable, but the plot's incoherence is not.
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