even I - a product of the American public school system - am able to recognize that much of this film is complete bollix
Casanova (2005)
Tomatometer
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Reviews Counted:127
Fresh:55
Rotten:72
Average Rating:5.6/10
Consensus: This frothy, oddly bloodless film does a disservice to the colorful life of the real Casanova.
Runtime: 1 hr 51 mins
Genre: Romance, Theatrical Release
Theatrical Release:Dec 25, 2005 Limited
Box Office: $11,193,738
Synopsis: CASONOVA is loosely based on the memoirs of the writer, adventurer, and infamous lover Giacomo Casanova--themselves notably unreliable--and fortunately has no pretensions to historical realism.... CASONOVA is loosely based on the memoirs of the writer, adventurer, and infamous lover Giacomo Casanova--themselves notably unreliable--and fortunately has no pretensions to historical realism. Instead, it's a witty, lighthearted romantic comedy, which uses its 18th century setting and renowned hero as a jumping-off point for sexy banter and ruminations on love, lust, and freedom. Directed with visual flair and wit by Lasse Hallström--a master of classy period pieces like CHOCOLAT and CIDER HOUSE RULES--the movie was filmed on location in Venice, and the stunningly gorgeous scenery is almost a character in its own right. Heath Ledger, believable and engaging here in a role that couldn't be more different from his powerhouse performance in BROKEBACK MOUNTAIN, turns on all of his considerable charms here. Abandoned by his mother as a child, Casanova has grown into a lascivious yet oddly innocent young man, who pursues pleasure wholeheartedly and mistakes lust for love. His biggest concern is eluding Italy's puritanical Inquisitors, until he meets Francesca Bruni (Sienna Miller), a beauty who publishes clever pamphlets on women's rights under a pen name. In the time-honored tradition, Casanova is instantly smitten with the one woman in Venice who doesn't want anything to do with him. The plot provides few surprises, but that is beside the point; the pleasures of CASANOVA are in its warm freewheeling tone, its sumptuous visuals, and the cheerful exuberance of its actors. In addition to Ledger's winning star turn, Lena Olin is her usual mesmerizing self as Francesca's scheming mother, and the reliably excellent Oliver Platt (as Francesca's overmatched fiancé) and Jeremy Irons (as the frustrated head Inquisitor) both deliver deft comic performances. [More]
Starring: Heath Ledger, Sienna Miller, Jeremy Irons, Oliver Platt
Starring: Heath Ledger, Sienna Miller, Jeremy Irons, Oliver Platt, Lena Olin, Charlie Cox, Philip Davis, Stephen Greif, Helen McCrory
Director: Lasse Hallstrom
Director: Lasse Hallstrom
Screenwriter: Jeffrey Hatcher, Kimberly Simi
Producer: Gary Levinsohn
Composer: Alexandre Desplat
Studio: Buena Vista Pictures
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Reviews for Casanova
By the time they make double entendres about a rich man being "well endowed" (get it?), the film is trying way too hard, like the kid at the dinner table who just learned dirty words and wants the adults to laugh.
Hallström’s latest is fine but unambitious, content with what it is -- an arthouse trifle for the masses.
The movie treats trysting as comedy and yet is stingy with the laughs. An action-packed life is now the chaste story of a rake whose romantic reformation is supposed to make us swoon. Must love dog? No thanks.
... plunders from Shakespeare, panders to feminism and offers puns and one-liners as if the setting were a vaudeville stage, not 1753 Venice.
Full of weak whimsy, woefully unsuccessful tries at humor and awkwardness from first scene to last, Casanova must have been a disaster from the script stage, and Hallstrom's unsteady decisions only speed up the free fall.
Consider how marvelous Casanova could've been had it committed not just to the look and sound of the 18th century but to the ways people really talked, thought and behaved.
a tongue-in-cheek sex romp that barely hides its Mel Brooks-inspired puns under powdered wigs.
Casanova was such a genuinely fascinating person, so tireless, seductive, brilliant, revolutionary and daring, that Hallstrom's Casanova hardly does him justice.
Hallstrom gives us a genial interpretation and a supremely good-humored film.
Although Casanova is far from a stinker, I can't join in the chorus of praise for what is essentially a coy farce replete with arch performances and even archer dialogue.
Casanova is just a farce, true, but there's a smugness to the proceedings that leaves a bad aftertaste.
Casanova will seduce comedy-hungry audiences who need only be receptive to its handsome, farcical charms.
At times ridiculous, at others touching, it's an entertaining cinematic frolic that both men and women can enjoy.
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