As the infamous womanizer, Heath Ledger stars in what seems like a French farce.
Casanova (2005)
Tomatometer
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Reviews Counted:127
Fresh:55
Rotten:72
Average Rating:5.6/10
Consensus: This frothy, oddly bloodless film does a disservice to the colorful life of the real Casanova.
Runtime: 1 hr 51 mins
Genre: Romance, Theatrical Release
Theatrical Release:Dec 25, 2005 Limited
Box Office: $11,193,738
Synopsis: CASONOVA is loosely based on the memoirs of the writer, adventurer, and infamous lover Giacomo Casanova--themselves notably unreliable--and fortunately has no pretensions to historical realism.... CASONOVA is loosely based on the memoirs of the writer, adventurer, and infamous lover Giacomo Casanova--themselves notably unreliable--and fortunately has no pretensions to historical realism. Instead, it's a witty, lighthearted romantic comedy, which uses its 18th century setting and renowned hero as a jumping-off point for sexy banter and ruminations on love, lust, and freedom. Directed with visual flair and wit by Lasse Hallström--a master of classy period pieces like CHOCOLAT and CIDER HOUSE RULES--the movie was filmed on location in Venice, and the stunningly gorgeous scenery is almost a character in its own right. Heath Ledger, believable and engaging here in a role that couldn't be more different from his powerhouse performance in BROKEBACK MOUNTAIN, turns on all of his considerable charms here. Abandoned by his mother as a child, Casanova has grown into a lascivious yet oddly innocent young man, who pursues pleasure wholeheartedly and mistakes lust for love. His biggest concern is eluding Italy's puritanical Inquisitors, until he meets Francesca Bruni (Sienna Miller), a beauty who publishes clever pamphlets on women's rights under a pen name. In the time-honored tradition, Casanova is instantly smitten with the one woman in Venice who doesn't want anything to do with him. The plot provides few surprises, but that is beside the point; the pleasures of CASANOVA are in its warm freewheeling tone, its sumptuous visuals, and the cheerful exuberance of its actors. In addition to Ledger's winning star turn, Lena Olin is her usual mesmerizing self as Francesca's scheming mother, and the reliably excellent Oliver Platt (as Francesca's overmatched fiancé) and Jeremy Irons (as the frustrated head Inquisitor) both deliver deft comic performances. [More]
Starring: Heath Ledger, Sienna Miller, Jeremy Irons, Oliver Platt
Starring: Heath Ledger, Sienna Miller, Jeremy Irons, Oliver Platt, Lena Olin, Charlie Cox, Philip Davis, Stephen Greif, Helen McCrory
Director: Lasse Hallstrom
Director: Lasse Hallstrom
Screenwriter: Jeffrey Hatcher, Kimberly Simi
Producer: Gary Levinsohn
Composer: Alexandre Desplat
Studio: Buena Vista Pictures
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Reviews for Casanova
In "Casanova," director Lasse Hallstrom wants us to suspend fact for fiction in order to enjoy a light-hearted sexual romp through 17th century Venice.
Enlivened by a few moments of boudoir slapstick that resemble a Benny Hill skit as produced by Merchant Ivory.
What's meant to evoke Shakespeare in Love ends up more often evoking Saved by the Bell.
It's worth noting that producing a farce in a way that's funny is a lost art, and director Lasse Hallström hasn't found it.
Despite its oh-so deviant title character, Casanova is a harmless bon-bon, a breezy period farce that mimics lesser Shakespeare and a look that recalls Amadeus or Shakespeare in Love.
There's less sexiness in the awful Casanova than in the downbeat, doomed gay love story featuring Ledger in Brokeback Mountain.
While not quite as irresistibly seductive as its title character, Casanova is the perfect cinematic one-night stand: charming, romantic and awfully easy on the eyes.
Casanova will seduce comedy-hungry audiences who need only be receptive to its handsome, farcical charms.
A romantic comedy that only elicits a few sporadic chuckles; we like Lasse Hallstrom's dramas much better.
Lasse Hallstrom’s costume comedy Casanova is pretty flat. In fact, it’s leaking air all over the place.
A modern romantic comedy movie transplanted to 18th Century Venice...Hallstrom's fleet-footed romp is impossible to take seriously, but that's largely the point.
even I - a product of the American public school system - am able to recognize that much of this film is complete bollix
Gets funny once it enters farce mode. Nothing special by the cast, including Ledger.
a giddy, good-natured romp with lust on its mind and romance in its heart.
Casanova is just a farce, true, but there's a smugness to the proceedings that leaves a bad aftertaste.
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